Tag Archives: World music

Charles Seeger and folkness

The folk revival movement is the result of the common folkness of the folk and the supposedly non-folk surfacing in cities. In the meantime the folk has been doing what it has always done: appropriating all of the non-folkness it could.

Perhaps non-folkness is that which tries not to be folkness, while folkness is that which has not discovered more non-folkness than it could assimilate. The two categories may not be mutually exclusive; they may be two aspects of the same entity.

This according to “The folkness of the non-folk vs. the non-folkness of the folk” by Charles Seeger, an essay included in Folklore and society: Essays in honor of Benj. A. Botkin (Hatboro: Folklore Associates, 1966, pp. 1–9).

Above, Charles plays the harmonium for a family musicale in 1921, with his son Pete on his lap. Below, Pete’s half-sister Peggy Seeger performs The foolish frog, a traditional song with a story that Charles made up to entertain his children.

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Filed under Curiosities, Ethnomusicology, Humor, World music

Pete Seeger, filmmaker

Seegers 2006

The world knows Pete Seeger as an activist and a performer of traditional and original songs; fewer know of his work as a filmmaker. With his wife Toshi, Seeger documented music and dance performances on hundreds of reels of film between 1955 and 1965.

Having started with a self-produced film of how to play the 5-string banjo, Toshi and Pete branched out into filming the musicians and dancers they came in contact with in their countrywide and worldwide tours. Their subjects include the final performance of Big Bill Broonzy as well as the Irish fiddler John Doherty, the sitār player Imrat Khan, Ghanaian fishermen singing rowing songs, and Indonesian court dancers. The Pete and Toshi Seeger Film Collection was acquired by the American Folklife Center in 2004.

This according to “The incompleat filmmakers: The little-known career of Pete and Toshi Seeger” by Todd Harvey and Stephen Winick (Folklife Center news XXVIII/28 [winter/spring 2006] pp. 3–8). Above, the Seegers in an interview at the Library of Congress in 2006; inset, at the 2009 Clearwater Festival.

Below, the Seegers’ 1964 film Singing fishermen of Ghana.

 

More stories from the American Folklife Center are here.

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Filed under Ethnomusicology, World music

National jukebox

In May 2011 the Library of Congress launched National jukebox: Historical recordings from the Library of Congress, an Internet resource that makes historical sound recordings available to the public for free. The Jukebox includes recordings from the extraordinary collections of the Library of Congress Packard Campus for Audio Visual Conservation and other contributing libraries and archives. These recordings were issued on record labels now owned by Sony Music Entertainment, which has granted the Library of Congress a gratis license to stream acoustical recordings.

At launch, the Jukebox already included over 10,000 recordings made by the Victor Talking Machine Company between 1901 and 1925. Content will be increased regularly, with additional Victor recordings and acoustically recorded titles made by other U.S. labels, including Columbia, Okeh, and some Universal Music Group-owned labels. The selections range from jazz and popular styles to ethnic traditions to Western classical works, including opera arias.

Above, a Victor acoustical recording session ca. 1920.

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Filed under 20th- and 21st-century music, Jazz and blues, Opera, Popular music, Resources, World music

Music stamps redux

Music philately began with the issuance of some of the very first postage stamps in the mid-nineteenth century: The inaugural issues of several European countries included images of post horns. Purists may argue that post horns were mere signaling devices, but at that time they were already being used in classical compositions, so their depictions may be considered musical images.

Other nineteenth-century stamps featured depictions of prominent political figures who were also musicians—for example, Argentina issued a stamp honoring the statesman and composer Juan Bautista Alberdi in 1888 (left)—but they were concerned with politics rather than music. The first explicitly musical stamp was Poland’s issuance honoring Ignacy Jan Paderewski in 1919.

Through the 1950s countries increasingly celebrated Western classical musicians and composers. In the 1960s all aspects of musical life became potential subjects—institutions, festivals, instruments, dancers, and so on—and non-European countries asserted their national identities with images of their own traditional and historical music cultures. In the later twentieth century images of popular and jazz musicians gained increasing demand .

This according to A checklist of postage stamps about music by Johann A. Norstedt (London: Philatelic Music Circle, 1997), which lists some 14,000 stamps with music-related images.

Above, stamps issued in Northern Cyprus in 1985, which was designated European Music Year by the Europa Federation (click images to enlarge). Below, a curious video about Robert Burns iconography.

Related article: Postage stamps.

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Filed under Iconography, Reception, Resources

Kronos and controversy

The Kronos Quartet has been politically engaged since its founding in 1973, and their forays into world music carry political messages as well as aesthetic ones. Inevitably, these ventures have enmeshed the group in the anxious narratives surrounding the world music phenomenon.

