Category Archives: New periodicals

New titles for RILM Abstracts with Full Text in 2025

RILM Abstracts with Full Text will add eight more titles to its full-text journal collection this summer. The new titles are:

Българско музикознание [B”lgarsko muzikoznanie/Bulgarian musicology]. Sofiâ: B”lgarskata Akademiâ na Naukite, Institut za Izkustvoznanie, 1977–. ISSN 0204-823X

The only academic periodical dedicated to music and musicology in Bulgaria, this journal was established in 1977 as a musicological series and has been published quarterly since 1981. It features scholarly articles that explore phenomena and developments across both Bulgarian and international musical cultures.

Canadian winds/Vents canadiens: Journal of the Canadian Band Association/Revue de l’Association canadienne des harmonies. Toronto: Canadian Band Association/Association Canadienne de l’Harmonie, 2002–. ISSN 1703-5295

The professional journal of the Canadian Band Association, this publication was first issued in the fall of 2002. It features a broad range of articles related to wind band activity, interpreted in an inclusive and expansive manner. Striving to balance scholarly inquiry with pedagogical relevance, the journal is designed to be accessible to all instrumental music educators. While its primary audience is Canadian and many articles address issues specific to the Canadian context, the journal maintains an outward-looking perspective, aiming to foster dialogue and engagement with the international wind band community.

Fontes artis musicae. Madison: A-R Editions, 1954–. ISSN 0015-6191

The journal publishes articles aligned with the aims of IAML, with a particular focus on international music librarianship, documentation, bibliography, audiovisual materials, and musicology.

関渡音樂學刊 [Guandu yinyue xuekan]/Kuandu music journal. Taibei: Guoli Taibei Yishu Daxue/Taipei National University of the Arts, 2004–. ISSN 1814-1889

Named after Guandu, the area of Taipei where the university is located, the journal has been in publication since 2004, and is published by the School of Music at Guoli Taibei Yishu Daxue (Taipei National University of the Arts, TNUA). It features scholarly articles on a range of topics, including musicology, ethnomusicology, compositional techniques, music theory, and music psychology.

Journal of Christian musicology. Ilé-Ifẹ̀: Obafemi Awolowo University, 2020–. ISSN 2782-8433

Published annually by the Christian Music Research Forum in collaboration with the Christian Music Institute and Research Centre–an academic NGO based in Nigeria–this journal responds to the growing need for a systematic study of Christian music in all its diversity and distinctiveness. It advances global scholarship and practice in Christian music by publishing research on its various forms, disseminating theoretical perspectives across genres, and promoting the performance and application of Christian repertoire in a range of social and cultural contexts.

– Liuteria, musica e cultura: Organo ufficiale dell’Associazione liutaria italiana. – Cremona: Associazione Liuteria Italiana, 2006–. ISSN 1825-7054

The official publication of the Associazione Liutaria Italiana (Italian Violinmaking Association), this journal supports the Association’s mission to promote and preserve the culture of violin making. It welcomes contributions from scholars whose research interests intersect with the field of violin making, as well as the broader domains of organology and musical scholarship. Membership in the Association is open to individuals engaged in these areas of study.

– Studi musicali. Firenze: Leo S. Oschki, 1972–2009. ISSN 0391-7789 and eISSN 2037-6413

The official publication of the long-established Accademia Nazionale di Santa Cecilia, dedicated to the field of music culture. While the journal leans toward historical musicological studies–particularly those related to Rome–it also encompasses a range of other disciplines, including music criticism, sociology, ethnomusicology, and analysis. Given its international circulation, the journal accepts submissions in widely used scholarly languages within the cultural and academic spheres.

– Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich. Wien: Hollitzer Wissenschaftsverlag, 2017–. ISSN 0930-9578

Founded in 1913 by Guido Adler, this journal features studies closely related to the volumes of the Denkmäler der Tonkunst in Österreich (DTÖ), along with methodological reflections on musical philology, articles on the history of music in Austria, and editions of relevant textual sources.

These additions exemplify RILM’s commitment to providing full-text content that is truly international in scope, with coverage that embraces a diversity of languages, nations, subject matter, and approaches to music research. RILM Abstracts of Music Literature with Full Text is a comprehensive bibliography of writings on music, featuring citations, abstracts, and indexes. It covers over one million publications from the early 19th century to the present on traditional music, popular music, jazz, classical music, and related subjects, enhanced with full text.

If you do not already subscribe to RILM Abstracts with Full Text, please reach out to your EBSCO sales representative, or email information@ebsco.com.

