Tag Archives: Musicology

Zoomusicology

howling-wolves

Zoomusicology is an area of intellectual endeavor that developed outside of music studies, among scholars interested in animal behavior.

Although this field is almost 30 years old, people operating in ethnomusicology, who are potentially the better equipped to understand the goals and challenges of zoomusicology, are often not aware of how compatible the two fields are.

Zoomusicology and ethnomusicology have much to gain from each other. Moreover, if ethnomusicology indeed has the ambition to be a field that brings together musical knowledge in a worldwide perspective, then one would have to maintain that zoomusicology should be seen as part of ethnomusicology.

This according to “Zoomusicology and ethnomusicology: A marriage to celebrate in heaven” by Marcello Sorce Keller (Yearbook for traditional music XLIV [2012] 166–83). Above and below, lupine group vocalizations.

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Wiener Veröffentlichungen zur Theorie und Interpretation der Musik

im-schatten-des-kunstwerks

In 2012 Praesens Verlag launched the series Wiener Veröffentlichungen zur Theorie und Interpretation der Musik with Im Schatten des Kunstwerks. I: Komponisten als Theoretiker in Wien vom 17. bis Anfang 19. Jahrhundert, edited by Dieter Torkewitz.

The book’s articles discuss Viennese composers from the 17th through the 19th centuries who were also theorists; future publications will cover other topics in Viennese music theory and interpretation.

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Current research in systematic musicology

sound-perception-performance

In 2013 Springer launched the series Current research in systematic musicology with Sound—perception—performance, edited by Rolf Bader.

The collection covers recent concepts of synchronized systems, evolutionary concepts, the basic understanding of performance as Gestalt patterns, theories of chill as performance goals or historical aspects, the neurocognitive basis of motor action in terms of music, musical syntax, and therapeutic aspects.

Also presented are state-of-the-art applications in performance realizations, such as virtual room acoustics, virtual musicians, new concepts of real-time physical modeling using complex performance data as input, and sensor and gesture studies with soft- and hardware solutions.

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Trio: DocMus-tohtorikoulun julkaisu

Launched on 19 March 2012, Trio: DocMus-tohtorikoulun julkaisu is the journal of the doctoral program in musicology at Sibelius-Akatemia, Helsinki.

Ranging widely through the field of Western musicology, the first issue included analyses of selected works, a study of the composer Déodat de Séverac, and an inquiry into connections between improvisation and  psychoanalysis.

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A Knud Jeppesen resource

Sponsored by  Det Kongelige Bibliotek in Copenhagen, the free online resource Knud Jeppesen (1892–1974) presents lists of the composer’s works, his music editions, his musicological writings, and literature on Jeppesen, along with a discography and portraits.

Jeppesen was one of the 20th century’s foremost musicologists, and as such he gained an international reputation. Professionally, Jeppesen worked as an organist at Sankt Stefans Kirke (1917–32) and Holmens Kirke (1932–46), both in Copenhagen, as a teacher at Det Kongelige Danske Musikkonservatorium (1920–47) in Copenhagen, and as the first professor of musicology at Aarhus Universitet (1946–57). Jeppesen, who was a pupil of, among others, Thomas Laub and Carl Nielsen, produced many compositions, most of which were both performed and published.

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Filed under 20th- and 21st-century music, Musicologists

Resonanzen: Basler Publikationen zur Älteren und Neueren Musik

In collaboration with the Musikwissenschaftlichen Institut der Universität Basel, Schwabe Verlag inaugurated the series Resonanzen: Basler Publikationen zur Älteren und Neueren Musik in 2011 with Jacques Handschin in Russland: Die neu aufgefundenen Texte.

Edited by Жанна Викторовна Князева (Žanna Viktorovna Knâzeva), the book presents texts, reviews, correspondence, and biographies written by Handschin during his years in St. Petersburg (1909–22).

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Dansk musikforskning/Danish musicology online

Dansk musikforskning/Danish musicology online (EISSN 1904-237X), an open-access peer-reviewed journal, was launched in 2010 as a platform for Danish musicologists.

Demonstrating the breadth of its scope, the journal’s first issue presented articles on the music of Carl Nielsen, hip hop culture, and original Broadway cast albums. The journal is edited by Mads Krogh, Martin Knakkergaard, and Søren Møller Sørensen.

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Naučnyj vestnik Moskovskoj Konservatorii

Научный вестник Московской Консерватории (Scholarly bulletin of the Moscow Conservatory, ISSN 2079-9438) was launched in December 2009 by the Научно-издательский центр Московская консерватория (Scholarly publishing center of the Moscow Conservatory).

This quarterly periodical with an editorial board under the direction of the musicologist and professor of the Moscow Conservatory Konstantin Vladimirovič Zenkin aims for in-depth coverage of research carried out at the Московская консерватория имени П.И. Чайковского (Moscow Conservatory named for P.I. Čajkovskij). It publishes scholarly articles, methodological materials, and book reviews; author submissions are selected by the editorial board. Научный вестник is published in Russian with abstracts in both Russian and English.

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Musicology today

In 2010 Universitatea Națională de Muzică București published the inaugural issue of Musicology today: Journal of the National University of Music Bucharest (ISSN 2067-5364). The issue presented articles about composers with significant anniversaries in 2009: Haydn (d.1809), Mendelssohn-Bartholdy (b.1809), and Paul Constantinescu (b.1909).

Subsequent themes have included composers with significant 2010 anniversaries; reception; relationships between composition, performance, and pedagogy; fusions; and women in music. The journal’s Editor-in-chief is Valentina Sandu Dediu.

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Musicologica slovaca

In 2010 Ústav Hudobnej Vedy of the Slovenská Akadémia Vied revived the scholarly periodical Musicologica Slovaca: Časopis Ústavu Hudobnej Vedy Slovenskej Akadémie Vied (ISSN 1338-2594), thereby providing a standard platform for publishing the most recent results of domestic music scholarship in a peer-reviewed, biannual journal. In 1992 its predecessor, the irregularly issued Musicologica slovaca et europaea, replaced the original Musicologica slovaca, which started in 1969. The renewed Musicologica Slovaca, starting as volume 1(27), maintains the continuity of the previous volumes.

The journal’s broad orientation, with topics including music history, ethnomusicology, and systematic musicology, reflects traditions of interdisciplinary communication among specialized disciplines of music scholarship in Slovakia. Musicologica Slovaca is edited by the ethnomusicologist Hana Urbancová, the Director of the Ústav Hudobnej Vedy SAV. It is published in Slovak with English abstracts and keywords.

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