Tag Archives: New periodicals

by | September 1, 2021 · 6:00 am

Swara: Antologi pendidikan musik

Launched in 2020, Swara: Antologi pendidikan musik (Swara: Anthology journal of music education, eISSN 2807-2502) is an open-access research journal published regularly in the months of April, August, and December by the Music Education program in the faculty of Arts and Design Education at Universitas Pendidikan Indonesia (Education University of Indonesia) in Bandung, West Java.

Topics explored in the journal’s articles include empirical studies on music education (formal and informal), creativity and musical skills (recorded and live performance), and the analysis of traditional and modern musical works.

Below, Ananda Sukarlan performs and discusses his Rapsodia nusantara no. 15; the work is the subject of an article in Swara’s inaugural issue.

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Filed under 20th- and 21st-century music, New periodicals

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by | August 7, 2021 · 6:00 am

Sound stage screen

In 2021 the Dipartimento di Beni Culturali e Ambientali at the Università degli Studi di Milano launched Sound stage screen (SSS, ISSN 2784-8949), a biannual, peer-reviewed journal devoted to historical and theoretical research into the relations between sound, performance, and media.

SSS addresses a wide range of phenomena, practices, and objects pertaining to sound and music in light of the interconnections between performing traditions and media archaeologies: from opera to musical multimedia, and from cinema to interactive audiovisual platforms. An open-access journal published in English, SSS wishes to redefine the academic study of music as an open field whose boundaries—historical, geographical, and theoretical—are constantly being negotiated.

Below, the official trailer for Christopher Cerrone’s opera Invisible cities, a work discussed in the inaugural issue.

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by | July 16, 2021 · 6:00 am

Journal of the Association for Technology in Music Instruction

Launched by the University of Tennessee Libraries in 2020, the Journal of the Association for Technology in Music Instruction is the official journal of the Association for Technology in Music Instruction.

The journal primarily publishes full-length and brief reports of original research, but also publishes methodological, review, and theoretical articles at all levels and across genres such as education, theory/composition, musicology, performance and music production, and music technology and music industry.

Peer-reviewed, it welcomes contributions from educators, researchers, and practitioners who are working with technologies in primary, secondary, and tertiary music education settings as well as unique learning populations. The research it publishes follows academically sanctioned methodology: experimental, case study, ethnographic, or historical.

Below, an instructional video by Robert Willey, who contributed to the inaugural issue with an article on teaching electronic music technology.

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by | April 5, 2021 · 6:00 am

Journal of sound and music in games

In 2020 the University of California Press launched Journal of sound and music in games (eISSN 2578-3432), a peer-reviewed journal that presents high-quality research concerning all areas of music and/or sound in games.

The journal serves a diverse community of readers and authors, encompassing industry practitioners alongside scholars from disciplinary perspectives including anthropology, computer science, media/game studies, philosophy, psychology, and sociology, as well as musicology. JSMG is the only journal exclusively dedicated to this subject, and provides a meeting point for professionals and academics from any tradition to advance knowledge of music and sound in this important medium.

Below, the trailer for Xenoblade chronicles, a video game discussed in the inaugural issue.

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by | February 19, 2021 · 1:30 pm

Global hip hop studies

 

In 2020 Intellect launched Global hip hop studies, a biannual peer-reviewed, rigorous, and community-responsive academic journal that publishes research on contemporary as well as historical issues and debates surrounding hip hop music and culture around the world.

The journal provides a platform for the investigation and critical analysis of hip hop politics, activism, education, media practices, and industry analyses, as well as manifestations of hip hop culture in all four of the classic elements—DJing/turntablism, MCing/rapping, graffiti/street art, and b-boying/b-girling/breaking and other hip hop dances—along with the under-examined realms of beatboxing, fashion, identity formation, hip hop nation language, and beyond.

Below, the South Indian rapper Smokey the Ghost, who is interviewed in the inaugural issue.

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Filed under New periodicals, Popular music

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by | January 29, 2021 · 6:00 am

Music research annual

 

Music research annual (ISSN 2563-7290) is the first peer-reviewed journal devoted to publishing review essays from the full range of academic disciplines that study music. Each article explores the current state of scholarship on a key topic within a discipline or interdisciplinary juncture and charts ways forward to new research.