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Filed under Ethnomusicology, Musicology, New periodicals, RILM, RILM news

E-Journal of Music Research (EJOMUR)

The E-Journal of Music Research (EJOMUR) is an open-access journal from Ghana that publishes academic articles, conference papers, dissertation and thesis chapters, and book reviews in music. EJOMUR was first published in August 2020 and since then, their readership has grown to include academics, musicologists, composers, historians, musicians, and those interested in music research. All research articles submitted to the journal undergo a double-blind peer-review process, and issues are subsequently published online monthly.

EJOMUR publishes original articles on a wide range of topics in historical musicology, ethnomusicology, systematic musicology, music education, and music literature.

Find this journal in RILM Abstracts. Listen to Kwesi Gyan, a 21st-century chamber orchestra piece that combines Apatampa rhythms and folk music with contemporary compositional techniques. The piece is featured in an article in the July 2023 issue of the journal.

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Filed under 20th- and 21st-century music, Africa, New periodicals

Benin Journal of Music and the Arts

In 2022 the Music Programme of the Department of Theatre Arts at the University of Benin (Benin City, Nigeria) launched Benin Journal of Music and the Arts (BENJMA), an open-access online publication that is also available in complimentary print versions.

BENJMA is designed to publish at least one annual issue, and to undertake the publication of special issues when the need arises. The journal publishes well-researched scholarly articles in music and the arts to promote scholarship and support the dissemination of research findings at local and global levels, providing a forum for discourses on historical, contemporary, and evolving subjects. It aims to serve as a basis for the formation of future perspectives, the making of impactful predictions, and the galvanization of developmental ideas. 

BENJMA’s editors and reviewers have a wealth of experience in various areas of music and the arts, and the journal is open to any thematic area.

Below, excerpts from the Yorùbá ìbejì festival, the subject of an article in the inaugural issue.

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Filed under Africa, New periodicals

Journal of research in music

Launched in 2023 by the Faculty of Music, University of the Visual and Performing Arts, Sri Lanka, Journal of research in music (JRM) is a peer-reviewed open-access journal that seeks to preserve cultures by presenting research examining how music is intertwined with value systems. It is published online twice a year, in January and June.

JRM accepts research, review articles, and scientific findings of scholars of the performing arts. The journal welcomes article submissions and does not charge any submission fee nor publication fee. A double-blind peer review process is used to review journal articles; according to the reviewer’s comments, all authors should revise the manuscripts and resubmit.  The editorial board of JRM reserves the right to refuse the publication of an article. All accepted articles will be available open access under the Creative Commons License CC BY-NC. Authors retain the copyright without restrictions.

Below, one of the highlights of Berlin’s 2022 Festival of Lights, the subject of an article in the inaugural issue.

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Filed under Ethnomusicology, Musicology, New periodicals

Music & Musical Performance: An International Journal

Music & Musical Performance: An International Journal was launched in 2022 by a consortium of music scholars from around the world. It is published online, open-access, in conjunction with Digital Commons and the Florida International University library system. Its editorial and advisory boards are broadly international. It welcomes contributions in any language, and aims—when possible—to offer a reliable English translation of contributions that are not in English.

Most of all, M&MP seeks to bridge the worlds of academic discourse and of performers and listeners. With this aim in mind, it encourages contributions that are more essayistic than is typical in existing journals. It also welcomes reactions to recorded and live performances. Being an online journal, M&MP can easily incorporate color illustrations, video, and sound files. Such enrichments help it to provide a forum for discussion of music as it is practiced—and has been practiced—in numerous times and places and for widely differing purposes.

Below, a performance of Idin Samimi Mofakham’s Hommage à Abolhasan Saba, a work discussed in the inaugural issue.

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Filed under 20th- and 21st-century music, New periodicals, Performance practice

Beiaard- en klokkencultuur in de Lage Landen/Carillon and bell culture in the Low Countries

In 2022 the Amsterdam University Press launched Beiaard- en klokkencultuur in de Lage Landen/Carillon and bell culture in the Low Countries, a bilingual annual journal that publishes editorial board-reviewed articles on the subject of carillon and bell culture in the Low Countries and related material and immaterial heritage.

These articles form the output of academic and artistic research in the areas of history, musicology, sociology, anthropology, historically informed performance practice, heritage, cultural sciences, and campanology. Although the main focus is on the Low Countries, contributions on carillon and bell culture in other countries will also be considered for publication.

