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Developing iBis: Transforming RILM’s editorial workflow

In the late 1990s, RILM began the development of a new editorial database system designed to modernize its bibliographic indexing operations. This project eventually became iBis–the Internet Bibliographic Indexing System–a web-based platform that fundamentally changed how RILM manages, edits, and shares its data. Developed by SoftWhite, Inc., a New York–based software company, iBis was designed by lead programmers Rick White and Will Limratana using a SQL Server database and a web-based interface built in ASP/VB. The system replaced existing workflows with a centralized, more efficient platform capable of supporting RILM’s expanding international network.

Development experienced significant challenges and delays due in part to the events of 11 September 2001. SoftWhite’s offices were located adjacent to the World Trade Center, preventing the development team from accessing their workplace for an extended period following the attacks. As a result, the anticipated launch schedule was pushed back considerably. Despite these setbacks, the vision for the new system remained clear. The International Center anticipated significant gains in productivity through IBis features such as automatic defaulting from authority lists, the ability to view abstracts while indexing records, and advanced filtering tools that would allow editors to focus on records within their areas of expertise. The system was also designed to support direct participation from national committees, enabling them to enter records into the database over the Internet while accessing RILM’s authority files and editorial tools in real time. This promised to improve data consistency, reduce duplication of effort, and eliminate the need for rekeying records at the International Center.

Screen shot of a form for accessing abstracts in the first iteration of iBis.

After several years of development, iBis entered beta testing in 2003. Editors at the International Center spent several weeks working simultaneously in both the old and new systems to ensure that the platform functioned as intended. The successful testing period paved the way for a full transition to iBis in August 2003. The move brought immediate benefits. One of the most important advances was the ability to output data in Unicode, allowing the accurate display of diacritical characters from languages around the world. While not all RILM’s publishing and distribution partners were prepared to support Unicode at the time, the transition represented a major step toward more accurate representation of international scholarship.

Furthermore, expanded access for national committees through iBis meant that committees would be able not only to create new records but also to modify existing ones directly within the database. Development of this committee access level was scheduled to follow shortly after the system’s launch, with testing planned in the months ahead. The final phase of development focused on creating tools that would support the export of data for RILM’s printed volumes.

Early iBis logo.

The launch of iBis at the International Center represented a milestone in RILM’s technological evolution. Although some components–specifically a new print production module–remained under development, the core system quickly showed its value. Twelve national committees adopted the new editorial database system during its initial rollout, joining the editorial staff in using iBis for their daily work. RILM envisioned expanding participation so that many national committees could work directly within the platform. To achieve this goal, ongoing refinements were planned to make the interface as efficient and user-friendly as possible. The successful implementation of iBis was aided by the contributions of numerous collaborators, including Lenore Coral and Julie Schnepel, who tested the system on behalf of the national committees and provided valuable feedback that helped shape its development. By storing data in Unicode and providing web-based access to editorial tools, authority files, and bibliographic records, iBis established a foundation for a more connected and efficient RILM.

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Feature: RILM Abstracts of Music Literature

RILM Abstracts of Music Literature is a leading music bibliography that provides comprehensive citations, abstracts, and subject indexing, serving as a flagship publication in the field of music studies. It offers an expansive international scope, with content representing publications in approximately 150 languages and from countries around the globe. The titles of works are translated into English, and many records feature English abstracts, alongside abstracts in their original languages. This multilingual approach ensures accessibility while also maintaining the integrity of the original texts. The database includes both Roman and non-Roman scripts, making it truly global in its representation.

What sets RILM Abstracts apart is the network of international committees that contribute to its richness. These committees, based in various countries, are responsible for gathering and processing local records and abstracts, ensuring that scholarship from around the world is included. In addition to their role in curating and entering data into the database, these committees play a critical role in safeguarding and fostering music scholarship within their own regions.

RILM Japan has been one of the most active national committees, curating annual bibliographies of music literature published in Japan, known as Ongakubunken Mokuroku. This publication laid the foundation for Japan’s contributions to RILM Abstracts of Music Literature and is now available through Japan’s own digital database. The committee’s long-time dedication, particularly by Dr. Tatsuhiko Itō, who sadly passed away in September 2025, ensured its prominence and success. Dr. Itō played a crucial role in establishing RILM Japan as one of the first and most influential committees in Asia, contributing bibliographic records and abstracts to the RILM database consistently since the 1960s. Under Dr. Itō’s leadership, the Japanese committee was instrumental in advancing the categorization of Japanese music within the global framework of music studies. Their pioneering efforts in this area have had a lasting impact on how Japanese music is represented in scholarly literature. Notably, the current RILM classification system owes much to Dr. Itō and his committee’s advocacy for a more nuanced and comprehensive approach to cataloging Japanese music, ensuring its inclusion in the broader global music discourse.

Dr. Tatsuhiko Itō, the long-time leader of the RILM Japan committee. Photo courtesy of IAML.

Other important examples include Greece’s highly active committee, led for the past 25 years by Stephanie Merakos, the director of the Music Library of Greece, and the resourceful committee from Malta, chaired by Philip Ciantar, Associate Professor of Music at L-Università ta’ Malta. These, along with other national committees, play a vital role in ensuring that all significant writings on music published within their countries or regions are represented in RILM Abstracts of Music Literature. The contributions of these committees are essential to the continued success and expansion of the database. Without this global network of dedicated committee members, spanning countries and regions, RILM Abstracts would not be the comprehensive and internationally respected resource that it is today.

Stephanie Merakos, the director of the Music Library of Greece and leader of RILM’s Greece committee.

Philip Ciantar, Associate Professor of Music at L-Università ta’ Malta and chair of RILM’s Malta committee.

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Filed under Ethnomusicology, Musicology, RILM

RILM’s global mission and its expansion in 2024

RILM has long been committed to documenting, safeguarding, and preserving the world’s knowledge about all musical traditions, and to making this knowledge accessible to research and performance communities worldwide via digital collections and advanced tools. RILM’s collections aim to include the music scholarship of all countries, in all languages, and across all disciplinary and cultural boundaries, thereby fostering research in the arts, humanities, sciences, and social sciences. In recent years, RILM has launched various full-text resources and developed the Egret platform, enhancing its technological capabilities. The recent addition of DEUMM Online to RILM’s suite of resources, as well as the RILM Archive of Popular Music Magazines (RAPMM) in the Summer of 2025, further solidifies its key position in the music research sector.

In 2024, RILM received accreditation from UNESCO to provide advisory services to the Committee of Intangible Cultural Heritage. The following year, it was further recognized as a civil society partner under the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions. These distinctions confer upon RILM an expanded responsibility that extends beyond dissemination and documentation, emphasizing its role in safeguarding and preserving all forms of musical knowledge in written form. The UNESCO accreditation also creates new opportunities for the organization, which has already demonstrated its global reach and expertise through participation in the UNESCO World Conference on Culture and Arts Education 2024.

Partnerships with institutions such as the National College of Arts in Lahore, the Institut du monde arabe in Paris, and the Central Conservatory in Beijing underscore RILM’s commitment to inclusivity and diversity. These collaborations ensure that RILM’s collections encompass music scholarship from all countries, in all languages, and across cultural boundaries.

From its beginnings nearly 60 years ago, RILM modeled itself on a United Nations-like structure whereby international committees were established to provide the organization with the information it would need to make its bibliography truly international. This endeavor and the internationalization that has come with it, has been rare in the humanities then and now.

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