The Brazilian composer Heitor Villa-Lobos is considered one of the foremost Latin American composers of the 20th century. He was deeply interested in Brazil’s folk music traditions and was instrumental in setting up the country’s music education system, emphasizing native songs. His interest in Brazilian folk music resulted from visiting with different communities and listening to their music during his travels to various regions of Brazil as a young cellist. While living in Rio de Janeiro, Villa-Lobos began playing guitar and performing with popular musicians around the city. His mother disapproved of the company he kept, and as a result, he left home to pursue an itinerant life traveling around Brazil while supporting himself by playing cello and guitar. He also continued to learn about the folk music of the areas he visited.
Villa-Lobos later distinguished himself as a conductor, bringing several modern works to the attention of his audiences and consistently composing. His output of over 2,000 works includes everything from chamber music to the larger forms. His lack of formal academic training, far from hampering his development, compelled him to create a truly distinct and original technique.
Villa-Lobos’s prolific output includes the Bachianas brasileiras suites, a group of pieces based on original melodies patterned after the folk songs and Brazilian Indigenous tribal chants treated in a Bach-like fashion on Latin American instruments. The aria is arranged in an AABA form, with the first and last sections performed by a soloist and the repeated first section by the wind instruments followed by the chant:
“Lo, at midnight clouds slowly pass by, rosy and lustrous,
O’er the spacious heaven with loveliness laden,
From the boundless deep the moon arises wondrous,
Glorifying the evening like a beautiful maiden.
Now she adorns herself in half unconscious duty,
Eager, anxious that we recognize her beauty,
While sky and earth, yes, all nature with applause salute her,
All the birds have ceased their sad and mournful complaining:
Now appears on the sea in a silver reflection, Moonlight softly waking
The soul and constraining hearts to cruel tears and bitter dejection.”
Read the entry on Heitor Villa-Lobos in Band music notes (1979). Find it in RILM Music Encyclopedias.
Below is a performance of Villa-Lobos’s Bachianas brasileiras, no. 5 by the Spanish cellist Antonio Martín Acevedo and the Argentinian guitarist Marisa Gómez.
Related posts in Bibliolore:
Villa-Lobos’s choro no. 10