Below, Koen Cosaert performs on the carillon at the Beiaardschool “Jef Denyn”, the subject of an article in the inaugural issue.

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Filed under Europe, Instruments, New periodicals

Journal of Audiovisual Ethnomusicology

In November 2022 the Society for Ethnomusicology launched the Journal of Audiovisual Ethnomusicology (JAVEM), a bi-annual peer-reviewed streaming journal of ethnomusicological film and video. The journal aims to advance the use of multimedia as a method for exploring music and its entanglements, and as a medium for presenting those explorations.

JAVEM provides a viable public platform for ethnomusicological films. A public-facing venue for film screenings and multimedia installations, it gives scholar-filmmakers opportunities to reach new audiences, engage more diverse stakeholders in research topics and issues, and partner with organizations beyond the academy, building a structure for scholarly engagement with current research, theoretical perspectives, and filmmaking strategies in ethnomusicology and related fields.

Below, Frank Gunderson, one of JAVEM’s founders and co-editors, shares a filmmaking anecdote.

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Filed under Ethnomusicology, New periodicals

Acusfere: Suoni_culture_musicologie

In 2022 Libreria Musicale Italiana launched Acusfere: Suoni_culture_musicologie, a multilingual, annually published, peer-reviewed print and online journal with abstracts in English. The journal’s scope is purposely broad; however, there are several general elements around which it coheres, including emphases on:

  • Research from the fields of musicology and anthropology
  • Musical writing, invention, improvisation, and composition in the contemporary world
  • Local and peripheral music traditions
  • Relationships between music and many other artistic and expressive activities
  • Musical instruments and technologies
  • Vocal expression as manifested in individual and polyphonic contexts
  • The processes of thought, theories, aesthetics, and structures that shape musical meanings
  • The multifarious behaviors detectable in the music-making of diverse cultures
  • The spaces and places of music, stable and concrete, but also mobile and ephemeral
  • Projections of music in media, rapidly changing and integrated into multiple perspectives

The journal’s tripartite subtitle—suoni (sounds), culture (cultures), and musicologie (musicologies)—reflects the pluralities and variabilities of viewpoints, processes, scenarios, contexts, and knowledges at the center of the critical reflection of music making.

Below, Marco Tomassi performs on his reconstruction of the 17th-century sordellina, the subject of an article in the journal’s inaugural issue.

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Filed under Ethnomusicology, Instruments, Musicology, New periodicals

Donizetti studies

In 2021 Musicom launched Donizetti studies (ISSN 2785-0331; EISSN 2785-4140),  a peer-reviewed print and online journal whose scope is not limited to Donizetti, but extends to include Simon Mayr, the rich musical tradition of Bergamo, and, in general, Italian and French opera in the first half of the nineteenth century.

The journal’s format involves multiple sections: the first comprises original essays, the second presents unpublished or partially known documents, and the third takes on varying contents and forms, depending on needs. Also, the journal provides bibliographic materials that cover the most recent studies on Donizetti and his period.

Below, an excerpt from L’ange de Nisida, one of the works discussed in the inaugural issue.

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Filed under New periodicals, Opera, Romantic era

Music & minorities

On 6 December 2021 the Music and Minorities Research Center at the Universität für Musik und darstellende Kunst Wien launched Music & minorities (M&M; ISSN: 2791-4569),

A peer-reviewed English-language, online-only, fee-free, diamond open access journal, M&M is dedicated to the scholarly exploration of the multi-dimensional field introduced by the concepts of music and minorities. It is published by mdwPress.

The journal is inclusive of music, dance, and other sound-based social phenomena. The term minority refers to communities, groups, or individuals that are at risk of discrimination on grounds of ethnicity, race, religion, language, gender, sexual orientation, disability, political opinion, displacement, social or economic deprivation, and their intersections.

Contributions to M&M may address all aspects of music and/or dance in the context of minorities. This may encompass aspects like genres of music and/or dance of certain minorities, societal discourses thereon, relationships between hegemonic and marginalized groups, depictions of minorities and/or their musical expressions in other contexts, or the meanings and values that are attributed to musical and other performing practices.

M&M encourages a diversity of approaches and methods, such as ethnography, theoretical reflection, historiography, or other forms of cultural criticism and social analysis. M&M is a forum for both foundational and engaged/applied research. The journal also welcomes interdisciplinary approaches.

Below, Dawood Sarkhosh, an Afghani singer/songwriter currently living in Vienna, is one of the musicians discussed in the inaugural issue.

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Filed under Ethnomusicology, New periodicals