As Syrian refugees’ migration experience in Turkey sways between transience and permanence, the culture of coexistence can only occur with the refugees and the locals getting to know one another. Like any cultural/artistic production, music provides a fertile ground for this interaction.
Sınırın ötesinden sesler/Sounds beyond the border is an open-access resource presenting interviews that strive to understand Syrian musicians’ experience of migration through music. As a response to homogenizing and exclusionary perspectives, the series aims to draw attention to the refugees’ talents and practices, the diversity they bring to Turkish geography, and the possibilities of a common cultural world.
The interviews are conducted by Evrim Hikmet Öğüt; the project is sponsored by Friedrich Naumann Vakfı Türkiye Ofisi.
Below, Sadim Al Zafari, one of the musicians interviewed in the series.
Filed under Asia, Resources
The encyclopedia Die Musik in Geschichte und Gegenwart is now available as an online database.
MGG Online, a digital encyclopedia containing the entire second edition of Die Musik in Geschichte und Gegenwart along with updated and new content, was launched on 1 November 2016 on a powerful platform with the most up-to-date search and browse functions, integrated translation, sortable works lists, and much more.
Further information is here.
Today, 7 September 2016, RILM music encyclopedias has just completed its regular quarterly update. The ongoing encyclopedia of contemporary composers Komponisten der Gegenwart (KdG)—the only music encyclopedia that offers exhaustively complete chronological works lists—offers revisions of the articles on Pierre Boulez, Helmut Lachenmann, Gilberto Mendes, Friedrich Schenker, and Brunhilde Sonntag, and new entries are added for Bill Dietz, Matthias Kaul, William Schuman, Ying Wang, and Peter Manfred Wolf.
KdG started as one of those rare loose-leaf encyclopedias whose format allowed them to revise and expand. Many of us recall the thick, unwieldy ring binders (above) that new pages were alphabetized into when they arrived in the mail. Users of RILM music encyclopedias no longer have to cope with these bulky volumes, and their updates appear online every three months!
Below, Lachenmann’s Mouvement (- vor der Erstarrung).
Launched in 2015, The Boston Symphony Orchestra Archives preserves the orchestra’s rich history with documentation in the form of concert programs, press clippings, posters, photographs, letters, broadcast tapes, and recordings, as well as the BSO’s collection of historic instruments.
Committed to making the collection more readily available to researchers, the BSO is in the process of building up its digital holdings, which can be accessed by anyone with an Internet connection.
A separate performance history site nicknamed HENRY (after the founder of the BSO, Henry Lee Higginson) contains all documented concerts of the orchestra beginning with 21 October 1881 through the current season. The search function provides access to the performance history of every work, and of all artists–conductors, ensembles, and soloists–who have performed with the orchestra.
Above, in a photograph from the Archives, Pierre Monteux rehearses Stravinsky’s Le scare du printemps; below, Seiji Ozawa conducts the BSO in the finale of Bartók’s Concerto for orchestra.
RILM proudly introduces RILM Music Encyclopedias™, a full-text compilation of 41 seminal titles published from 1775 to the present, the majority of which are not available anywhere else online.
RILM Music Encyclopedias comprises nearly 80,000 pages with approximately 165,000 entries. It provides comprehensive encyclopedic coverage of the most important disciplines, fields of research, and subject areas, among them popular music, opera, musical instruments, blues, gospel, world music, recorded sound, and women composers. Its content spans multiple countries, cultures, and languages (including English, German, French, Italian, Dutch, and Greek). It is designed as an extensive global resource that meets the teaching, learning, and research needs of the international music community.
New titles will be added annually, ensuring that RILM Music Encyclopedias is musicology’s reference shelf of the future, comprising every aspect of lexicographical writings on music. RILM Music Encyclopedias is available via EBSCOhost®, which brings its expertise to bear on the design of the online database with a user-friendly and familiar platform. RILM Music Encyclopedias is fully equipped with the most advanced search and browse capabilities, allowing for cross searches in multiple languages. It is the only multilingual cross-searchable collection of music encyclopedias in the world.
For trials, sales, and subscription terms please contact your EBSCO Sales Representative or email firstname.lastname@example.org.
Hymnary.org is an online hymn and worship music database for worship leaders, hymnologists, and amateur hymn lovers. The interface allows for browsing hymns by title, tune, meter, key, scripture reference, and more.
Incorporating the Dictionary of North American Hymnology in partnership with The Hymn Society in the United States and Canada, it is the most complete database of North American hymnody on the planet.
Below, Jane Borthwick’s translation of Katharina von Schlegel’s Stille, mein Wille! Dein Jesus hilft siegen, sung to a melody by Jean Sibelius; the database’s entry for the work is here.
The successor to Music and Dance Reference, MusRef is a free online resource that includes listings of over 8000 print and Internet resources, a blog, an introduction to reference tools, links to unpublished bibliographies, and a Facebook page.
The site is hosted by Brigham Young University.
Per Nørgårds skrifter online is an archive of nearly 500 writings, arranged alphabetically by article title. Full text is available for nearly 400 items. A chronological work list, 1949–2012, is included, along with a full biography of the composer.
The site is sponsored by Det Kongelige Bibliotek and edited by Ivan Hansen.
Above, Nørgård in his studio in 2010; below, the finale of his 8th symphony (2011).
American choral music, 1870–1922, a new open-access online resource, is a collaboration between the Library of Congress and the Choral Directors Association (ACDA).
In 2007 the ACDA and the Library began a collaborative effort to create a website devoted to choral music that would present music in the public domain, available for users to download. The site serves to highlight the collections of sheet music in the Library of Congress and to advance and promote the performance of choral music.
The 76 works presented are limited to a period beginning shortly after the Civil War and ending in 1922. The music selected reflects the diversity of choral music in the collections written during the later 19th- and early 20th centuries and includes accompanied, a cappella, sacred, and secular works for mixed choirs, women’s and men’s ensembles, and children’s choruses.
Below, Amy Beach’s Through the house give glimmering light, one of the works included on the site.