Tag Archives: Bibliography

RILM’s global network of institutional partners

RILM is recognized globally as a leading digital archive for music bibliography, built through collaboration among various international organizations, academic institutions, and cultural repositories. Its governance is anchored through joint sponsorship by four major societies: the International Association of Music Libraries, Archives, and Documentation Centres (IAML), the International Musicological Society (IMS), the International Council for Traditions of Music and Dance (ICTMD), and the International Association for the Study of Popular Music (IASPM). Together, these organizations unite historical musicology, ethnomusicology, and popular music studies to preserve the world’s musical heritage.

RILM also collaborates with cultural and academic institutions around the world to document and preserve the diversity of global musical traditions. For instance, in India, the Archives and Research Center for Ethnomusicology (ARCE) focuses on South Asian musical traditions and research, while the Institut du Monde Arabe in Paris specializes in Arab music and history. Partnerships with the National College of Arts in Lahore (India) and the Central Conservatory of Music in Beijing (China) further expand global music scholarship by incorporating important regional research and perspectives.

Bases of RILM’s international committees and partnerships.

RILM also works with UNESCO as an accredited non-governmental organization and civil society partner dedicated to preserving and safeguarding the world’s musical heritage. In addition, colleges and universities worldwide subscribe to RILM’s resources. Although North American and European institutions constitute the majority of its subscribers, RILM also has a significant presence in countries such as Japan, South Africa, and China. Japan, for example, has developed its own digital database for collecting and publishing information on academic literature related to music in the country.

Homepage for the RILM Japan website.

RILM’s interconnected framework effectively reduces regional and linguistic barriers in music research, facilitating global access to vital musical knowledge. By integrating localized expertise with a comprehensive digital infrastructure, RILM connects international societies, specialized archives, and national committees, enabling researchers to easily explore a wide range of musical genres–from 14th century European polyphony to Punjabi folk music and contemporary hip hop.

Related Bibliolore posts:

https://bibliolore.org/2026/02/24/rilms-global-network-of-committees-and-partnerships/

https://bibliolore.org/2026/02/13/rilms-first-international-collaborators-the-committees/

https://bibliolore.org/2026/02/17/rilms-global-mission-and-its-expansion-in-2024/

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Filed under Ethnomusicology, Musicology, Resources, RILM

Svensk jazzbibliografi

 

Svensk jazzbibliografi is a new online resource that covers writings about Swedish jazz in Swedish and in other languages, in the areas of jazz history; biographies and memoirs; jazz-related literature, photographs, and art; anthologies, essays, and other literature; discographies; and periodicals.

Published by Svenskt Visarkiv, this open-access bibliography was compiled and annotated by the Swedish composer, arranger, and conductor Mats Holmquist.

Below, Holmquist in action.

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Filed under Jazz and blues, Performers, Resources

Bibliography of performing arts medicine

Sponsored by the Performing Arts Medicine Association, Bibliography of performing arts medicine is a free online resource that focuses on the health problems of instrumental and vocal musicians, dancers, and actors.

The bibliography provides citations from the medical, musical, and popular literature, with emphasis on clinical problems and relevant basic science in performing arts medicine. It can be searched by author, title, publication, or keyword, and searches can be limited to music, acting, or dance.

Related article: Music and medicine

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Filed under Resources, Science

Francophone Music Criticism, 1789–1914

Launched by the Institute of Musical Research at the University of London in 2010, Francophone Music Criticism, 1789–1914 is a repository of digitized, searchable reviews relating to French music and ballet. Texts are grouped into collections devoted to particular works, events, series, performers, or authors. Bibliographical resources and work in progress of a more general nature are also included. The database’s development network is headed by Katharine Ellis and Mark Everist.

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Filed under Reception, Resources

RILM is inviting author abstracts

In an effort to provide more complete and nuanced bibliographic resources to researchers, RILM is inviting authors to review their publications in the database, create new records, and revise existing records. Through this link, and following the link for “submissions by individuals,” authors can interact directly with the database. An author search lists all entries by the searched author in reverse chronological order, providing a synoptic view of publication history. By opening each record, authors can view the contents and add or revise as they see fit. It is also possible to attach new reviews to records, and to add second abstracts in other languages.  Authors can also create new records, and they are especially encouraged to do so.  Questions can be directed to questions@rilm.org.

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Filed under RILM

RILM publishes Liber amicorum

Liber amicorum

In spite of their widely acknowledged importance, music Festschriften have been far from accessible to researchers. RILM has now addressed this need with an abstracted and indexed bibliography of 3881 essays on musical topics from 715 Festschriften dedicated to music scholars and others published before RILM’s regular bibliographic coverage began in 1967. Reflecting the currents of history from the mid-nineteenth to the mid-twentieth century—the advent of ethnomusicology, the rise and fall of Nazism, and the heyday of serialism, to name just a few—this compilation provides vivid insights into the histories of cultures, disciplines, institutions, and prominent individuals.

Liber amicorum completes a dyad with RILM’s Speaking of music: Music conferences, 1835–1966, a similarly structured retrospective bibliography of conference proceedings. These two unique book genres—Festschriften and conference proceedings—comprise uncommonly important collections of scholarly essays in the histories of academic disciplines, presenting groundbreaking research directly to colleagues and mentors.

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