Tag Archives: RILM

RILM Collaborates with The Smithsonian Institution

Répertoire International de Littérature Musicale (RILM) is excited to announce its collaboration with Smithsonian Music for its 2019 Year of Music. This initiative aims to increase public engagement, advance understanding, and connect communities by highlighting and sharing the Smithsonian’s vast musical holdings. RILM, which documents and disseminates music research worldwide, supports this by drawing on its comprehensive digital resources to create blog posts, right here on Bibliolore, on a selection of the Year of Music’s Objects of the Day. Each post is enhanced with an expertly curated bibliography. 

The bibliographic references stem from one of the richest and most exhaustive resources of global music research, RILM Abstracts of Music Literature with Full Text, which contains over a million bibliographic records from relevant writings on music published from the early 19th century to the present in 178 countries and in 143 languages.

Published posts include ones on Grand Wizzard Theodore’s turntables, the newly acquired Stinson banjoPatsy Cline’s performance outfit, the cover for the Voyager Golden Record, and Elaine Brown’s Seize the Time, with many more to come. 

To access all our posts in this Smithsonian collaboration series, search for “Smithsonian Object of the Day,” or click on the tag below.

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Filed under Musicology, Publication types, RILM, RILM news

RILM’s India connection

In May 2019 RILM entered into a collaboration with the Archives & Research Center for Ethnomusicology (ARCE) at the American Institute of Indian Studies in Gurgaon, India. Dr. Shuba Chaudhuri, ARCE’s Director, put us in touch with Sagnik Atarthi, who is now working there to send us bibliographic information for publications on Indian music and dance in ARCE’s extensive library. 

Dr. Atarthi has already added over 1000 new records into our database—records for publications that are otherwise unavailable to us. He is able to work fluently in his native Bengali, as well as in Hindi and English, and we look forward to our continuing association with him!

Above, Dr. Zdravko Blažeković, RILM’s Executive Editor, and Dr. Shubha Chaudhuri, Director of the Archives & Research Center for Ethnomusicology; below, a brief documentary about ARCE.

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Filed under RILM, RILM news

Bibliolore turns 10!

by Jim Cowdery, Senior Editor, RILM Abstracts of Music Literature

Sometime in the summer of 2009, Zdravko Blažeković, RILM’s Executive Editor, casually said to me “You know, we should have a blog.” He was thinking about how simply by virtue of what we do, RILM editors have a unique perspective on music literature, and how others might enjoy our insights along with us.

I agreed, and started looking into how we might make that happen. We weren’t sure exactly how our blog would turn out, but we decided to start with some news about RILM. Our first blog post was published ten years ago this week!

Today Bibliolore includes subjects of practical interest to music researchers and librarians and writings on music that have piqued our curiosity or made us smile, along with original contributions from our team of musicologists. Most posts have direct relationships to content found in RILM’s resources, which include our flagship RILM Abstracts of Music Literature and its enhancement, RILM Abstracts with Full Text, as well as RILM Music Encyclopedias, MGG Online, and Index to Printed Music.

Below, we celebrate our first ten years with Ten Years After’s performance at Woodstock, 50 years ago!

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Filed under RILM, RILM news, Uncategorized

RILM in the news, 1967

 

On Sunday 5 November 1967 The New York times published “Who’s writing about music and where”, a review of the first quarterly volume of RILM Abstracts of Music Literature. The volume had been published in August of that year.

The reviewer, Raymond Ericson, noted that the volume “looks, hopefully, like the first permanent attempt to describe regularly what is being written about in the world’s significant literature on music” and that it “obviously fills a great need in musicological circles.” He also included summaries of six of the volume’s 497 entries.

Below, something else that happened a couple of days later.

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Filed under From the archives, RILM

RILM Editor wins Outstanding Dissertation Award

Former RILM Editor Woo Shingkwan (胡成筠) has just won the International Musicological Society’s 2018 Outstanding Dissertation Award for The ceremonial music of Zhu Zaiyu.

Zhu Zaiyu (1536–1611) was a mathematician, physicist, music theorist, choreographer, and composer; he is particularly remembered today for creating the theory of 12-tone equal temperament.

Congratulations to our former colleague! Above, a page from the dissertation.

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Filed under Asia, RILM, RILM news, Theory

Musicworks

Thanks to funding from the Canada Council for the Arts, the Ontario Arts Council, the Canada Magazine Fund, the SOCAN Foundation Publications Assistance Program, and the Canada Periodical FundMusicworks has been issuing articles, reviews, and scores focusing on Canadian music since 1978; since 1983, issues have included sound recordings as well. While Canadian composers and performers are most often featured, the magazine also covers Canadian traditional music in both native and non-native cultures.

Recently Musicworks sent us a full run of their back issues; now we are confident that all of their articles are fully covered by RILM.

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Filed under 20th- and 21st-century music, Music magazines, RILM news

Beethoven-Haus

Beethoven-Haus in Bonn is one of RILM’s newest subscribers.

Besides maintaining a museum in the house where the composer was born and keeping up with writings about him and his works, the organization offers an online digital archive where visitors can listen to Beethoven’s music and view manuscripts, correspondence, and images—over 5,000 documents on 26,000 scans and about 7,600 text files and 1,600 audio files.

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Filed under Architecture, Classic era, Resources, RILM news