Tag Archives: guitarists

Freddie King, the Texas blues guitar icon

At the age of six, blues musician Freddie King (known as the “Texas Cannonball”) received his first guitar and began taking lessons from his mother, Ella Mae King, and his uncle Leon King. Soon after, he earned enough money to buy a Roger guitar from a local music store by picking cotton. After his parents divorced, the family moved to Chicago, where a sixteen-year-old King sneaked into a blues club one night and sat in with the house band, which included the legendary Howlin’ Wolf. While working in a steel mill, King played in the evenings with Earlee Payton‘s Blues Cats, the Little Sonny Cooper Band, and with guitarist Jimmy Lee Robinson and drummer Frank (Sonny) Scott in the trio Every Hour Blues Boys. In 1953, he also participated in studio sessions for Parrot Records, among others, though none of the recordings were ever released. Despite being rejected by Chess Records due to his vocal resemblance to B.B. King, Freddie King released his first record, Country boy, in 1956 on the independent El-Bee label. The single, which featured a duet with Margaret Whitfield and Robert “Junior” Lockwood on guitar, garnered little attention.

By 1960, Freddie King had signed with King-Federal-DeLuxe, a label that also represented blues and soul artists like James Brown. Alongside pianist Sonny Thompson, King produced recordings such as Have you ever loved a woman and Hide away (1960), the latter becoming an instrumental crossover hit between blues and pop. Producer and record company owner Syd Nathan expertly capitalized on this crossover success, helping King achieve lasting commercial success. From 1961 to 1963, King sold more records than any other blues artist, including B.B. King, toured extensively in concert halls and nightclubs, and performed at numerous jazz and blues festivals. In 1963, King moved to Dallas to reunite with his wife and six children, who had returned to Texas the previous year due to the challenges of the music business.

Watch Freddie King’s 1973 concert in Paris.

King signed with Cotillion Records in 1968, where he recorded two albums: Freddie King is a blues master in 1969 and My feeling for the blues in 1970. During this period, he also embarked on extensive concert tours through England, where he was backed by members of the English blues group Steamhammer. King’s music had a significant impact on the blues rock scene of the time, influencing rock guitarists such as Eric Clapton, Jeff Beck, Peter Green, and Mick Taylor, who incorporated his style into their own bands.

This according to a new entry on Freddie King by Volkmar Kramarz in MGG Online.

Image credit for the first photo: Michael Putland/Getty Images

Related Bibliolore posts:

https://bibliolore.org/2017/09/25/faulkner-and-blues/

https://bibliolore.org/2016/01/31/roosevelt-sykess-upbeat-blues/

https://bibliolore.org/2015/07/01/willie-dixon-blues-innovator/

https://bibliolore.org/2013/07/19/blues-and-theomusicology/

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The king of “twangy” guitar

The U.S. guitarist Duane Eddy, known as the “King of Twang”, helped popularize the electric guitar in the late 1950s and was the most commercially successful instrumental musician in rock ‘n’ roll. His first hit was Rebel rouser (1958), for which he received a Gold record award. His greatest successes were Peter Gunn (1958, composed by Henry Mancini and awarded a Grammy) and Because they’re young (1960), which also went Gold. He received his third Gold record in 1962 for (Dance with the) Guitar man.

Eddy became known for the twang sound: a sharp, slightly reverberant overtone and vibrato-rich timbre on his electric guitar. Variants of this term appeared in several album titles: Have twangy guitar will travel (1958, his debut album), The twangs the thang (1959), $1,000,000.00 Worth of twang (1963), and Twangsville (1965). In an 2024 interview Eddy did just before he passed, he described how the characteristic “watery sound” of his guitar was recorded in the studio. According to Eddy,

“Our echo chamber was actually a 2,000-gal water tank. We went down to the Salt River and visited a junkyard there. Floyd Ramsey, who owned the studio, Jack Miller, the engineer, and Lee [Hazlewood] and I went round the place and we yelled into tanks that might work as a reverb chamber–they had holes at each end. Lee would go, ‘Whoop!’ and he got an echo out of them. . . Jack put a speaker in one end and a mic in the other. He’d run my guitar and the band through the speaker and it’d swirl around in the tank and into the mic at the other end, and we’d have our echo. . .Then, of course, Lee would take [the recording] to Gold Star Studios in Hollywood; they had the best echo in the world at that time and he’d have their record, mix it with ours. That’s why it had such a wild echoey sound on many of those records.”

After the British invasion on the U.S. pop charts from 1964 onward (which included hit songs by The Beatles and The Rolling Stones), Eddy was considerably less represented on the charts, but he continued to record and release albums. He was inducted into the Rock ‘n’ Roll Hall of Fame in 1994 and the Musicians Hall of Fame and Museum in 2008. In 2015, Rolling Stone magazine listed Eddy at number 64 of the 100 Greatest Guitarists of All Time.

Duane Eddy passed away on 30 April 2024 at the age of 86. Read his obituary in MGG Online.

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Filed under Performers, Popular music