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RILM takes over Index to Printed Music

In May 2017 James Adrian Music Company (JAMC), owner of Index to Printed Music: Collections and Series (IPM), signed an agreement transferring ownership of IPM to Répertoire International de Littérature Musicale (RILM), effective 30 June 2018.

IPM combines index, bibliography, series, and names databases into a highly comprehensive resource for searching and identifying individual pieces of music printed in standard scholarly music editions. Currently the database includes 22,975 entries for individual volumes, an authority file with 25,889 personal names, 1133 entries for series and sets, and an index to 538,354 individual pieces of music. It provides superior access to this content for scholars, performers, teachers, and other researchers, including powerful searching capabilities for finding information on specific performing forces and repertoire. Many of the sets and series indexed in IPM are adding volumes continuously, and new editions appear on the market. Therefore, IPM grows every year to be as comprehensive and up-to-date as possible. IPM is curated by a team of experts and is available on EBSCOhost and via the EBSCO Discovery Service.

IPM is a natural addition to RILM’s suite of music resources. Since 2016 RILM has been expanding its resources for music researchers beyond its flagship publication, RILM Abstracts of Music Literature, adding RILM Abstracts with Full Text; RILM Music Encyclopedias; and, in partnership with Bärenreiter and J. B. Metzler, MGG Online. With the addition of IPM, RILM is entering the world of printed music. RILM’s authority lists—including names, work titles, publishers, and terms—as well as RILM’s proven database capabilities and subject expertise will contribute to the further development and enhancement of IPM.

The founder of the Index to Printed Music, Dr. George R. Hill, states: “We are pleased that with RILM’s acquisition of IPM, its continuation, properly supported by an established leader in providing databases related to music, is assured. Over the years, IPM has largely depended on a dedicated group of musicologists and librarians devoted to its survival and growth. They include Joseph M. Boonin, Garrett Bowles, Lenore Coral, Mary Wallace Davidson, Elizabeth A. Davis, Vincent Duckles, Paul Emmons, Robert A. Falck, Virginia S. Gifford, Irving Godt, Ruth B. Hilton, Barton Hudson, Richard E. Jones, Sterling Murray, Barbara A. Renton, John H. Roberts, Gordon S. Rowley, Norris L. Stephens, Susan T. Sommer, and Eric Western.”

Dr. Barbara Dobbs Mackenzie, the Director of RILM, adds, “IPM is an indispensable resource for anyone looking for scholarly, reliable editions of individual musical works. RILM is delighted to be able to take ownership of this resource, and to bring our experience to bear to ensure IPM’s reputation for accuracy and comprehensiveness, and to bring new digital capabilities to enhance the database and its search and discovery potential.”

James Adrian Music Company, Bergenfield, NJ, a non-profit entity, supports and guides the creation, development, and distribution of the several databases collectively known as IPM. Components of IPM include digital files for name authorities, series, bibliography of editions indexed, and, most centrally, the index to music contained in the various editions. By adhering to established standards for bibliographic scholarship, JAMC is committed to providing a reliable and useful tool for musicians and researchers throughout the world. A hallmark of IPM has been the accuracy of index data, gathered directly by an examination of the printed music itself, not from secondary sources.

Répertoire International de Littérature Musicale (RILM), New York, facilitates and disseminates music research worldwide. It is committed to the comprehensive and accurate representation of music scholarship in all countries and languages, and across all disciplinary and cultural boundaries. RILM’s flagship publication, RILM Abstracts of Music Literature, is a comprehensive international bibliography of writings on music covering publications from the early 19th century to the present. RILM Abstracts of Music Literature with Full Text includes the bibliography as well as full text articles from over 200 journals linked from the bibliographic records. RILM Music Encyclopedias is a full-text repository of over 40 seminal music encyclopedias. In partnership with the publisher Bärenreiter and J.B. Metzler, RILM publishes MGG Online, which comprises the 2nd edition of Die Musik in Geschichte und Gegenwart along with new and substantially updated content. RILM is a joint project of the International Association of Music Libraries, Archives, and Documentation Centres (IAML); International Council for Traditional Music (ICTM); and the International Musicological Society (IMS). RILM is housed at The Graduate Center of the City University of New York. For further information, please visit http://www.rilm.org.

 

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Bibliolore reaches 300!

 

Bibliolore now has over 300 followers! Sure, plenty of music blogs have more, but we have staked out such a tiny niche that we are truly honored. Many thanks to all of our followers and friends!

Below, we celebrate by watching someone turn 300 napkins into something resembling wooden tiles.

 

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Podcasts

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Consistent with its mission to cover all types of publications about music, RILM is now abstracting and indexing podcasts.

Podcasts are serial digital media files that can be downloaded for use on local computers or portable media players. They are typically in audio or video formats, but they may involve other file formats as well.

RILM inaugurated its podcast coverage with Ethnomusicology today, which is published by the Society for Ethnomusicology; this open-access series features interviews with the authors of articles recently published in the society’s journal, Ethnomusicology.

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MGG Online

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The encyclopedia Die Musik in Geschichte und Gegenwart is now available as an online database.

