Tag Archives: Database

Modernizing RILM’s database infrastructure in the 1990s

The mid-1990s marked a pivotal period of growth and technological transformation for RILM. As the organization continued to expand its coverage of global music scholarship, it also undertook significant efforts to modernize the systems that supported its work. In 1996, with more than 4,700 records already entered into RILM’s database that year, thousands of additional records submitted by national and regional committees were waiting to be processed. Faced with this growing volume of bibliographic data, RILM set an ambitious goal: to produce volume 30 within just ten months while simultaneously transitioning to a new database infrastructure.

Central to this transformation was the development of a new in-house database system based on Paradox 8 for Windows 95, a powerful relational database management platform that allowed users to construct, manage, and query complex datasets with relative ease. Designed to streamline the management of bibliographic records, the new platform promised substantial improvements in processing, editing, and indexing workflows. The system represented a major step forward from previous methods, enabling staff to handle increasing numbers of records with greater efficiency and accuracy. The project was led by RILM’s database designer, Paul D. Petersen, who had developed a basic version of the system that was ready for beta testing as work on volume 30 began. The volume would become the first to be produced using the new database, serving as both a milestone and a proof of concept for the upgraded technology.

An acoustic modem, which transmits and receives data by converting digital signals into sound waves and vice versa, was at one time regularly used in the RILM office.

Volume 31, published in 2000, became the first RILM volume produced entirely in the organization’s new office using a newly implemented Paradox 9 database system running over CUNY’s new NT network. Despite delays, the accomplishment demonstrated not only the success of the technological transition but also RILM’s commitment to adapting its operations to the evolving demands of scholarly communication. The adoption of the Paradox-based system showed how technological innovation played a crucial role in supporting RILM’s mission. By investing in more effective tools for managing bibliographic information, the organization strengthened its ability to document and disseminate music research from around the world.

RILM’S founder Barry S. Brook (in glasses, red shirt, dark jacket) visits with the editorial team in 1992.

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RILM acquires and relaunches the Hofmeister XIX database

01 December 2025

New York, NY / London, UK – RILM (Répertoire International de Littérature Musicale), a global organization dedicated to documenting and making accessible the world’s musical knowledge across all traditions, is proud to announce that it has acquired the Hofmeister XIX database from Royal Holloway, University of London, and King’s College London. This valuable resource is now hosted at hofmeister.rilm.org, continuing its mission under RILM’s stewardship to support musicological inquiry.

The Hofmeister XIX database provides comprehensive, searchable access to over 330,000 bibliographic records from the Hofmeister Monatsberichte, published between 1829 and 1900. These records represent a vital primary source for the study of music publishing, repertoire, and taste in the 19th century, and include bibliographic records for music scores, music-related books, periodicals, portraits, and other ephemera.

The database was created and developed at Royal Holloway and King’s College London (Department of Digital Humanities) by a team headed by Nicholas Cook (Director) and Liz Robinson (Project Manager), with support from the UK’s Arts and Humanities Research Council. Since 2007 the project has served music librarians, scholars, and others worldwide through an open-access model. RILM now assumes ownership with a firm commitment to preserving open access to the database, its quality, and its scholarly integrity. RILM will continue to credit the founding institutions prominently on the site and maintain the platform according to the high standards long associated with Hofmeister XIX.

“RILM is honored to take over this invaluable resource,” said Dr. Tina Frühauf, Executive Director of RILM. “As a UNESCO-accredited NGO under the 2003 and 2005 Conventions, we are committed to safeguarding intangible cultural heritage and promoting cultural diversity. Acquiring Hofmeister XIX aligns with this mission by preserving and disseminating a vital record of 19th-century musical life and publishing. We look forward to ensuring its continued accessibility for scholars and the public worldwide.”

Dr. Nicholas Cook, a former professor at Royal Holloway, commented: “At a time when digital resources in academia often struggle to keep up with the pace of technical innovation, RILM’s acquisition of Hofmeister XIX is the best possible guarantee of its long-term survival.”

Royal Holloway’s Director of Research and Innovation, Sue Starbuck, noted: “We are thrilled that Hofmeister XIX will thrive under RILM’s custodianship. Their infrastructure, global reach, and deep commitment to musicology ensure a strong future for this resource.”

Dr. Arianna Ciula, Director of the King’s Digital Lab, commented: “With the support of the Faculty of Arts and Humanities leadership at King’s College London, King’s Digital Lab has made every effort to sustain digital resources of value to the research community. The migration of this important resource to its new home is a great example of what trustworthy collaboration and a holistic archiving and sustainability programme can achieve.”

As of today, the original site can be accessed through the new URL https://hofmeister.rilm.org, marking a seamless transition for the academic community and general public.

For more information, please contact:

  • RILM
    Dr. Tina Frühauf
    Executive Director
    info@rilm.org
  • Royal Holloway, University of London
    Sue Starbuck
    Director of Research and Innovation
    Sue.Starbuck@rhul.ac.uk
  • King’s College London
    Dr. Arianna Ciula
    Director, King’s Digital Lab
    kdl-info@kcl.ac.uk

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RILM is inviting author abstracts

In an effort to provide more complete and nuanced bibliographic resources to researchers, RILM is inviting authors to review their publications in the database, create new records, and revise existing records. Through this link, and following the link for “submissions by individuals,” authors can interact directly with the database. An author search lists all entries by the searched author in reverse chronological order, providing a synoptic view of publication history. By opening each record, authors can view the contents and add or revise as they see fit. It is also possible to attach new reviews to records, and to add second abstracts in other languages.  Authors can also create new records, and they are especially encouraged to do so.  Questions can be directed to questions@rilm.org.

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Elektronische Zeitschriftenbibliothek

The Elektronische Zeitschriftenbibliothek (EZB), which was developed at the Universitätsbibliothek Regensburg with the Universitätsbibliothek der Technischen Universität München (above), provides an international list of musicology journals that are available on the Internet. The complete database, which is regularly updated by 545 libraries and research institutions, indicates whether each journal is open-access or subscription-based, and provides links to the journals themselves; it currently lists 47,117 titles, including  6150 journals that are only available online and 23,655 journals that can be read for free.

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