Category Archives: Resources

An early Gaelic manuscript

The manuscript Original Highland airs collected at Raasay in 1812 by Elizabeth Jane Ross, which is preserved in the archives of the School of Celtic and Scottish Studies at the University of Edinburgh, is now available for downloading at no cost, both in facsimile and in an extensively annotated typeset edition prepared by Peter Cooke, Morag MacLeod, and Colm Ó Baoill.

The earliest known staff-notated manuscript collection of Scottish Gaelic music, it contains  92 songs,  51 dance tunes, and 6 pibrochs; it probably represents well the musical repertory of Raasay, one of the islands of the Inner Hebrides. A major task for the editors involved locating, documenting, translating, and underlaying song texts which might have been known to Ross; she provided titles or first lines of verses or refrains for her airs, but not the texts themselves.

The Raasay residents James Macleod and his wife Flora were excellent musicians, and their niece Elizabeth Ross, who lived with them, was clearly a competent transcriber. Raasay was also the home of the great piper John MacKay, from whom Ross learned to play several pibrochs.

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Filed under Europe, New editions, Resources

Performing Arts in America 1875–1923

Performing Arts in America 1875–1923, a website of The New York Public Library for the Performing Arts, captures a glimpse of the beginning of the modern age, when a combination of technological advances and societal freedoms led the way to a new world where—among other things—entertainment for the masses became a thriving industry. The upbeat mood of America was reflected in its theater, its popular songs, the craze for ballroom dancing, and above all in the newest of popular fads, the motion pictures. At the same time, America was forging its own classical culture worthy of competing with its European forebears.

This searchable database presents some 16,000 archival visual and audio materials from the library’s holdings, including sheet music, newspaper clippings, photographs of theater and dance performances, and publicity posters.

Above, Ruth St. Denis in Incense, 1908.

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Filed under 20th- and 21st-century music, Dance, Reception, Resources

Online scores

Inaugurated by Boosey & Hawkes in 2011, Online scores presents full digitized scores by a wide range of twentieth- and twenty-first-century composers, free of charge. While the scores cannot be printed or downloaded, they may be viewed and enlarged for study or research. The collection is searchable by composer or genre, and individual accounts can be customized with bookmarks. At launch this resource comprised over 400 scores and promised frequent additions.

Above, the opening pages of John Adams’s Doctor atomic as viewed in the collection.

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Filed under 20th- and 21st-century music, Resources

National jukebox

In May 2011 the Library of Congress launched National jukebox: Historical recordings from the Library of Congress, an Internet resource that makes historical sound recordings available to the public for free. The Jukebox includes recordings from the extraordinary collections of the Library of Congress Packard Campus for Audio Visual Conservation and other contributing libraries and archives. These recordings were issued on record labels now owned by Sony Music Entertainment, which has granted the Library of Congress a gratis license to stream acoustical recordings.

At launch, the Jukebox already included over 10,000 recordings made by the Victor Talking Machine Company between 1901 and 1925. Content will be increased regularly, with additional Victor recordings and acoustically recorded titles made by other U.S. labels, including Columbia, Okeh, and some Universal Music Group-owned labels. The selections range from jazz and popular styles to ethnic traditions to Western classical works, including opera arias.

Above, a Victor acoustical recording session ca. 1920.

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Filed under 20th- and 21st-century music, Jazz and blues, Opera, Popular music, Resources, World music

Music stamps redux

Music philately began with the issuance of some of the very first postage stamps in the mid-nineteenth century: The inaugural issues of several European countries included images of post horns. Purists may argue that post horns were mere signaling devices, but at that time they were already being used in classical compositions, so their depictions may be considered musical images.

Other nineteenth-century stamps featured depictions of prominent political figures who were also musicians—for example, Argentina issued a stamp honoring the statesman and composer Juan Bautista Alberdi in 1888 (left)—but they were concerned with politics rather than music. The first explicitly musical stamp was Poland’s issuance honoring Ignacy Jan Paderewski in 1919.

Through the 1950s countries increasingly celebrated Western classical musicians and composers. In the 1960s all aspects of musical life became potential subjects—institutions, festivals, instruments, dancers, and so on—and non-European countries asserted their national identities with images of their own traditional and historical music cultures. In the later twentieth century images of popular and jazz musicians gained increasing demand .