 MGG Online, a digital encyclopedia containing the entire second edition of Die Musik in Geschichte und Gegenwart along with updated and new content, was launched on 1 November 2016 on a powerful platform with the most up-to-date search and browse functions, integrated translation, sortable works lists, and much more.

Further information is here.

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Bibliolore hits 1000!

1000

RILM published its 1000th blog post today! Since its inception on 7 October 2009, Bibliolore has faithfully published at least two posts every week. You can start the journey here.

Below, Prince offers a hug and a kiss for each post.

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Fontes artis musicae and RILM

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On 23 June 2015 a group of distinguished academics and editors gathered in New York City for a conference organized by the International Association of Music Libraries, Archives and Documentation Centers (IAML) and the International Musicological Society (IMS). The panel “Referencing music in the twenty-first century: Encyclopedias of the past, present, and future” was chaired by RILM’s own Tina Frühauf.

The fruits of the three-hour double panel, which focused on encyclopedias, historiography, and music research in the digital age, are now available in printed form: Fontes artis musicae invited Dr. Frühauf to serve as guest editor and write the introduction for the July-September 2016 issue, which presents the conference papers. The table of contents is here.

Below, an excerpt from the conference discussion.

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RILM abstracts of music literature with full text™

RAFT

Music researchers can now access one of the richest and most comprehensive full-text resources of global music research with the release of RILM abstracts of music literature with full text from EBSCO Information Services. Produced by Répertoire International de Littérature Musicale, Inc. (RILM), RILM abstracts of music literature with full text enhances the unrivaled bibliography of writings on music provided by RILM abstracts of music literature with the addition of approximately one million pages of full-text content from more than 200 key periodicals published from the early 20th century to the present—many of which are unavailable elsewhere online.

The vast and unique global full-text content in RILM abstracts of music literature with full text (RAFT) spans 50 countries in 40 languages, providing broad coverage of music-related disciplines, fields, and subject areas, including musicology, ethnomusicology, theory, performance, and pedagogy. The cover-to-cover full text in RAFT includes articles and reviews, as well as obituaries, editorials, correspondence, advertisements, and news items. This extensive collection, paired with the comprehensive bibliography of writings on music, creates an unrivaled resource.

At launch the RAFT collection includes over 62,000 records. Upon completion, targeted for the end of 2016, the collection will contain over 175,000 records. Thereafter, RAFT will be updated with the full-text content of recent issues. Complete information regarding each journal in the collection and its current coverage status can be found here. RILM abstracts of music literature with full text is available via the EBSCOhost® platform and is updated monthly.

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1000 strong for RILM!

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RILM’s Facebook page now has over 1000 followers! These people have instant access to all RILM news and each new post on Bibliolore, RILM’s blog. Do you prefer updates on Twitter? No problem—just follow our Twitter feed.

Below, 1000 musicians perform the Foo FightersLearn to fly.

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RILM Music Encyclopedias

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RILM proudly introduces RILM Music Encyclopedias™, a full-text compilation of 41 seminal titles published from 1775 to the present, the majority of which are not available anywhere else online.

RILM Music Encyclopedias comprises nearly 80,000 pages with approximately 165,000 entries. It provides comprehensive encyclopedic coverage of the most important disciplines, fields of research, and subject areas, among them popular music, opera, musical instruments, blues, gospel, world music, recorded sound, and women composers. Its content spans multiple countries, cultures, and languages (including English, German, French, Italian, Dutch, and Greek). It is designed as an extensive global resource that meets the teaching, learning, and research needs of the international music community.

New titles will be added annually, ensuring that RILM Music Encyclopedias is musicology’s reference shelf of the future, comprising every aspect of lexicographical writings on music. RILM Music Encyclopedias is available via EBSCOhost®, which brings its expertise to bear on the design of the online database with a user-friendly and familiar platform. RILM Music Encyclopedias is fully equipped with the most advanced search and browse capabilities, allowing for cross searches in multiple languages. It is the only multilingual cross-searchable collection of music encyclopedias in the world.

For trials, sales, and subscription terms please contact your EBSCO Sales Representative or email information@ebsco.com.

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Announcing RILM’s Zine Initiative!

Joey Ramone Punk Magazine

Working with a top collector and specialist in the field, RILM has created a new document type abbreviated JZ, standing for Journal Zine—zine being the recognized short version of fanzine, which refers to the self-published fan magazines that proliferated in the 1980s, 1990s, and early 2000s (when the Internet made them largely obsolete).

Much like the thriving music-journal culture that developed in 19th-century Europe, these low-circulation publications were produced and consumed by key players in the music cultures they took as their subject; today they serve as primary sources that provide valuable insights into the subcultures that shaped the sound of the late 20th century (in the case of punk rock, it was the New York-based zine Punk that provided the name for the nascent musical movement).

We are in the first stage of entering JZ records that give bibliographic information and detailed summaries of key zines in popular music history. A growing number of universities have begun acquiring collections of these important documents.

Above, Joey Ramone, drawn by John Holstrom for Punk #3 (April 1976; click to enlarge). Below, the Ramones at Max’s Kansas City the same year.

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