In summer 2018 the Asia-Europe Music Research Center at the Shanghai Conservatory of Music launched Asian-European music research e-journal, a peer-reviewed open-access journal that publishes scholarship on traditional and popular musics and fieldwork research, and on recent issues and debates in Asian and European communities. The journal places a specific emphasis on interconnectivity in time and space between Asian and European cultures, as well as within Asia and Europe.
The journal provides a forum to explore the impacts of post-colonial and globalizing movements and processes on these musics, the musicians involved, sound-producing industries, and resulting developments in today’s music practices. It adopts an open-minded perspective on diverse musics and musical knowledge cultures.
Below, a silent film shot in Bali in 1928—part of Bali 1928, a repatriation project discussed in the inaugural issue.
In 2017 Intellect launched Journal of popular music education (ISSN 2397-6721; EISSN 2397-673X).
One of the main aims of this journal, especially initially, is iteratively to define the parameters of the field and disciplines of its readership and contributors (especially with regard to other journals in popular music, and music education), this being an emerging field of scholarship and practice.
The other principal aim is to disseminate excellent critique and other forms of scholarship (e.g., phenomenological) in and related to the field. The journal aims to have an inclusive, global reach. Education and popular music are terms that the editors are glad to see stretched and problematized through rigorous examination from multiple international perspectives.
Below, 我和你 (You and me), a song discussed in the inaugural issue.
In December 2017 Karadeniz Teknik Üniversitesi launched Musicologist: International journal of music studies, a peer-reviewed, English-language, open-access online journal.
Musicologist presents original research articles, reviews, publicity, field notes and ethnographic writings, and translations related to musicology. The journal aims to make a major contribution to musicological discourse worldwide by presenting high-level and original scholarly research, theoretical discussions, and up-to-date methodological studies, and to thus become an effective locus for scholarship around the world.
Below, Ş. Şehvar Beşiroğlu, the subject of the lead article in the first issue.
Psychoanalytic studies of the arts have mainly focused on visual art, literature, and film; launched by Psychosozial-Verlag in 2017, Jahrbuch für Psychoanalyse und Musik (ISSN 2367-2498) aims to fill the gap with psychoanalytic explorations of music.
The journal addresses musicians, musicologists, and cultural scientists as well as psychoanalysts and psychotherapists; its interdisciplinary approach illuminates seldom-noted connections between academic fields. The inaugural volume, edited by Sebastian Leikert and Antje Niebuhr, focuses on the unconscious meanings of interrelationships between music and language.
Below, the finale of Wagner’s Tristan und Isolde, a work discussed in the journal’s first issue.
Launched by Editions Lugdivine in 2017, Musicologies nouvelles: Agrégation aims to provide a framework for incorporating past achievements in musical analysis into today’s research on the social, cultural, and psychological worlds that surround musical sound. The journal is edited by Isabelle His and Nahéma Khattabi.
Below, Liszt’s Von der Wiege bis zum Grabe, the subject of an article in the inaugural issue.
Launched in 2017, The international journal of traditional arts is an international, peer-reviewed gold open access journal that promotes a broad-ranging understanding of the relevance of traditional arts in contemporary social life.
The journal publishes leading and robust scholarship on traditional arts from around the world with a focus on the contemporary policy and practice of traditional music, dance, drama, oral narrative, and crafts. Its scope includes ethnomusicology, cultural sociology, anthropology, ethnology, ethnochoreology, cultural policy, folklore, musicology, cultural studies, cultural economics, heritage, and tourism studies.
Above and below, Quartett Laseyer, a group that figures in one of the articles in the inaugural issue.
Launched by Taylor & Francis in 2015, Sound studies aims to provide a forum for emergent ideas, theories, and topics, but it is also committed to an ongoing dialogue with some of the field’s rich legacy in areas such as soundscapes, sound art, film music, histories of listening, the tensions and synergies of sound and vision, and many others.
The editors also hope to initiate a broader conversation about sound across multiple geographic, social, and cultural spaces, and about how sound travels across such spaces, facilitating the formation of new communities and alliances in some cases while also creating new boundaries and distinctions in others.
Below, Matthew Herbert’s Foreign bodies, which is discussed in one of the articles in the inaugural issue—the recording assembles its sonic palette out of digestive gurgling, blood, toothbrushing, popping joints, handclaps, speech, non-verbal vocalizations, and singing.
In 2016 the Universidade Federal do Rio de Janeiro launched MusMat: Brazilian journal of music and mathematics, which brings together articles, interviews, and news on the interactions between music and mathematics in applications in analysis and composition. The journal is peer-reviewed and open-access.
Below, a work by Rodolfo Coelho de Souza, who discusses his compositional methods in the inaugural issue.
In 2016 the Beogradski centar za muziku i umetničku igru launched Accelerando: Belgrade journal of music and dance (ISSN 2466-3913), an open access, double-blind-peer-reviewed, international scholarly journal.
BJMD aims to provide high-quality, original academic articles and research reports for students, researchers, and professionals in various fields of dance, music, and the performing arts. Its goals include developing academic collaboration between scholars, introducing the traditional arts of any nation, introducing modern and contemporary tendencies in music and dance, and introducing qualitative approaches in music and/or dance education.
Below, an excerpt from a performance by the Ballet Nacional de Cuba, an organization discussed in the inaugural issue.
In 2016 Svenskt Visarkiv launched Puls: Musik- och dansetnologisk tidskrift/Journal for ethnomusicology and ethnochoreology, an open-access, peer-reviewed online journal (EISSN 2002-2972).
While the main focus of the journal is ethnomusicology and ethnochoreology, it also embraces adjacent disciplines, such as other aspects of musicology and choreology, folklore, literature, and related studies of traditional and popular culture. The journal focuses on discussion of the expressions, roles, and functions of music and dancing in society. Articles are published in Scandinavian languages or in English.
Below, Frode Fjellheim’s Eatnemen vuelie as heard in Disney’s Frozen, the subject of a discussion in the inaugural issue.