The Jazzomat Research Project takes up the challenge of jazz research in the age of digitalization, opening up a new field of analytical exploration by providing computational tools as well as a comprehensive corpus of improvisations with MeloSpyGUI and the Weimar Jazz Database.
The volume Inside the Jazzomat: New perspectives for jazz research (Mainz: Schott, 2017; RILM Abstracts 2017-48411) presents the main concepts and approaches of the ongoing project, and includes several case studies that demonstrate how these approaches can be included in jazz analysis in various ways.
Creative Improvised Music picks up where Fire
music left off, focusing on the literature on American free jazz and
European free improvisation published since the early 1990s, as well as older
works and archival material not included in its predecessor. Users will find
information on the music’s pioneers as well as hundreds of other
improviser-composers, ensembles, and collectives that have emerged in recent
The volume includes a detailed subject index that offers a
key to all of the book’s sections and a way to quickly pinpoint citations by
topic, geographical location, personal name, and instrument.
Above and below, the Mary Halvorson Octet; Halvorson is one of the more recent musicians covered in the book.
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Through the Norient online magazine, festivals, performances, books, documentary films, exhibitions, and radio programs, Norient hopes to orient and disorient readers, listeners, and spectators with information about strong, fragile, and challenging artistic positions in today’s fast moving, globalized, digitized and urbanized world. The core team is based in Bern, Berlin, and Milano, and the network of contributors is spread around 50 countries.
Below, the trailer for The African cypher, the subject of a recent article in the magazine.
Near the end of his visit to Rome in 1933, the Hindustani vocalist Omkarnath Thakur (1887–1968) received an invitation to dine with Mussolini; Il Duce had caught wind of Thakur’s theories and experiments regarding the inducement of emotional states by … Continue reading →
Musicforcats.com presents music by David Teie that is based on feline vocal communication and environmental sounds that pique the interest of cats, written in a musical language that is uniquely designed to appeal to the domestic cat. The pieces … Continue reading →
Debussy first heard Javanese gamelan music from a relatively small group at the 1889 Paris Exposition Universelle; he finally heard a full ensemble at the 1900 Exposition. While he generally disapproved of the Orientalism of earlier Romantic-era composers, he found … Continue reading →
The first piano ever to be carried on a passenger aircraft was created by the Julius Blüthner Pianofortefabrik for the ill-fated Hindenburg airship. The lightweight aluminum alloy grand piano weighed only 162 kg (356 lbs). The frame, rim, fallboard, and … Continue reading →