Répertoire International de Littérature Musicale (RILM) is excited to announce its collaboration with Smithsonian Music for its 2019 Year of Music. This initiative aims to increase public engagement, advance understanding, and connect communities by highlighting and sharing the Smithsonian’s vast musical holdings. RILM, which documents and disseminates music research worldwide, supports this by drawing on its comprehensive digital resources to create blog posts, right here on Bibliolore, on a selection of the Year of Music’s Objects of the Day. Each post is enhanced with an expertly curated bibliography.
The bibliographic references stem from one of the richest and most exhaustive resources of global music research, RILM Abstracts of Music Literature with Full Text™, which contains over a million bibliographic records from relevant writings on music published from the early 19th century to the present in 178 countries and in 143 languages.
Dr. Atarthi has already added over 1000 new records into our
database—records for publications that are otherwise unavailable to us. He is
able to work fluently in his native Bengali, as well as in Hindi and English,
and we look forward to our continuing association with him!
Above, Dr. Zdravko Blažeković, RILM’s Executive Editor, and Dr. Shubha Chaudhuri, Director of the Archives & Research Center for Ethnomusicology; below, a brief documentary about ARCE.
Cowdery, Senior Editor, RILM Abstracts of Music Literature
Sometime in the summer of 2009, Zdravko
Blažeković, RILM’s Executive Editor, casually said to me “You know, we
should have a blog.” He was thinking about how simply by virtue of what we do,
RILM editors have a unique perspective on music literature, and how others
might enjoy our insights along with us.
I agreed, and started looking into how we
might make that happen. We weren’t sure exactly how our blog would turn out,
but we decided to start with some news about RILM. Our
first blog post was published ten years ago this week!
The reviewer, Raymond Ericson, noted that the volume “looks, hopefully, like the first permanent attempt to describe regularly what is being written about in the world’s significant literature on music” and that it “obviously fills a great need in musicological circles.” He also included summaries of six of the volume’s 497 entries.
Below, something else that happened a couple of days later.
Besides maintaining a museum in the house where the composer was born and keeping up with writings about him and his works, the organization offers an online digital archive where visitors can listen to Beethoven’s music and view manuscripts, correspondence, and images—over 5,000 documents on 26,000 scans and about 7,600 text files and 1,600 audio files.
Near the end of his visit to Rome in 1933, the Hindustani vocalist Omkarnath Thakur (1887–1968) received an invitation to dine with Mussolini; Il Duce had caught wind of Thakur’s theories and experiments regarding the inducement of emotional states by … Continue reading →
Musicforcats.com presents music by David Teie that is based on feline vocal communication and environmental sounds that pique the interest of cats, written in a musical language that is uniquely designed to appeal to the domestic cat. The pieces … Continue reading →
Debussy first heard Javanese gamelan music from a relatively small group at the 1889 Paris Exposition Universelle; he finally heard a full ensemble at the 1900 Exposition. While he generally disapproved of the Orientalism of earlier Romantic-era composers, he found … Continue reading →
The first piano ever to be carried on a passenger aircraft was created by the Julius Blüthner Pianofortefabrik for the ill-fated Hindenburg airship. The lightweight aluminum alloy grand piano weighed only 162 kg (356 lbs). The frame, rim, fallboard, and … Continue reading →