Tag Archives: national committees

Developing iBis: Transforming RILM’s editorial workflow

In the late 1990s, RILM began the development of a new editorial database system designed to modernize its bibliographic indexing operations. This project eventually became iBis–the Internet Bibliographic Indexing System–a web-based platform that fundamentally changed how RILM manages, edits, and shares its data. Developed by SoftWhite, Inc., a New York–based software company, iBis was designed by lead programmers Rick White and Will Limratana using a SQL Server database and a web-based interface built in ASP/VB. The system replaced existing workflows with a centralized, more efficient platform capable of supporting RILM’s expanding international network.

Development experienced significant challenges and delays due in part to the events of 11 September 2001. SoftWhite’s offices were located adjacent to the World Trade Center, preventing the development team from accessing their workplace for an extended period following the attacks. As a result, the anticipated launch schedule was pushed back considerably. Despite these setbacks, the vision for the new system remained clear. The International Center anticipated significant gains in productivity through IBis features such as automatic defaulting from authority lists, the ability to view abstracts while indexing records, and advanced filtering tools that would allow editors to focus on records within their areas of expertise. The system was also designed to support direct participation from national committees, enabling them to enter records into the database over the Internet while accessing RILM’s authority files and editorial tools in real time. This promised to improve data consistency, reduce duplication of effort, and eliminate the need for rekeying records at the International Center.

Screen shot of a form for accessing abstracts in the first iteration of iBis.

After several years of development, iBis entered beta testing in 2003. Editors at the International Center spent several weeks working simultaneously in both the old and new systems to ensure that the platform functioned as intended. The successful testing period paved the way for a full transition to iBis in August 2003. The move brought immediate benefits. One of the most important advances was the ability to output data in Unicode, allowing the accurate display of diacritical characters from languages around the world. While not all RILM’s publishing and distribution partners were prepared to support Unicode at the time, the transition represented a major step toward more accurate representation of international scholarship.

Furthermore, expanded access for national committees through iBis meant that committees would be able not only to create new records but also to modify existing ones directly within the database. Development of this committee access level was scheduled to follow shortly after the system’s launch, with testing planned in the months ahead. The final phase of development focused on creating tools that would support the export of data for RILM’s printed volumes.

Early iBis logo.

The launch of iBis at the International Center represented a milestone in RILM’s technological evolution. Although some components–specifically a new print production module–remained under development, the core system quickly showed its value. Twelve national committees adopted the new editorial database system during its initial rollout, joining the editorial staff in using iBis for their daily work. RILM envisioned expanding participation so that many national committees could work directly within the platform. To achieve this goal, ongoing refinements were planned to make the interface as efficient and user-friendly as possible. The successful implementation of iBis was aided by the contributions of numerous collaborators, including Lenore Coral and Julie Schnepel, who tested the system on behalf of the national committees and provided valuable feedback that helped shape its development. By storing data in Unicode and providing web-based access to editorial tools, authority files, and bibliographic records, iBis established a foundation for a more connected and efficient RILM.

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Feature: RILM Abstracts of Music Literature

RILM Abstracts of Music Literature is a leading music bibliography that provides comprehensive citations, abstracts, and subject indexing, serving as a flagship publication in the field of music studies. It offers an expansive international scope, with content representing publications in approximately 150 languages and from countries around the globe. The titles of works are translated into English, and many records feature English abstracts, alongside abstracts in their original languages. This multilingual approach ensures accessibility while also maintaining the integrity of the original texts. The database includes both Roman and non-Roman scripts, making it truly global in its representation.

What sets RILM Abstracts apart is the network of international committees that contribute to its richness. These committees, based in various countries, are responsible for gathering and processing local records and abstracts, ensuring that scholarship from around the world is included. In addition to their role in curating and entering data into the database, these committees play a critical role in safeguarding and fostering music scholarship within their own regions.

