The Jazzomat Research Project takes up the challenge of jazz research in the age of digitalization, opening up a new field of analytical exploration by providing computational tools as well as a comprehensive corpus of improvisations with MeloSpyGUI and the Weimar Jazz Database.
The volume Inside the Jazzomat: New perspectives for jazz research (Mainz: Schott, 2017; RILM Abstracts of Music Literature 2017-48411) presents the main concepts and approaches of the ongoing project, and includes several case studies that demonstrate how these approaches can be included in jazz analysis in various ways.
Above, a graphic related to Jazzomat’s DTL Pattern Similarity Search; below, Don Byas’s recording of Body and soul, one of the book’s case studies.
More posts about jazz are here.
Launched by Editions Lugdivine in 2017, Musicologies nouvelles: Agrégation aims to provide a framework for incorporating past achievements in musical analysis into today’s research on the social, cultural, and psychological worlds that surround musical sound. The journal is edited by Isabelle His and Nahéma Khattabi.
Below, Liszt’s Von der Wiege bis zum Grabe, the subject of an article in the inaugural issue.
In 2016 the Universidade Federal do Rio de Janeiro launched MusMat: Brazilian journal of music and mathematics, which brings together articles, interviews, and news on the interactions between music and mathematics in applications in analysis and composition. The journal is peer-reviewed and open-access.
Below, a work by Rodolfo Coelho de Souza, who discusses his compositional methods in the inaugural issue.
Beethoven’s last piano sonatas: An edition with elucidation (Oxford University Press, 2015) is the first English-language edition and translation of Heinrich Schenker’s landmark editions of Beethoven’s opp. 109, 110, 111, and 101 (Wien: Universal Edition, 1913).
Each of the four volumes incorporates references to corrections and other remarks entered by Schenker in his personal copies of the sonatas, many of which have not been presented in any of the previous German editions of the works.
Also included are supplements to the original text with explanations of certain points in the commentary and graphic presentations of several passages.
Below, Svâtoslav Rihter performs the op. 101 sonata.
www.Vmus.net: Online platform for musical performance studies is a free online resource that provides tools that enable any Internet user to analyze sound files and obtain waveforms, spectrograms, tempo-dynamic curves, and performance data by simply clicking a few buttons. Only a login is required.
Above, the site’s imaging of the opening bars of the overture to Bizet’s Carmen; below, a demonstration of some of this resource’s capabilities.