Tag Archives: Instruments

Asante gold-dust weights

Until the second half of the mid-19th century, the Asante and related peoples of Ghana and the Ivory Coast used small brass castings made by the lost-wax process as weights for measuring their gold-dust currency.

These weights, made in large numbers by professional metal workers, came in all shapes and sizes. There were two sorts of weights: those which represent miniature objects, creatures, and activities from local life, and those in non-representational, geometrical forms.

Many of the representational weights depicted musical instruments, either on their own or being played, and activities which traditionally took place to the accompaniment of music. The great majority of these weights show only two types of instruments: ivory trumpets, and various types of drums.

This according to “Music and gold-weights in Asante” by Malcolm Donald McLeod (British museum yearbook 1980, pp. 225–42).

Above, a weight depicting a pair of atumpan drums of the Akan people; below, the atumpan in action.

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Filed under Africa, Curiosities, Iconography, Instruments

Recorders in 1960s pop

 

While the recorder is still best known as an early music instrument, its revival in the 20th century led to its adoption as a modern concert instrument by a number of composers, and even in jazz.

The recorder also figured, at least briefly, in the British pop music boom of the mid-1960s, when Klaus Voormann played it on Manfred Mann’s Semi-detached suburban Mr. James and Trouble and tea, and Brian Jones played it on The Rolling StonesRuby Tuesday (below); the latter featured “a very obbligato recorder part which weaves intricate counterpoints over the basic melody in a very effective and interesting way” according to Richard D.C. Noble, who reported on the phenomenon in “The recorder in pop: A progress report” (Recorder and music magazine II/5 [May 1967] pp. 135–36).

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Filed under Curiosities, Instruments, Popular music

Reverend Gary Davis and Miss Gibson

 

One day Manny Greenhill, Reverend Gary Davis’s sometime manager, received a desperate call from Wurlitzer, one of Boston’s most staid and respected music stores.

A quavering voice explained that an elderly man, a minister of some sort, had seized the most expensive guitar in the store and refused to part with it.

The man had tried out several models, had chosen the top-of-the-line Gibson, and had been there for some time, talking to it, and playing and singing spirituals in a loud voice. No one dared to take it away from him. “He says he has no money, but he gave your name, Mr. Greenhill, as his manager. He is upsetting the other customers. What shall we do?”

Greenhill bought Davis the guitar, and the debt became a longstanding joke: Davis was always going to pay him back for Miss Gibson “on the next check.”

This according to “Remembering Reverend Gary Davis” by Eric von Schmidt and John Kruth (Sing out! LI/4 [winter 2008] pp. 66–75).

Today is Davis’s 120th birthday! Above and below, Davis and Miss Gibson in action.

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Filed under Jazz and blues, Performers