RILM Japan has been one of the most active national committees, curating annual bibliographies of music literature published in Japan, known as Ongakubunken Mokuroku. This publication laid the foundation for Japan’s contributions to RILM Abstracts of Music Literature and is now available through Japan’s own digital database. The committee’s long-time dedication, particularly by Dr. Tatsuhiko Itō, who sadly passed away in September 2025, ensured its prominence and success. Dr. Itō played a crucial role in establishing RILM Japan as one of the first and most influential committees in Asia, contributing bibliographic records and abstracts to the RILM database consistently since the 1960s. Under Dr. Itō’s leadership, the Japanese committee was instrumental in advancing the categorization of Japanese music within the global framework of music studies. Their pioneering efforts in this area have had a lasting impact on how Japanese music is represented in scholarly literature. Notably, the current RILM classification system owes much to Dr. Itō and his committee’s advocacy for a more nuanced and comprehensive approach to cataloging Japanese music, ensuring its inclusion in the broader global music discourse.

Dr. Tatsuhiko Itō, the long-time leader of the RILM Japan committee. Photo courtesy of IAML.

Other important examples include Greece’s highly active committee, led for the past 25 years by Stephanie Merakos, the director of the Music Library of Greece, and the resourceful committee from Malta, chaired by Philip Ciantar, Associate Professor of Music at L-Università ta’ Malta. These, along with other national committees, play a vital role in ensuring that all significant writings on music published within their countries or regions are represented in RILM Abstracts of Music Literature. The contributions of these committees are essential to the continued success and expansion of the database. Without this global network of dedicated committee members, spanning countries and regions, RILM Abstracts would not be the comprehensive and internationally respected resource that it is today.

Stephanie Merakos, the director of the Music Library of Greece and leader of RILM’s Greece committee.

Philip Ciantar, Associate Professor of Music at L-Università ta’ Malta and chair of RILM’s Malta committee.

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RILM’s global network of committees and partnerships

The poster above was once displayed in RILM’s Berlin office of the German national committee, where it explained RILM’s mission as an international musicological bibliography. It highlighted early foundational partners, such as the International Musicological Society, the International Association of Music Libraries, and the American Council of Learned Societies. More importantly, the poster encouraged authors to submit abstracts for their publications. A prominent line on the poster sternly cautioned, “Authors who do not provide their own abstracts accept the risk of having no influence on the formal and substantive design of their abstracts.”

Beyond its nostalgic value as a piece of RILM’s history, the poster also underscores the global network of national, supranational, and regional committees that play a key role in ensuring that significant music-related writings from their respective regions are included in RILM Abstracts of Music Literature and RILM Abstracts of Music Literature with Full Text. These committees, made up of musicologists and librarians from major universities, national libraries, and research institutes, are responsible for gathering and processing abstracts. Given that the core principle of the RILM project was to encourage authors, journal editors, and publishers worldwide to submit abstracts, it was essential to have committees in major music literature-producing countries to collect and send these abstracts to the international center for inclusion.

Archives and Research Center for Ethnomusicology (ARCE), New Delhi. Image courtesy of AIIS Archives and Research Center for Ethnomusicology Facebook page.

Institut du Monde Arabe, Paris. Image credit: Thierry Rambaud

Today, RILM has committees in countries across the globe, including Japan, Latvia, France, Guatemala, New Zealand, Türkiye, South Africa, and Taiwan, along with regional committees in Hong Kong and supranational committees, such as the one in Africa. In addition, RILM maintains partnerships with a variety of institutions, including the Archives and Research Center for Ethnomusicology (ARCE) in New Delhi, the Institut du Monde Arabe in Paris, the National College of Arts in Lahore, and The Journal of the Central Conservatory in Beijing. This extensive network of committees and partnerships plays a crucial role in supporting RILM’s mission to document all forms of music-related publications, from anywhere in the world and in any language.

Central Conservatory of Music, Beijing.

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