Tag Archives: Mexico

Maldita Vecindad and activism

 

La Maldita Vecindad y los Hijos del Quinto Patio (usually referred to as Maldita Vecindad, or La Maldita, for short) produces music that is frequently categorized as fusion, due to its blending of rock, ska, reggae, and punk with traditional Mexican styles like danzón and bolero.

Deeply rooted in the working class, Maldita Vecindad is a pioneer of the rock en español movement, and its easily recognizable fusion rock—as well as the pachuco fashions favored by the members—have helped it to become one of the most influential groups of contemporary Mexican rock music.

From the group’s beginnings in the wake of the 1985 earthquake that devastated Mexico City, Maldita Vecindad’s members have drawn on their fame to make their fans more aware of leftist ideas and social causes, including the need for actively participating in relief efforts following the 1985 quake, political campaigns, and raising consciousness about HIV and AIDS. The group’s motto is paz y baile (peace and dance), a perfect combination of social message with ritual.

This according to “Maldita Vecindad, ritual, and memory: Paz y baile” by Lori Oxford, an essay included in Sounds of resistance: The role of music in multicultural activism (Santa Barbara: Praeger, 2013, pp. 355–72).

Below, Maldita Vecindad performs in 2014.

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Filed under Performers, Politics, Popular music

Museo universal, sobre sonidos mexicanos

museo universal

Museo universal, sobre sonidos mexicanos, a virtual museum of pre-Columbian Mexican tlapitzalli (aerophones), is universal because it does not include language-based information; all it requires is Internet access and the ability to use a computer mouse.

Clicking on an illustration takes the user to an enlargement of the image along with a sound file of a brief performance on the instrument and a spectrograph of the sound. Written in the standard HTML markup language, it can operate on all major platforms.

Above, a screenshot of part of the museum; below, a brief demonstration of pre-Columbian Mexican instruments.

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Filed under Antiquity, Instruments

Flower world/Mundo florido

flowerworld

Ēkhō Verlag issued the first volume of the series Flower world: Music archaeology of the Americas/Mundo florido: Arqueomusicología de las Américas in 2012.

This bilingual series aims to raise the study of the music-related activities of the pre-Columbian Americas to a new level, with peer-reviewed studies of both past and living traditions, providing a platform for the most up-to-date information on the music archaeology of the New World.

Below, a brief film about the pre-Columbian instruments of Mexico.

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Filed under Antiquity, Instruments, North America, South America, West Indies