Category Archives: Popular music

Conceptual art meets musicology

 

Vitaly Komar and Aleksandr Melamid‘s The people’s choice music: The most wanted song/The most unwanted song (Dia Center for the Arts, 1997)  presents the results of a research project that used a questionnaire to determine the most desired and most undesired characteristics of popular songs. Two new songs—both composed by Dave Soldier, with lyrics by Nina Mankin—exemplify the poles of the questionnaire results.

The most wanted song is five minutes long and comprises a medium-sized group (guitar, piano, saxophone, bass, drums, violin, violoncello, synthesizer, and low male and female voices) perform­ing in a rock/R&B style. It narrates a love story and has a moderate tempo, volume, and pitch range. It will be enjoyed by approximately 72% of listeners.

The most unwanted song is 22 minutes long and features accordion and bagpipe (tied at 13% as the most unwanted instruments) along with banjo, flute, tuba, harp, organ, and synthesizer (the only instrument to appear in both ensembles). It involves an operatic soprano rapping and singing atonal music; advertising jingles, political slogans, and elevator music; a children’s choir singing jingles and holiday songs; and dramatic juxtapositions of loud and quiet sections, fast and slow tempos, and very high and very low pitches. Fewer than 200 individuals in the entire world will enjoy it.

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Filed under Curiosities, Humor, Popular music

Auction catalogues

Auction catalogues are sources for iconography and history; for example, Christie’s has mounted over 200 auctions of rock and pop memorabilia, issuing catalogues that illuminate the stories of performers and groups as well as events like the Woodstock festival. Other catalogues offer biographical details; a 2003 catalogue from Sotheby’s documents Elton John’s changing taste, while others, like the 1999 catalogue page reproduced above, represent the posthumous dispersal of personal effects—in this case, Yehudi Menuhin’s collection of instruments and bows.

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Filed under Instruments, Popular music, Publication types

Advanced musicology

In October 2009 the Finnish branch of the International Association of Music Libraries, Archives, and Documentation Centres (IAML) inaugurated the series Advanced musicology (ISSN 1798-3754) with Esa Lilja’s dissertation Theory and analysis of classic heavy metal harmony. The book’s author explores the implications of the harmonic language of heavy metal from the late 1960s to the mid-1980s, with examples from bands including Black Sabbath, Led Zeppelin, Judas Priest, and Iron Maiden.

Related article: In Extremo and Walther

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Filed under New series, Popular music, Theory

Signal to noise


Established in 1997, Signal to noise is a quarterly magazine devoted to improvised and experimental music, focusing on “the confluence of avant-garde jazz, electro-acoustic improvisation, and left-of-center modern rock, with an emphasis on independent production and promotion.” Recent issues have featured the saxophonist Marshall Allen, the groups Sonic Youth and Cheer-Accident, and the duo Mary Halvorson and Jessica Pavone.

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Filed under 20th- and 21st-century music, Jazz and blues, Music magazines, Popular music

Album covers

fela-zombie

Record album covers comprise a genre of music iconography that shows how musicians wish to be perceived—or how their producers wish them to be perceived. This type of iconography makes no claim to objectivity; rather, it explicitly presents images meant to arouse specific associations with the recorded music inside.

For example, the cover of Fela Anikulapo-Kuti’s 1977 album Zombie shows him brightly dressed, singing and gesturing defiantly, facing images of Nigerian soldiers: the zombies of the scathing title song, which satirizes these enforcers of the military government. The singer appears as a vibrant, strong leader, while the soldiers are depicted in a jagged, grey collage—as dehumanized and sinister as the zombies of horror fiction.

Below, Sahr Ngaujah and the cast of Fela! perform Zombie on Broadway.

Click here for more on music iconography.

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Filed under Africa, Iconography, Politics, Popular music

Etnoumlje: Srpski world music magazine

Etnoumlje: Srpski world music magazine (ISSN 1452-9920) has been published quarterly by the World Music Asocijacija Srbije since the summer of 2007.

The magazine provides insight into the Serbian world music scene through interviews and profiles of members of Serbian bands and reviews of recordings, events, and publications, as well as regular features on Serbian traditional music.

Its editor, Oliver Đorđević, defines it as a periodical for “theory, history, aesthetics, and criticism of world music, with the aim of promoting and advancing Serbian world music.” Etnoumlje also collects information for a future Web-based register of Serbian world music bands and artists.

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Filed under Europe, Music magazines, Popular music, World music

World music magazines

World music magazines such as fROOTS, Etnoumlje, and Sing out! are largely devoted to profiles of current performers and groups whose repertoires fall within the fuzzy boundaries of world music, a nebulous marketing concept that covers almost any ethnic tradition, from sea shanties to sacred Buddhist ceremonies to Afropop. These articles go beyond the information in the artists’ press releases, often including interviews that provide biographical details and illuminate the historical roots of the music that they perform.

Occasionally these magazines publish research-based items, such as a survey of the current state of a particular genre, or articles of historical interest, such as the commercial recording of ethnic traditions in the early twentieth century.

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Filed under Music magazines, Popular music, Reception, World music