In 2020 Intellect launched Global hip hop studies, a biannual peer-reviewed, rigorous, and community-responsive academic journal that publishes research on contemporary as well as historical issues and debates surrounding hip hop music and culture around the world.
The journal provides a platform for the investigation and critical analysis of hip hop politics, activism, education, media practices, and industry analyses, as well as manifestations of hip hop culture in all four of the classic elements—DJing/turntablism, MCing/rapping, graffiti/street art, and b-boying/b-girling/breaking and other hip hop dances—along with the under-examined realms of beatboxing, fashion, identity formation, hip hop nation language, and beyond.
Below, the South Indian rapper Smokey the Ghost, who is interviewed in the inaugural issue.
Music research annual (ISSN 2563-7290) is the first peer-reviewed journal devoted to publishing review essays from the full range of academic disciplines that study music. Each article explores the current state of scholarship on a key topic within a discipline or interdisciplinary juncture and charts ways forward to new research.
Led by a group of renowned scholars, the journal seeks to forward academic inquiry into music and foster interdisciplinary dialog. MRA is an open-access journal published by the Research Centre for the Study of Music, Media, and Place at Memorial University of Newfoundland (Canada).
Below, the Australian magpie figures in an article in the inaugural issue.
In 2020 the University of California Press launched Resonance: The journal of sound and culture (ISSN 2688-867X), an interdisciplinary, international peer-reviewed journal that features research and writing by scholars and artists working in fields typically considered to be the domain of sound art and sound studies.
These fields may include traditional and new forms of radio, music, performance, installation, sound technologies, immersive realities, and studies-based disciplines such as musicology, philosophy, and cultural studies. The scope extends to other disciplines such as ethnography, cultural geography, ecologies, media archeology, digital humanities, audiology, communications, and architecture.
The journal’s purview investigates the research, theory, and praxis of sound from diverse cultural perspectives in the arts and sciences, and encourages consideration of ethnicity, race, and gender within theoretical and/or artistic frameworks as they relate to sound. The journal also welcomes research and approaches that explore cultural boundaries and expand upon the concept of sound as a living, cultural force whose territories and impacts are still emerging.
Resonance is published quarterly in an online-only format.
Below, a creation by David Cope’s Experiments in Musical Intelligence; the project is discussed in the journal’s inaugural issue (RILM Abstracts 2020-5452).
In 2019 Multidisciplinary Digital Publishing Institute (MDPI) launched Acoustics (ISSN 2624-599X), a peer-reviewed journal of acoustic science and engineering.
Being open-access and available online, it is able to offer excellent visibility and a fast processing time from submission to publication. The journal aims to provide an interdisciplinary forum to showcase state-of-the-art research challenges.
There is no restriction on the length of papers or charge for extra colors, etc. Electronic files supplying details of calculations and experimental procedures as well as sound files can be deposited as supplementary materials.
Above, the cover of the inaugural number; below, Paphos theater, one of the acoustical environments discussed in the issue (RILM Abstracts 2019-5509).
In 2020 the Centro de Estudos em Música e Mídia launched Musimid: Revista brasileira de estudos em música e mídia (ISSN 2675-3944), a peer-reviewed journal published every four months. Musimid focuses on interdisciplinary texts on music with an emphasis on musical semiotics, along with topics in musicology, history, and criticism.
Among the topics of interest to the journal, issues related to performance and its models stand out: relationships with the body and its different layers of mediation throughout history; the role of technology and media platforms in the processes of poetic communication; the conception of a musical instrument and its interpolation with various devices, existing or obsolete (microphones, amplification, high-fidelity), and media platforms; variations in listening patterns, taste, and aesthetic sensitivity, through the introduction of different sound media; soundscapes and changes in sensitivity; the interfaces of the musical language with other artistic languages; issues related to contemporaneity, globalization, identity, belonging, and affective bond, through music; cultural, musical and media memory; and the constitution of stable values in the ephemeral era.
Below, a music-forward excerpt from Back to the future, the subject of an article in the inaugural issue.
In 2019 Accademia Musicale “Studio Musica” launched International journal of music science, technology, and art, an international and double-blind peer-reviewed journal.
IJMSTA provides a platform for the publication of the most advanced research in music in the areas of acoustics, artificial intelligence, mathematical analysis, learning and teaching, history, and ethnomusicology. The journal welcomes original empirical investigations; the papers may represent a variety of theoretical perspectives and different methodological approaches.
Below, Sheriff Ghale, one of the Ghanaian popular musicians discussed in the inaugural issue.
In 2019 Ediciones Universidad Alberto Hurtado launched Contrapulso: Revista latinoamericana de estudios en música popular (ISSN 2452-5545), a peer-reviewed online journal devoted to popular music in Latin America and the Caribbean at all times in history—from the musical, literary, technological, and/or performative scrutiny of the popular repertoire to the study of the formation of collective identities through this music. Issues are published yearly in January and August.
Below, Pamela Cortés’s Cristales rotos, one of the songs discussed in “Fonograma erotizado: Producción musical y mujer en la música popular de Guayaquil” by Luis Pérez Valero and Samaela Campos; the article is included in the inaugural issue.
In 2019 Intellect launched the International journal of music in early childhood (ISSN 2516-1989; EISSN 2516-1997), an interdisciplinary forum directed at the empirical study of music in early childhood, or pre-birth to age 8.
The journal welcomes research-based contributions from fields such as music education, music therapy, community music, psychology, ethnomusicology, anthropology, sociology, history, philosophy, childhood studies, and social work that are concerned with diverse aspects relating to music in the lives of young children.
IJMEC publishes original research reports, best practice papers, case studies of specific programs, critical literature reviews, and book/media reviews. Areas covered will include young children’s development in and through music, pedagogical theories and tools for practitioners and researchers, early childhood music education policy, and music therapy for infants and young children, exploring music in settings such as daycares, preschools, and other educational spaces, as well as within families, peer groups, and the community. The journal is published in partnership with the Early Childhood Music & Movement Association.
Below, an example of the Suzuki method, the subject of an article in the journal’s inaugural issue.
In 2019 Open Music Library launched International journal of the study of music and musical performance.
The journal advances both a general and professional interest in music and its performance with essays that cover a range of approaches: from discussions of little-known composers and musicians drawing upon primary and secondary sources to more specialized studies of composers, works, instruments, performers, audiences, and institutions. A review section covers new books, scores, and recordings. Whenever possible, international contributions are presented in the original language as well as in English.
Below, Hans Werner Henze’s Du schönes Bächlein; the work’s performance practice is discussed in the inaugural issue.
In 2018 the Institut za Savremenu Muziku launched INSAM: Journal of contemporary music, art and technology, an international peer-reviewed journal dealing with topical issues in contemporary art music, visual and performing arts, and technology.
The journal encourages interdisciplinary and transdisciplinary approaches and innovative views on these subjects, aiming to create a platform for communicating new ideas and theoretical and artistic impulses. This open-access journal is published online semi-annually, in July and December.
Below, XO pt. II by Dino Rešidbegović; the work is the subject of one of the articles in the inaugural issue.