This according to A checklist of postage stamps about music by Johann A. Norstedt (London: Philatelic Music Circle, 1997), which lists some 14,000 stamps with music-related images.

Above, stamps issued in Northern Cyprus in 1985, which was designated European Music Year by the Europa Federation (click images to enlarge). Below, a curious video about Robert Burns iconography.

Related article: Postage stamps.

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Filed under Iconography, Reception, Resources

Fiddle tunes of the old frontier

Part of the Library of Congress’s American Memory series, Fiddle tunes of the old frontier: The Henry Reed Collection is a multiformat collection of traditional fiddle tunes played by Henry Reed of Glen Lyn, Virginia, recorded by Alan Jabbour in 1966 and 1967, when Reed was over eighty years old. The tunes represent the music and evoke the history and spirit of Virginia’s Appalachian frontier; many of them passed back into circulation during the fiddling revival of the later twentieth century.

The collection includes 184 sound recordings, 19 pages of field notes, and 69 transcriptions of Reed’s fiddling with notes on tune histories and musical features; an illustrated essay on  Reed’s life, art, and influence; a list of related publications; and a glossary of musical terms.

Above, Reed with Bobbie Thompson (guitar) at the Narrows (Virginia) Fiddlers Contest, summer 1967. Below, Alan Jabbour performs a tune that he learned from Henry Reed.

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Filed under North America, Resources

CANTUS: A database for Latin ecclesiastical chant

CANTUS: A database for Latin ecclesiastical chant is a free online resource that assembles and publishes indices of over 380,000 chants found in manuscript and early printed sources for the liturgical Office. The database is searchable by text incipit, keyword, Corpus Antiphonalium Officii identification number, or Liturgical occasion.

CANTUS is supported by the University of Waterloo and The Andrew W. Mellon Foundation. Terence Bailey serves as the project’s director.

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Filed under Middle Ages, Resources

Stravinsky the global dancer

Stravinsky the global dancer: A chronology of choreography to the music of Igor Stravinsky is a free online database that aims to list all dances choreographed to Stravinsky’s works, with references to about 100 compositions, about 1250 dances, and about 700 choreographers. Compiled by Stephanie Jordan and Larraine Nicholas, it is searchable by title of composition, year of composition, year of choreography, name of choreographer, dance company, and country.

Jordan’s “The demons in a database: Interrogating Stravinsky the global dancer” (Dance research XXII/1 [summer 2004] pp. 57–83) presents analyses of findings in the database regarding the distribution of new Stravinsky dance productions over the years, incidence of choreographing the narrative vs. the concert scores, distribution by choreographer, and distribution by country, along with case studies of the choreographic histories of Le sacre du printemps, Apollo, and Agon.

Above, the composer in his Ballets Russes days with Serge Diaghilev and Serge Lifar, who originated the role of Apollo. Below, the Houston Ballet performs an excerpt from Balanchine’s choreography for that work.

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Filed under 20th- and 21st-century music, Dance, Resources

Comhaltas Ceoltóirí Eireann

 

Comhaltas Ceoltóirí Eireann, the largest group worldwide devoted to the preservation and promotion of Irish traditional music, is celebrating its 60th anniversary this year.

With hundreds of branches in 15 countries on 4 continents, the non-profit organization sponsors  classes, concerts, and sessions in local communities. It also hosts a website, which accounts for its presence in RILM. A page on their site titled The music includes links to tracks from their CDs, recordings of sessions, and tracks from the Comhaltas Traditional Music Archive; video recordings of some of today’s foremost performers; selections from their own tune books, as well as other tunes from historical sources; a photograph archive; and Treoir, the Comhaltas journal.

Below, Emma O’Sullivan dances a reel at a Comhaltas event. Note that this is not the rigid-posture style popularized by shows like Riverdance, which is considered by many to be a more recent development; this style is known as sean-nós, which means “old style”.

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Filed under Dance, Europe, Resources

Tablature in PDF and PostScript

Tablature in PDF and PostScript is a large collection of lute music in tablature form created by the lute player and computer technologist Wayne Cripps (above). Each entry is available as an EPS, PDF, and MIDI, file. This free online resource for lute players is hosted by Dartmouth College.

Many thanks to Roderic Leon for alerting us to this compilation!

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Filed under Baroque era, Renaissance, Resources