Tag Archives: Jazz

The Jazz Baron

 

Known in Denmark and New York as The Jazz Baron because of his noble lineage, Timme Rosenkrantz (1911–1969) was a journalist, author, concert and record producer, broadcaster, and entrepreneur with a consuming passion for jazz and little head for business.

The first European journalist to cover the jazz scene in Harlem, he recorded jazz musicians in his midtown apartment, organized his own jazz band, and ran a record shop with his life companion, the journalist and singer Inez Cavanaugh.

A good friend of the jazz impresario John Hammond, Rosenkrantz became the James Boswell of the Harlem jazz scene. Duke Ellington, Art Tatum, Coleman Hawkins, Billie Holiday—there wasn’t a New York jazz musician unknown to “Honeysuckle Rosenkrantz”, as he was christened by Fats Waller.

This according to Harlem jazz adventures: A European baron’s memoir, 1934-1969 (Lanham: Scarecrow Press, 2012). Below, a 1968 recording by Rosenkrantz of Cavanaugh accompanied by Mary Lou Williams, with photographs from his collection.

Related article: John Abbott, jazz photographer

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Filed under Jazz and blues

Haydn and Ellington

In what he dubbed “a musicological jeu d’esprit”, Edward Green drew 25 parallels between the lives of Joseph Haydn and Duke Ellington in “Haydn and Ellington: Parallel lives?” (International review of the aesthetics and sociology of music XL/2 [December 2009] pp. 349–51). These include:

  • Both had an outstanding orchestra at their immediate disposal for decades. This meant that they wrote for individuals, not just for instruments, and enabled the striking timbral and contrapuntal risks that they felt safe taking.

  • Both helped to create the predominant musical style of their century, and were celebrated in their lifetime for having done so.

  • Despite the necessity of producing numerous occasional works, both took an experimental attitude to composing, striving for freshness of form, design, and content, and their styles changed and developed remarkably over their careers.

  • Both had a notoriously keen business sense.

Today is Haydn’s 270th birthday! Below, Baryton Trio Valkkoog performs the Adagio and Finale Fuga from Haydn’s “Birthday” trio, Hob.XI:97, composed for the birthday of  Prince Nikolaus Esterházy.

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Filed under Classic era, Curiosities, Jazz and blues

Jazz and shamanism

With its emphasis on altered consciousness, shamanism—communication with the spirit world—offers archetypal visionary insight concerning the nature of the psyche; it has much in common with the key Jungian notion of individuation or fully developed and integrated consciousness.

Jazz has much in common with shamanic experience. The pan-tonal and pan-rhythmic music of the Norwegian saxophonist and composer Jan Garbarek exemplifies the healing presence of the shamanic, or individuated, spirit in 20th-century music.

This according to “The body electric: The shamanic spirit in twentieth century music” by Michael Tucker, an essay included in Music and mysticism, two consecutive issues of Contemporary music review (XIV/1–2 and 3–4) dedicated to the memory of Philip Rawson.

Above, a shaman from the Altaj Mountains of Central Asia. Below, Rahsaan Roland Kirk’s I talk with the spirits.

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Filed under Curiosities, Jazz and blues

John Abbott, jazz photographer

Throughout his career, John Abbott’s award-winning images of jazz have been featured on over 250 album and magazine covers; he has been the primary cover photographer for JazzTimes magazine since 2002.

On 7 September 2010, the 80th birthday of the jazz legend Sonny Rollins, Abbott’s Saxophone Colossus: A Portrait of Sonny Rollins was published by Abrams. As Rollins’s photographer of choice for the past 20 years, Abbott captured images of him at home and at work; essays by the jazz critic Bob Blumenthal are included.

Below, Abbott and Blumenthal discuss the making of the book.

Related article: The Jazz Baron

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Filed under Iconography, Jazz and blues

The Frog blues & jazz annual

Launched by Frog Records in 2010, The Frog blues & jazz annual is a book series that presents original research and articles on early jazz and blues. The inaugural issue, The musicians, the records & the music of the 78 era, includes articles about the Mississippi Jook Band’s Graves brothers, the pianist Arnold Wiley, and the vocalist Ida Cox.

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Filed under Jazz and blues, New series

JazzTimes

In 1970 Ira Sabin, a Washington, D.C., record store owner, started a newsletter called Radio free jazz to update customers on new jazz releases and provide a liaison between local radio programmers and the music industry. Over the following decade the newsletter grew substantially, becoming an international publication; in 1980 these developments prompted a change to the name JazzTimes.

Today the magazine is widely regarded as one of the world’s leading jazz periodicals, featuring state-of-the-art graphics and extensive coverage of jazz news, along with performer interviews and reviews of recordings, videos, instruments, books, and performances.

Related article: John Abbott, jazz photographer

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Filed under Jazz and blues, Music magazines

Signal to noise


Established in 1997, Signal to noise is a quarterly magazine devoted to improvised and experimental music, focusing on “the confluence of avant-garde jazz, electro-acoustic improvisation, and left-of-center modern rock, with an emphasis on independent production and promotion.” Recent issues have featured the saxophonist Marshall Allen, the groups Sonic Youth and Cheer-Accident, and the duo Mary Halvorson and Jessica Pavone.

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Filed under 20th- and 21st-century music, Jazz and blues, Music magazines, Popular music