Tag Archives: Alan Jabbour

Romy Lowdermilk redux

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In the mid-1990s a staff member at the American Folklife Center received a note asking if the Center would be interested in an old LP of a cowboy singer named Romaine Lowdermilk. Not having heard of the singer, she stopped by the office of the director, Alan Jabbour. “Romy Lowdermilk!” he exclaimed, “Who’s got a recording of Romy Lowdermilk?”

Jabbour knew the name only through accounts of the singer (1890–1970), who had written and published several popular cowboy songs (including Goin’ back to Arizona, which Patsy Montana performed as Goin’ back to old Montana). Lowdermilk had stated that he never made a commercial recording; this LP appeared to be a unique record of his singing. The owner generously supplied the disc in 1999 and the Center digitized it, assuming that it was a solitary specimen.

The discovery of an exact copy in 2006 led to a full unraveling of the story. Lowdermilk had recorded several songs in a recording studio in 1951; the studio then had copies pressed on demand for the singer’s clients at Rancho Mañana, the Arizona dude ranch where he worked.

This according to “Long-lost twins: The curious case of the Romaine Lowdermilk discs” by Stephen Winick (Folklife Center news XXXVI/3 [summer 2006] pp. 11–12; RILM Abstracts of Music Literature 2006-10837).

Below, Patsy Montana’s recording of Goin’ back to old Montana. In a letter to John I. White, Lowdermilk wrote “Patsy Montana liked it and wanted to sing it on her road appearances, so I just called it Goin’ back to old Montana and she recorded it for Victor and it was on the juke boxes for quite a spell. You can sing it Back to California or Oklahoma or Wyoming—or any damn place you want to go back to. So I figured it was an all-around western. I got paid for it by WLS, so I didn’t really care where the singer went back to.” (Quoted in Ten thousand goddam cattle: A history of the American cowboy in song, story, and verse [Flagstaff: Northland University, 1975; RILM Abstracts of Music Literature 1978-3562].)

More stories about the American Folklife Center are here.

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Filed under Curiosities, North America, Performers, Popular music

Fiddle tunes of the old frontier

Part of the Library of Congress’s American Memory series, Fiddle tunes of the old frontier: The Henry Reed Collection is a multiformat collection of traditional fiddle tunes played by Henry Reed of Glen Lyn, Virginia, recorded by Alan Jabbour in 1966 and 1967, when Reed was over eighty years old. The tunes represent the music and evoke the history and spirit of Virginia’s Appalachian frontier; many of them passed back into circulation during the fiddling revival of the later twentieth century.

The collection includes 184 sound recordings, 19 pages of field notes, and 69 transcriptions of Reed’s fiddling with notes on tune histories and musical features; an illustrated essay on  Reed’s life, art, and influence; a list of related publications; and a glossary of musical terms.

Above, Reed with Bobbie Thompson (guitar) at the Narrows (Virginia) Fiddlers Contest, summer 1967. Below, Alan Jabbour performs a tune that he learned from Henry Reed.

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Filed under North America, Resources