Category Archives: RILM news

Répertoire International de Littérature Musicale and Institut du Monde Arabe announce their collaboration

New York. — January 17, 2023 — Répertoire International de Littérature Musicale (RILM) has entered a three-year collaboration with the Institut du Monde Arabe in Paris (IMA, Arab World Institute) that aims to increase public engagement, advance global cultural understanding, and connect diverse communities by highlighting and sharing the Institute library’s holdings on music from the Arab world. RILM, which documents and disseminates music research worldwide, supports this initiative by drawing on its comprehensive digital resources to create blog posts about a selection of Arabic music literature. Each post is enhanced with an expertly curated bibliography. 

The bibliographic references stem from one of the richest and most exhaustive resources of global music research, RILM Abstracts of Music Literature, which contains 1.5 million bibliographic records from relevant writings on music published from the early 19th century to the present in over 170 countries and in more than 140 languages.

Blog posts are published on both institutions’ websites: RILM’s Bibliolore at https://bibliolore.org/ and the Institut du Monde Arabe’s Bibliographies page at https://www.imarabe.org/fr/ressources/bibliographies and the IMA News page at https://www.imarabe.org/fr/actualites.

Répertoire International de Littérature Musicale (RILM), New York: RILM is committed to the comprehensive and accurate representation of music scholarship in all countries and languages, and across all disciplinary and cultural boundaries. It publishes a suite of digital resources aimed at facilitating and disseminating music research. Its flagship publication is RILM Abstracts of Music Literature, the international bibliography of writings on music covering publications from the early 19th century to the present, now available in an enhanced version that includes the full text content of over 260 music journals. RILM Abstracts is available on the EBSCOhost platform along with RILM Music Encyclopedias, a full-text repository of a wide-ranging and growing list of music reference works, and the Index to Printed Music, a finding aid for searching specific musical works contained in printed collections, sets, and series. Distributed worldwide on RILM’s own platform are the continually updated music encyclopedia MGG Online, RILM Music Encyclopedias, and the  Dizionario Enciclopedico Universale della Musica e dei Musicisti (coming in mid-2023). RILM is a joint project of the International Association of Music Libraries, Archives, and Documentation Centres (IAML); International Council for Traditional Music (ICTM); the International Musicological Society (IMS); and the International Association for the Study of Popular Music (IASPM). www.rilm.org

Institut du Monde Arabe, Paris: The Institut du Monde Arabe was founded to create strong and durable cultural ties while cultivating constructive dialogue between the Arab world, France, and Europe. This cross-discipline space is the central place for the development of cultural projects, in collaboration with institutions, creators and thinkers from the Arab world. The Institut du Monde Arabe is fully anchored in the present. It aims to reflect the Arab world’s current dynamics. It intends to make a distinctive contribution to the institutional cultural landscape. No other organization in the world offers such a wide range of events in connection with the Arab world. Debates, colloquia, seminars, conferences, dance shows, concerts, films, books, meetings, language and culture courses, and large exhibitions all contribute to raising awareness of this unique and vibrant world. https://www.imarabe.org

For more information, please contact:

Michael Lupo
Marketing & Media
Répertoire International de Littérature Musicale
365 Fifth Avenue, Suite 3108  •  New York, NY 10016-4309
mlupo@rilm.org  •  Phone 1 212 817 1992  •  www.rilm.org

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Filed under Africa, Asia, Europe, Literature, Musicology, RILM news, Source studies, Theory, Uncategorized, World music

Be the first to know: Subscribe to Bibliolore

It’s now easier than ever to get the latest news from RILM’s blog, Bibliolore. Just enter your email and hit the subscribe button on the right so you won’t miss out on our continuously expanding content. From highlights in RILM Abstracts of Music Literature enhanced by Web-based media, to our “Instant Classics” series of reviews, to annotated bibliographies on international current events sourced directly from our products, you’ll hear all about it—without delay. The world of writings on music awaits you inside our pages—see you there!

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RILM to publish DEUMM Online!

