Hosted by the Archives of African American Music & Culture at Indiana University, Black Grooves is a review site that aims to promote black music by providing monthly updates on interesting new releases and quality reissues in all genres—gospel, blues, jazz, funk, soul, and hip hop, as well as classical music composed or performed by black artists.
Reviews of selected new discs and DVDs are featured, with occasional attention to books and news items. An extra effort is made to track down releases by indie, underground, foreign, and other labels that are not covered in the mainstream media. While the primary focus is on African American music, related areas such as Afropop and reggae are also covered.
This post is part of our series celebrating Black History Month. Throughout February we will be posting about resources and landmark writings in black studies. Click here for a continuously updated page of links to all of our posts in this category.
An open collection of digitized popular sheet music from the eighteenth through the twentieth centuries, Sheet music consortium is hosted by the UCLA Digital Library Program, which provides an access service to sheet music records at the host libraries. Each of the over 100,000 entries includes full bibliographic information; links to further resources, such as full reproductions, may be provided depending on the host institution.
The consortium members are the Archive of Popular American Music at the University of California, Los Angeles; IN Harmony: Sheet Music from Indiana at Indiana University; the Lester S. Levy Collection of Sheet Music at Johns Hopkins University; and the Historic American Sheet Music collection at Duke University.
The EVIA Digital Archive Project is a collaborative peer-reviewed digital archive of ethnographic field videos for use by scholars and teachers; it is also an infrastructure of tools and systems supporting scholars in the ethnographic disciplines, including ethnomusicology and ethnochoreology.
Since its founding in 2001, the project has been developed through the joint efforts of ethnographic scholars, archivists, librarians, technologists, and legal experts, with funding from the Andrew W. Mellon Foundation, Indiana University, and the University of Michigan. There is no charge for access for educational purposes. Above, the videographer James B. Weegi assists the ethnomusicologist Ruth M. Stone with materials that are now part of her EVIA collection.