Tag Archives: multimedia

DEUMM Online: RILM as a content provider

DEUMM Online is a digitally enhanced music encyclopedia published by RILM, building on Alberto Basso’s Dizionario enciclopedico universale della musica e dei musicisti from the 1980s and 1990s. Developed as a collaborative effort among Italian and international scholars, it aims to create an Italian-language knowledge base with a distinctly global perspective on music and its circulation worldwide.

Expanding and updating the original print edition, DEUMM Online adds approximately 150 new entries each year. These contributions emphasize areas previously marginalized or overlooked–such as pop, film, jazz, folk, world, and ancient music–alongside emerging concepts and theoretical approaches in music studies, including feminism, gender and race studies, sound studies, and postcolonial perspectives. All entries are authored and reviewed by subject specialists, ensuring the reliability and scholarly quality of the content. Under the leadership of general editors Daniela Castaldo and Antonio Baldassarre, an international network of experts continually revises existing entries and produces new ones, keeping the encyclopedia aligned with ongoing developments in both Italian and global music scholarship.

New articles in DEUMM Online are designed to be comprehensive, offering a complete overview of each topic. They are divided into titled sections that help users navigate complex subjects with significant historical, cultural, or social dimensions. Different sections may be authored by different specialists, ensuring that each aspect is treated by an expert in that area. The content is enhanced with multimedia elements and can be explored through multiple access points, including section titles, article types (including biographies, instruments, genres, and works), occupations and nationalities of the individuals discussed, and sortable timelines. Users can also arrange works and biographies either chronologically or alphabetically, allowing them to tailor how they view and study the material.

Although DEUMM Online is published in Italian, it remains a valuable resource for the international music research community, offering insights into both Italian and global musical traditions. Modern technologies now make it possible to translate Italian into other languages almost instantly, greatly enhancing its accessibility. This allows scholars and enthusiasts to engage more deeply with its content while navigating the complexities of today’s interconnected music landscape. As a result, DEUMM Online stands out for its dynamic and flexible nature, continually adapting to the evolving needs and expectations of its users.

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Filed under Ethnomusicology, Musicology, Resources, RILM

Performing the imaginary in pop music

In recent years, digital technologies have enabled a blending of the real and imaginary within the broader event sector. Such events have blurred the lines between art, leisure, information, and entertainment, offered in an expanding array of multimedia spectacles. These advancements have enhanced visual presentations, incorporating programming, lighting, projections, special effects, and holograms to create seamless combinations of reality and fantasy. The rise of holographic companies in stage design has allowed audiences to experience performances by deceased musicians such as Tupac Shakur, Maria Callas, Roy Orbison, Teresa Teng, and Whitney Houston. Digital holography has also paved the way for virtual pop stars, including Hatsune Miku from Japan and Luo Tianyi from China. These characters are products of a blend of voice software, idol industry frameworks, and fan-driven creativity, enabling entirely new forms of entertainment and audience engagement.

Promotional material for a Whitney Houston hologram concert.
Luo Tianyi, a virtual pop star from China.
A Tupac Shakur hologram performs a live concert.

Like digital technologies, social media and smartphones are deeply embedded in the environments and material circumstances through which we experience, interpret the world, and connect with others. Rather than external forces acting on us, such tools are integral to our daily lives. Platforms–the systems, processes, and relationships they encompass–have also become increasingly significant in shaping, mediating, and expanding our understanding and experience of popular music. The rise of digital platforms, streaming services, and social media requires a rethinking of the economies and industries of popular music, along with the evolving dynamics between recorded and live music. This is particularly relevant in the context of live performances, where digital technology has played a significant role during a period when live events gained increasing commodity value within the “experience economy”, especially as concert ticket prices skyrocketed and the cost of recorded music formats fell.

This according to “Stages, platforms, streams: The economies and industries of live music after digitalization” by Zhang Qian and Keith Negus (Popular music and society 44/5 [2021] 539–557; RILM Abstracts of Music Literature, 2021-17913).

Below, watch a Maria Callas hologram performance, backed by a live symphony orchestra and a video of a Teresa Teng hologram performance with Jay Chou.

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Filed under Curiosities, Mass media, Performers, Science, Voice