RILM has acquired the full rights to the Dizionario enciclopedico universale della musica e dei musicisti (DEUMM), published between 1983 and 2005 by the renowned Italian publisher of reference works UTET Grandi Opere under the editorship of Alberto Basso. With its three thematic sections (Le biografie; Il lessico; and I titoli e i personaggi) containing some 35,000 entries, DEUMM is the most important modern music dictionary in the Italian language. 

The content of the original printed edition, along with some updated and new entries, will be the starting point for DEUMM Online, to be offered as one of RILM’s suite of reference works. RILM plans to launch DEUMM Online in winter 2023 on RILM’s platform Egret, which offers advanced search and browse capabilities. DEUMM Online will be an essential electronic resource for music scholarship world-wide.

The founding editor of DEUMM, Dr. Alberto Basso, said “I feel particularly honored and therefore happy to have been included among the initiatives that RILM is proposing to the world in the context of scholarship and musical history. The fact that DEUMM has been taken into consideration satisfies me in a particular way and certainly would have satisfied the management of the former UTET that is unfortunately no longer present on the market. I hope that the work I have done creating DEUMM some forty years ago will continue and that DEUMM will be updated.” (The original interview with Dr. Basso may be heard below.)

Dr. Alberto Basso

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RILM Collaborates with The Smithsonian Institution

Répertoire International de Littérature Musicale (RILM) is excited to announce its collaboration with Smithsonian Music for its 2019 Year of Music. This initiative aims to increase public engagement, advance understanding, and connect communities by highlighting and sharing the Smithsonian’s vast musical holdings. RILM, which documents and disseminates music research worldwide, supports this by drawing on its comprehensive digital resources to create blog posts, right here on Bibliolore, on a selection of the Year of Music’s Objects of the Day. Each post is enhanced with an expertly curated bibliography. 

The bibliographic references stem from one of the richest and most exhaustive resources of global music research, RILM Abstracts of Music Literature with Full Text, which contains over a million bibliographic records from relevant writings on music published from the early 19th century to the present in 178 countries and in 143 languages.

Published posts include ones on Grand Wizzard Theodore’s turntables, the newly acquired Stinson banjoPatsy Cline’s performance outfit, the cover for the Voyager Golden Record, and Elaine Brown’s Seize the Time, with many more to come. 

To access all our posts in this Smithsonian collaboration series, search for “Smithsonian Object of the Day,” or click on the tag below.

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Filed under Musicology, Publication types, RILM, RILM news

RILM’s India connection

In May 2019 RILM entered into a collaboration with the Archives & Research Center for Ethnomusicology (ARCE) at the American Institute of Indian Studies in Gurgaon, India. Dr. Shuba Chaudhuri, ARCE’s Director, put us in touch with Sagnik Atarthi, who is now working there to send us bibliographic information for publications on Indian music and dance in ARCE’s extensive library. 

Dr. Atarthi has already added over 1000 new records into our database—records for publications that are otherwise unavailable to us. He is able to work fluently in his native Bengali, as well as in Hindi and English, and we look forward to our continuing association with him!

Above, Dr. Zdravko Blažeković, RILM’s Executive Editor, and Dr. Shubha Chaudhuri, Director of the Archives & Research Center for Ethnomusicology; below, a brief documentary about ARCE.

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Bibliolore turns 10!

by Jim Cowdery, Senior Editor, RILM Abstracts of Music Literature

Sometime in the summer of 2009, Zdravko Blažeković, RILM’s Executive Editor, casually said to me “You know, we should have a blog.” He was thinking about how simply by virtue of what we do, RILM editors have a unique perspective on music literature, and how others might enjoy our insights along with us.

I agreed, and started looking into how we might make that happen. We weren’t sure exactly how our blog would turn out, but we decided to start with some news about RILM. Our first blog post was published ten years ago this week!

Today Bibliolore includes subjects of practical interest to music researchers and librarians and writings on music that have piqued our curiosity or made us smile, along with original contributions from our team of musicologists. Most posts have direct relationships to content found in RILM’s resources, which include our flagship RILM Abstracts of Music Literature and its enhancement, RILM Abstracts with Full Text, as well as RILM Music Encyclopedias, MGG Online, and Index to Printed Music.

