RILM has just inaugurated its series RILM perspectives with Music’s intellectual history: 66 essays offering insights into the history of music scholarship from the Renaissance to the twentieth century and demonstrating the natural partnership of RILM and historiographic investigation. The contributions address an array of subjects and perspectives that indicate the directions music scholarship has taken in the past, reveal the precedents of current scholarly habits, and suggest future paths. A full table of contents is here.
Music's intellectual history
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Filed under New series, RILM, RILM news
Music and medicine
Launched in 2009, Music and medicine (ISSN 1943‑8621) is a peer-reviewed journal published by the International Association for Music and Medicine (IAMM). The journal is intended for medical professionals, aiming to be “an integrative forum for clinical practice and research initiatives related to music interventions and applications of clinical music strategies in medicine.” While it naturally includes research in music therapy, the journal also invites work on “cultural implications of music in medicine in research and practice” as well as opinion papers on controversial topics.
Filed under New periodicals, Science
Musica humana
Musica humana (ISSN 2092-4828), a refereed journal that explicitly invites interdisciplinary work, was launched in 2009. Its first issue (spring 2009) included research in therapy, performance practice, pedagogy, and cognitive psychology, giving a glimpse of its intended scope—which, according to their website, also includes “linguistics and semiotics, sociology and anthropology, intellectual history and cultural theory, as well as aesthetics and philosophy.” The journal is published by the Korean Institute for Musicology.
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Etnoumlje: Srpski world music magazine
Etnoumlje: Srpski world music magazine (ISSN 1452-9920) has been published quarterly by the World Music Asocijacija Srbije since the summer of 2007.
The magazine provides insight into the Serbian world music scene through interviews and profiles of members of Serbian bands and reviews of recordings, events, and publications, as well as regular features on Serbian traditional music.
Its editor, Oliver Đorđević, defines it as a periodical for “theory, history, aesthetics, and criticism of world music, with the aim of promoting and advancing Serbian world music.” Etnoumlje also collects information for a future Web-based register of Serbian world music bands and artists.
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Filed under Europe, Music magazines, Popular music, World music
Journal of dance & somatic practices
Launched in 2009, Journal of dance & somatic practices (ISSN 1757-1871) is a peer-reviewed journal that explores the relationship between dance and somatic practices, and the influence of this body of practice on the wider performing arts.
In the words of its editor, Sarah Whatley, the journal aims “to provide space for debate around moving, thinking, and writing, and to offer a celebration of the somatic epistemology that underpins important developments in dance and movement practices that have emerged and found purchase in recent years, whilst also acknowledging the challenges that this brings for all those engaged in the work.”
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Filed under Dance, New periodicals
International journal of community music
International journal of community music (ISSN 1752-6299) is a refereed journal that publishes research, practical discussions, reviews, readers’ notes, and special issues concerning all aspects of community music. To define its scope, the editors—David Elliott, Lee Higgins, and Kari Veblen—write: “Just as music and community are situated, contested, contingent, and hard to pin down, so too are concepts of community music as practice and as scholarship. In short, community music is a complex, multidimensional, and continuously evolving human endeavor.” The journal was launched in 2008.
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Filed under Ethnomusicology, New periodicals
Dance journals
Although they rarely focus directly on music, articles in scholarly dance journals are often important sources for music researchers. Ethnomusicologists regularly find that their work intersects with that of ethnochoreologists, and music historians increasingly turn to publications by dance historians for information on choreographers, performers, and productions, from the court of Louis XIV to the Ballets Russes to music videos.
RILM is currently working to complete its coverage of three leading dance journals—Dance research, Dance chronicle, and Dance research journal.
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Walter Gerboth’s Nachlaß
When we commenced work on our Festschriften retrospective project (the first volume, Liber amicorum, was recently published) we began with what was then the gold-standard reference work, Walter Gerboth’s An index to musical Festschriften and similar publications.
The Head Librarian of the Brooklyn College music library that now bears his name, Gerboth amassed a large collection of music Festschriften during the compilation of his book, and he bequeathed this collection to the library; Marguerite Iskenderian, a Music Cataloguer there, kindly shared these books with us so we could write abstracts for the essays therein. She also shared with us his collected notes—his Nachlaß—which he had also left to the library.
Like any good librarian of his time, Gerboth kept obsolete catalogue cards for scratch paper; his notes are all on the back of such cards, some neatly typed, some hastily handwritten. Most of these notes were citations for music-related articles in Festschriften with nonmusical dedicatees, articles that he had discovered in bibliographies or other sources; many were noted after his book had gone to press, for inclusion in a second edition that never materialized.
Among these cards were notes from his friends and associates with further citations or suggestions. One of the latter, reproduced below, includes the question “Who he?”—a humorous catch-phrase from a bygone era, perhaps originating in an old radio comedy.
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Filed under From the archives, RILM