Tag Archives: Gaetano Donizetti

Donizetti studies

In 2021 Musicom launched Donizetti studies (ISSN 2785-0331; EISSN 2785-4140),  a peer-reviewed print and online journal whose scope is not limited to Donizetti, but extends to include Simon Mayr, the rich musical tradition of Bergamo, and, in general, Italian and French opera in the first half of the nineteenth century.

The journal’s format involves multiple sections: the first comprises original essays, the second presents unpublished or partially known documents, and the third takes on varying contents and forms, depending on needs. Also, the journal provides bibliographic materials that cover the most recent studies on Donizetti and his period.

Below, an excerpt from L’ange de Nisida, one of the works discussed in the inaugural issue.

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Filed under New periodicals, Opera, Romantic era

Felice Romani’s libretto reforms

Felice Romani revolutionized the Italian opera libretto, creating a clearly contoured melodramma romantico that was suitable for a through-composed setting.

Romani’s libretto for Donizetti’s Anna Bolena produced a virtually through-composed opera, making the meter conform to the dramatic situation and mood. In Act I, all the characters enter immediately after the prima donna, so that in place of the usual introductory aria there is now an ensemble. The entry of the seconda donna now leads as a rule to a concerted piece, the stretta of the pezzo concertato unleashing all the passions of the protagonists.

Act II proceeds similarly, except that its final scene is treated as a composition in its own right: Out of a stretta the concertato emerges, structured as a concert piece.

This according to Felice Romani–Gaetano Donizetti–Anna Bolena. Zur Asthetik politischer Oper in Italien zwischen 1826 und 1831 by Richard Hauser, a dissertation accepted by Albert-Ludwigs-Universität Freiburg in 1980.

Today is Romani’s 230th birthday! Below, Sondra Radvanovsky sings Anna Bolena’s finale.

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Filed under Literature, Opera, Romantic era

Joan Sutherland, 1926–2010

Today it was our sad duty to add Joan Sutherland’s obituary to our database. Dubbed “La Stupenda” by the Italian press in 1960, Dame Joan was one of the greatest bel canto sopranos of all time. Above, we celebrate her artistry with a video clip from her farewell performance of her signature role, Donizetti’s Lucia di Lammermoor.

A note on obituaries in RILM: While we normally do not cover news items, we index obituaries because they often serve as important research sources—particularly those for less-known figures. Since we cannot possibly cover obituaries in all news sources, we focus on those published by the New York times. As always, anyone can add further items to the database through our Submissions webpage.

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Filed under Opera, Publication types