Tag Archives: Instruments

Père Castel’s ocular harpsichord

 

The Jesuit priest Louis-Bertrand Castel had his hour of fame in the 18th century thanks to his ocular harpsichord.

Starting from the idea of a physical analogy between sound and color, Castel conceived of a harpsichord that would diffuse a music of colors organized into a scale on the basis of their natural correspondence with sounds. In this way he sought to reveal the rational principles that determine the order of nature, grounding art in reason. Art would thus bear witness to a divine intelligence compatible with reason, and the music of colors would be a form of revelation.

In addition, this development would rescue people from boredom, the languor that takes away their feeling of existing, by ensuring continuous movement and surprise, renewing the pleasure of variety, and satisfying the natural inconstancy that goads them relentlessly to seek other objects of pleasure. From this to the preaching of a libertine art was a matter of a single step, which Castel took without realizing it. For him, amusement had achieved a respected place in the world.

This according to Le Père Castel et le clavecin oculaire by Corinna Gepner (Paris: Honoré Champion, 2014).

Today is Castel’s 330th birthday! Above, a caricature of Père Castel and his instrument by Charles Germain de Saint Aubin; below, a brief discussion.

Leave a Comment

Filed under Curiosities, Instruments

Asante gold-dust weights

Until the second half of the mid-19th century, the Asante and related peoples of Ghana and the Ivory Coast used small brass castings made by the lost-wax process as weights for measuring their gold-dust currency.

These weights, made in large numbers by professional metal workers, came in all shapes and sizes. There were two sorts of weights: those which represent miniature objects, creatures, and activities from local life, and those in non-representational, geometrical forms.

Many of the representational weights depicted musical instruments, either on their own or being played, and activities which traditionally took place to the accompaniment of music. The great majority of these weights show only two types of instruments: ivory trumpets, and various types of drums.

This according to “Music and gold-weights in Asante” by Malcolm Donald McLeod (British museum yearbook 1980, pp. 225–42).

Above, a weight depicting a pair of atumpan drums of the Akan people; below, the atumpan in action.

1 Comment

Filed under Africa, Curiosities, Iconography, Instruments

Reverend Gary Davis and Miss Gibson

rev. gary davis

One day Manny Greenhill, Reverend Gary Davis’s sometime manager, received a desperate call from Wurlitzer, one of Boston’s most staid and respected music stores.

A quavering voice explained that an elderly man, a minister of some sort, had seized the most expensive guitar in the store and refused to part with it.

The man had tried out several models, had chosen the top-of-the-line Gibson, and had been there for some time, talking to it, and playing and singing spirituals in a loud voice. No one dared to take it away from him. “He says he has no money, but he gave your name, Mr. Greenhill, as his manager. He is upsetting the other customers. What shall we do?”

Greenhill bought Davis the guitar, and the debt became a longstanding joke: Davis was always going to pay him back for Miss Gibson “on the next check.”

This according to “Remembering Reverend Gary Davis” by Eric von Schmidt and John Kruth (Sing out! LI/4 [winter 2008] pp. 66–75).

Today is Davis’s 120th birthday! Above and below, Davis and Miss Gibson in action.

Comments Off on Reverend Gary Davis and Miss Gibson

Filed under Jazz and blues, Performers

Afghanistan at peace

Music in the Afghan north, 1967–1972 presents materials from Mark Slobin’s research in Afghanistan before successive waves of war and Islamist rule began to decimate its traditional culture.

The site involves three layers of organization, with increasing access to the study’s technical materials: an introduction to the ideas and topics with capsule summaries; links to excerpts from the book-length study; and the complete book Music in the culture of northern Afghanistan (Tucson: University of Arizona Press, 1976).

Still photography, moving picture clips, and sound clips accompany the written text. Above, a rubāb maker in Mazār-i-Sharīf; below, drums for sale in Istālif, a village renowned for its glazed pottery.

Related post: Robert Garfias: Ethnomusicology

3 Comments

Filed under Asia, Ethnomusicology