Indonesian Balinese Muslim communities, or kampung, have developed distinctive performing arts nurtured through their social and cultural interactions with their Hindu rulers and neighbors. Each kampung has its unique history and ancestral roots but generally maintains special and interdependent connections with the regional Balinese nobility, centered around the royal palaces, or puri. The puri provides authentication, social recognition, and financial support to the kampung, while the kampung contribute through their skills, loyalty, and specific knowledge, including labor. These relationships have persisted for centuries, deeply influencing Muslim Balinese cultural practices, particularly their performing arts traditions.
Muslim Balinese performing arts have long emphasized the historical, social, and cultural interplay between puri and kampung, with examples from eastern and southern Bali. The puri often offer performance opportunities for Muslim Balinese, allowing them to express their cultural identity and strengthen their community presence. In turn, the puri benefit from showcasing their power and history through these performances. Thus, the performing arts not only sustain these reciprocal relationships but also enhance social cohesion within the neighborhood and foster a unified local community.
This according to “Performing arts as a cultural bridge between Hindu rulers and Muslim communities in Bali” by Ako Mashino, Performing arts and the royal courts of Southeast Asia II: Pusaka as documented heritage, ed. by Mayco Santaella (Leiden: Brill, 2024, 45–68; RILM Abstracts of Music Literature, 2024-3868).
The video below shows a royal wedding ceremony held at a Balinese puri.
