The fruits of the three-hour double panel, which focused on encyclopedias, historiography, and music research in the digital age, are now available in printed form: Fontes artis musicae invited Dr. Frühauf to serve as guest editor and write the introduction for the July-September 2016 issue, which presents the conference papers. The table of contents is here.
In spite of their widely acknowledged importance, music Festschriften have been far from accessible to researchers. RILM has now addressed this need with an abstracted and indexed bibliography of 3881 essays on musical topics from 715 Festschriften dedicated to music scholars and others published before RILM’s regular bibliographic coverage began in 1967. Reflecting the currents of history from the mid-nineteenth to the mid-twentieth century—the advent of ethnomusicology, the rise and fall of Nazism, and the heyday of serialism, to name just a few—this compilation provides vivid insights into the histories of cultures, disciplines, institutions, and prominent individuals.
Liber amicorum completes a dyad with RILM’s Speaking of music: Music conferences, 1835–1966, a similarly structured retrospective bibliography of conference proceedings. These two unique book genres—Festschriften and conference proceedings—comprise uncommonly important collections of scholarly essays in the histories of academic disciplines, presenting groundbreaking research directly to colleagues and mentors.
The main entrance to the New York Public Library for the Performing Arts’s exhibition Lou Reed: Caught between the twisted stars opens up on Lincoln Plaza, directly adjacent to the The Metropolitan Opera house. On a sunny day, the Met’s … Continue reading →
Seven strings/Сім струн (dedicated to Uncle Michael)* For thee, O Ukraine, O our mother unfortunate, bound, The first string I touch is for thee. The string will vibrate with a quiet yet deep solemn sound, The song from my heart … Continue reading →
Introduction: Dr. Philip Ewell, Associate Professor of Music at Hunter College and the Graduate Center of the City University of New York, posted a series of daily tweets during Black History Month (February 2021) providing information on some under-researched Black … Continue reading →
For it [the Walkman] permits the possibility…of imposing your soundscape on the surrounding aural environment and thereby domesticating the external world: for a moment, it can all be brought under the STOP/START, FAST FOWARD, PAUSE and REWIND buttons. –Iain Chambers, “The … Continue reading →