Tag Archives: Mass media

Prague concert life, 1850–1881

Sponsored by the Leverhulme Trust and Cardiff University, Prague concert life, 1850–1881: An annotated database is a free resource for all those interested in nineteenth-century Czech music, history, and culture. The fullest possible information about each musical performance in Prague—from public concerts to private soirées, from large-scale festivals to everyday rehearsals, in venues ranging from local inns, guest houses, and restaurants to the most fashionable and successful society halls, parks, and gardens—is documented on the basis of articles in Czech- and German-language periodicals from 1850 through 1881; only musical theater events are excluded.

Entries typically list the date, time, and venue; the program and works that were presented; and the individuals, societies, and institutions that took part. Additional commentaries include clarifications of editorial decisions; supplementary factual data such as audience numbers, admission prices, and changes of venue or program; detailed information about individuals, venues, societies, and institutions, highlighting notable trends and occurrences within the city’s musical environment; outlines of the content and critical stance of descriptive reports and reviews; and evaluations of the source material from a scholarly perspective. Search and navigation tools include basic keyword search, advanced search, and hyperlinks.

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Filed under Reception, Resources, Romantic era

Cylinder Preservation and Digitization Project

An initiative of the Department of Special Collections of the Donald C. Davidson Library at the University of California at Santa Barbara, the Cylinder Preservation and Digitization Project presents digital remasters of nearly 8000 cylinders that are catalogued according to standard library rules for sound recordings. The collection may be searched by keyword, author, title, subject, year, or call number, or it can be browsed by genre, instrument, topic, or language. The recordings can all be heard and downloaded for free; the project is happy to receive donations of further recordings and financial support.

Among the collection’s rare gems are 225 recordings of pre-1902 popular music, including cylinders of Sousa’s Grand Concert Band.

Related article: John Philip Sousa, violinist

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Filed under Popular music, Resources, World music

The Okeh laughing record

According to “Humorous reflections on laughing records” by Abigail Cooke (ARSC journal 32/2 [winter 2001], pp. 232–242, three types of sound recordings involving laughter were produced between 1904 and 1923: (1) laughing songs, in which stylized laughter is integrated into the song; (2) spoken comedy routines with laughing audiences; and (3) laughing records, in which apparently genuine laughter spirals out of control.

The classic model for the latter genre, The Okeh laughing record (Okeh, 1922)—which may have originated in a real situation where the recording engineer continued to record a botched session—begins with a man playing a slow, melancholy cornet solo that is quickly interrupted by a woman’s giggle. He continues to play, but she is unable to control herself, and soon is laughing aloud; this causes him to flub a note and join her in laughing, occasionally attempting to continue playing, until the two are utterly hysterical.

Below, The Okeh laughing record.

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Filed under Humor, Publication types

Blues magazines

 

Blues magazines like Living blues, Real blues, and Blues revue attest to the continuing vitality of a genre that dates at least back to the 1910s, when the first blues songs were published. Unlike the recording companies that capitalized on the “blues craze” of the Roaring Twenties, these magazines are interested in all forms of African American roots music—including sacred and other secular traditions—and their modern counterparts, including zydeco, gospel, and so on, fostering a thriving community of enthusiasts.

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Filed under Ethnomusicology, Jazz and blues, Music magazines

Album covers

fela-zombie

Record album covers comprise a genre of music iconography that shows how musicians wish to be perceived—or how their producers wish them to be perceived. This type of iconography makes no claim to objectivity; rather, it explicitly presents images meant to arouse specific associations with the recorded music inside.

For example, the cover of Fela Anikulapo-Kuti’s 1977 album Zombie shows him brightly dressed, singing and gesturing defiantly, facing images of Nigerian soldiers: the zombies of the scathing title song, which satirizes these enforcers of the military government. The singer appears as a vibrant, strong leader, while the soldiers are depicted in a jagged, grey collage—as dehumanized and sinister as the zombies of horror fiction.

Below, Sahr Ngaujah and the cast of Fela! perform Zombie on Broadway.

Click here for more on music iconography.

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Filed under Africa, Iconography, Politics, Popular music

World music magazines

World music magazines such as fROOTS, Etnoumlje, and Sing out! are largely devoted to profiles of current performers and groups whose repertoires fall within the fuzzy boundaries of world music, a nebulous marketing concept that covers almost any ethnic tradition, from sea shanties to sacred Buddhist ceremonies to Afropop. These articles go beyond the information in the artists’ press releases, often including interviews that provide biographical details and illuminate the historical roots of the music that they perform.

Occasionally these magazines publish research-based items, such as a survey of the current state of a particular genre, or articles of historical interest, such as the commercial recording of ethnic traditions in the early twentieth century.

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Filed under Music magazines, Popular music, Reception, World music

Music magazines

Music magazines fly under the radar for many scholars, but they are often the most reliable sources for information about current performers and repertory. Providing interviews, biographical details, and information about works and performances, these periodicals fill the information gap that precedes the publication of scholarly studies on these topics, and they are less likely to perpetuate errors than unconfirmed Internet sources.

Sometimes these magazines also present research that may not be oriented toward making a scholarly point, but may still prove useful for scholarly projects; examples include surveys of the output of small record labels, the musical life of a city, or the history of an institution.

Music magazines covered by RILM include selected publications for Western music and popular music as well as those devoted to less mainstream genres such as blues, world music, and Indian performing arts.

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Filed under Music magazines, Publication types, Reception