Below, we celebrate our first ten years with Ten Years After’s performance at Woodstock, 50 years ago!

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RILM Editor wins Outstanding Dissertation Award

Former RILM Editor Woo Shingkwan (胡成筠) has just won the International Musicological Society’s 2018 Outstanding Dissertation Award for The ceremonial music of Zhu Zaiyu.

Zhu Zaiyu (1536–1611) was a mathematician, physicist, music theorist, choreographer, and composer; he is particularly remembered today for creating the theory of 12-tone equal temperament.

Congratulations to our former colleague! Above, a page from the dissertation.

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Filed under Asia, RILM, RILM news, Theory

RILM’s one millionth record

RILM’s one millionth record is now online!

The record documents 音乐考古学与古代音乐遗迹研究 (Archaeomusicology and research on music relics) by 方建军 (Fang Jianjun) (Zhongguo yinyue/Chinese music 3:147 [2017] pp. 75–82, 106).

Fang’s article discusses the relationships between archaeological environments and musical functions, between ancient workshops and the building of instruments, and between soundscapes and music performance, with reference to archaeomusicological sites in Europe and Africa as well as China. China has many such sites, among them Xiaoshuangqiao of the early Shang dynasty (16th–11th century B.C.E.) in Henan province, Sanxingdui in Sichuan province, and the Neolithic tomb sites at Jiahu village, also in Henan province.

Above, flutes excavated at the Jiahu site; below, reproductions of bronze bells from a tomb dated around 433 B.C.E.

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Filed under Antiquity, Asia, Instruments, RILM, RILM news

RILM publishes its 200,000th full-text record!

 

In 2016 RILM announced the release of RILM abstracts of music literature with full text on EBSCO Information Services. Today we celebrate the publication of our 200,00th full-text record!

The milestone record is a review by Markus Lutz of Martin und Johann Christian Hoffmann: Geigen- und Lautenmacher des Barock—Umfeld, Leben, Werk (Leipzig: Hofmeister, 2015) published in Journal of the Lute Society of America (XLVI pp. 80–88). Above, a lute made by Johann Christian Hoffmann; below, a copy of a lute made by Martin Hoffmann.

Highlighting this review gives us an opportunity to remind you that reviews in RILM’s database are always linked to the item under review—so when you read a book review the record for the book itself is just one click away!

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RILM broadens indexing of Chinese dramatic genres

When RILM started out in the mid-1960s, our indexing naturally mirrored the publications that we were working with.

For example, relatively little was available in the West about non-Western dramatic genres, while far more publications discussed Western dramatic genres like opera. Accordingly, we developed several indexing headings for those Western genres—opera seria, oratorio, zarzuela, and so on—while only one headword, dramatic arts, served for all non-Western genres (as well as for publications about more than one or two Western genres).

In early 2000 RILM started to expand its collection to include a large amount of East Asian-language publications, especially those from China. Since then the need for more refined indexing terms for non-Western dramatic genres has grown.

In spring 2017 RILM editors approved 13 new headwords for theatrical genres. Three of these new headwords, xiqu—general, xiqu—by genre, and xiqu—by place, are for those genres commonly known in the West as Chinese opera. Another three new headwords, quyi—general, quyi—by genre, and quyi—by place, are for traditional Chinese dramatic genres that are less known in the West.

For both xiqu—by genre and quyi—by genre, lists of second-level terms specifying individual xiqu or quyi genres have also been developed, and are continuously growing. Many of the genres covered by these two new headwords are unknown to most Western scholars, but have been extensively discussed in the Chinese publications that we now index. Updated in early February 2018, our list of xiqu genres is here, and our list of quyi genres is here. By the time you read this, more terms will have been added!

Above, an example of ganju (Jiangxi opera); below, another example of ganju from Jiangxi province, followed by an example of sixianxi from Hebei province. These genres are indexed under the headword quyi—by genre.

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Filed under Asia, Dramatic arts, RILM, RILM news