Led by a group of renowned scholars, the journal seeks to forward academic inquiry into music and foster interdisciplinary dialog. MRA is an open-access journal published by the Research Centre for the Study of Music, Media, and Place at Memorial University of Newfoundland (Canada).

Below, the Australian magpie figures in an article in the inaugural issue.

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by | November 5, 2020 · 6:00 am

Resonance: The journal of sound and culture

In 2020 the University of California Press launched Resonance: The journal of sound and culture (ISSN 2688-867X), an interdisciplinary, international peer-reviewed journal that features research and writing by scholars and artists working in fields typically considered to be the domain of sound art and sound studies.

These fields may include traditional and new forms of radio, music, performance, installation, sound technologies, immersive realities, and studies-based disciplines such as musicology, philosophy, and cultural studies. The scope extends to other disciplines such as ethnography, cultural geography, ecologies, media archeology, digital humanities, audiology, communications, and architecture.

The journal’s purview investigates the research, theory, and praxis of sound from diverse cultural perspectives in the arts and sciences, and encourages consideration of ethnicity, race, and gender within theoretical and/or artistic frameworks as they relate to sound. The journal also welcomes research and approaches that explore cultural boundaries and expand upon the concept of sound as a living, cultural force whose territories and impacts are still emerging.

Resonance is published quarterly in an online-only format.

Below, a creation by David Cope’s Experiments in Musical Intelligence; the project is discussed in the journal’s inaugural issue (RILM Abstracts of Music Literature 2020-5452).

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by | October 22, 2020 · 6:00 am

Acoustics

In 2019 Multidisciplinary Digital Publishing Institute (MDPI) launched Acoustics (ISSN 2624-599X), a peer-reviewed journal of acoustic science and engineering.

Being open-access and available online, it is able to offer excellent visibility and a fast processing time from submission to publication. The journal aims to provide an interdisciplinary forum to showcase state-of-the-art research challenges.

There is no restriction on the length of papers or charge for extra colors, etc. Electronic files supplying details of calculations and experimental procedures as well as sound files can be deposited as supplementary materials.

Above, the cover of the inaugural number; below, Paphos theater, one of the acoustical environments discussed in the issue (RILM Abstracts of Music Literature 2019-5509).

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by | August 20, 2020 · 6:00 am

Musimid: Revista brasileira de estudos em música e mídia

 

In 2020 the Centro de Estudos em Música e Mídia launched Musimid: Revista brasileira de estudos em música e mídia (ISSN 2675-3944), a peer-reviewed journal published every four months. Musimid focuses on interdisciplinary texts on music with an emphasis on musical semiotics, along with topics in musicology, history, and criticism.

Among the topics of interest to the journal, issues related to performance and its models stand out: relationships with the body and its different layers of mediation throughout history; the role of technology and media platforms in the processes of poetic communication; the conception of a musical instrument and its interpolation with various devices, existing or obsolete (microphones, amplification, high-fidelity), and media platforms; variations in listening patterns, taste, and aesthetic sensitivity, through the introduction of different sound media; soundscapes and changes in sensitivity; the interfaces of the musical language with other artistic languages; issues related to contemporaneity, globalization, identity, belonging, and affective bond, through music; cultural, musical and media memory; and the constitution of stable values ​​in the ephemeral era.

Below, a music-forward excerpt from Back to the future, the subject of an article in the inaugural issue.

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by | June 1, 2020 · 6:00 am

International journal of music science, technology, and art

 

In 2019 Accademia Musicale “Studio Musica” launched International journal of music science, technology, and art, an international and double-blind peer-reviewed journal.

IJMSTA provides a platform for the publication of the most advanced research in music in the areas of acoustics, artificial intelligence, mathematical analysis, learning and teaching, history, and ethnomusicology. The journal welcomes original empirical investigations; the papers may represent a variety of theoretical perspectives and different methodological approaches.

Below, Sheriff Ghale, one of the Ghanaian popular musicians discussed in the inaugural issue.

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