Critics cite the appropriation and alienation of non-Western musics and techniques as economic and cultural capital for first-world performers, entrepreneurs, and recording companies, while admirers cite sensitivity and homage, cultural exchange, and a faith in the intercultural transcendence of aesthetic values that enacts a basis for peaceful cooperation.

Although the group’s continuing commitment to crossing cultural borders and raising political issues has been branded as hypocritical in the context of their signing with Nonesuch Records, which is owned by the media giant Time Warner, their efforts should command respect from those who seek to discredit the myth that music can—and should—exist in an autonomous world apart from that of society.

This according to “Postmodern eclecticism and the world music debate: The politics of the Kronos Quartet” by David Bennett (Context: A journal of music research 29–30 [2005] pp. 5–15). Above, the quartet performs with the pipa player Wu Man; below, with the Azerbaijani muğam singer Alim Qasımov and his ensemble.

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Filed under 20th- and 21st-century music, World music

Surva: Dancing for the unripe year

On 14 January, which is both New Year’s Day and the Feast of St. Basil according to the old Orthodox calendar, villagers in Bulgaria and Macedonia perform the costumed ceremonial dance known as  Сурва (Surva, “unripe year”). Children between 4 and 14 years old participate in the малечка Сурва (small Surva), while adults between 15 and 35 perform in the голема Сурва (big Surva).

small surva 3On the eve of the event, youths go from house to house collecting wood for the ceremonial bonfire. In the morning the participants choose their roles and don the corresponding masks and sheepskin capes. The stock characters may include a groom, a bride, a devil, a priest, a gypsy, and a dancer with a bear. To the accompaniment of drums and shawms, the dancers parade through the village with abundant comical antics. The ceremony culminates with a spirited dance around the collective bonfire.

This according to “Сурварските обичаи од неколку струмички села” (Old customs performed on New Year’s day in villages of the Strumičko region) by Ivan Kotev, an essay included in Rad XIX kongresa Saveza Udruženja Folklorista Jugoslavije (Skopje: Združenie na Folkloristite na Makedonija, 1977, pp. 207–212). Below, Surva in Krupnik, Bulgaria.

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Filed under Dance, Europe, World music

Analytical approaches to world music

Founded in response to the excitement generated by the First International Conference on Analytical Approaches to World Music in 2010, Analytical approaches to world music (ISSN 2158-5296) brings together disciplines including music theory, ethnomusicology, musicology, cognitive psychology, computer science, and mathematics for a cross-cultural dialogue that aims to promote and enhance understanding of the diverse collection of traditions that is commonly referred to as world music.

Edited by Lawrence Shuster and Rob Schultz, the inaugural issue of this peer-reviewed online journal includes articles by Robert Morris, Sarah Weiss, David Locke, Richard Widdess, Jay Rahn, and Michael Tenzer.

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Filed under New periodicals, Theory, World music

Sephardic music: A century of recordings

Sephardic music: A century of recordings showcases and discusses over 100 years of recorded Sephardic music, from the 78 rpm era to the present. Created by Joel Bresler, this resource includes information on repertory and performance practice and a comprehensive discography of Sephardic 78s in Hebrew and Ladino ordered by label, song, or artist. Numerous illustrations are provided, including reproductions of record labels and covers.

Above, the label from Haim Effendi’s 1907 recording of the popular Sephardic song A la una; the recording can be heard here.

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Filed under Europe, Resources, World music

Folkstreams

Folkstreams is an archive of hard-to-find documentary films about traditional cultures that gives them new life by streaming them on the Internet. Founded in 2002 by the filmmakers Tom and Mimi Davenport, the idea grew out of “our love of filmmaking, a respect for the traditional culture of ordinary Americans, and a desire to get our work to the general public.”

Partnering with Ibiblio, the School of Information and Library Science, and the Southern Folklife Collection, all based at the University of North Carolina at Chapel Hill, Folkstreams preserves and disseminates priceless historical documents, including many whose subjects are music and dance.

Above, the Landis family of Granville County, North Carolina, sings “Jezebel” in  A singing stream: A black family chronicle (Tom Davenport, 1986).

Related post: Pete Seeger, filmmaker

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Black music reference series

African Diaspora Press, a scholarly imprint specializing in bibliographies about expressive culture of Africa and the African diaspora, launched its Black music reference series in June 2010 with From vodou to zouk: A bibliographic guide to music of the French-speaking Caribbean and its diaspora by John Gray, the director of the Black Arts Research Center in Nyack, New York. The book’s nearly 1300 entries cover all of the French-speaking islands—in particular Haiti, Martinique, Guadeloupe, and French Guiana—as well as their overseas enclaves in France, the U.S., and Canada. Biographical and critical information on over 350 of the region’s leading musicians and producers is also provided.

Above, Perle Lama demonstrates the basic zouk steps.

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Filed under Ethnomusicology, New series, Popular music, Resources, West Indies, World music