Tag Archives: emotionality

From the EBSCOpost backlist. V: Thakur and Mussolini (2013)

RILM staff periodically contribute writings to EBSCOpost, a lively blog run by our partners that publishes pieces pertinent to librarianship, higher education, and beyond. Over time, some of these posts are removed, and even those that remain generally recede from view, following the ephemeral nature of much digital content. With 60 years of preserving the world’s writings on music and music-related topics behind us, we are now adding a small rescue project: bringing these blog posts back into circulation. However modest, they help document our history as an organization, and we hope they will continue to resonate with our international readership as well as with any music enthusiast who happens upon them.

The series continues with another short piece by retired RILM editor Jim Cowdery. It relays a little-known (and perhaps surprising) meeting between two very different individuals who shared an interest in music’s ability to evoke powerful emotional responses.

Thakur and Mussolini

Near the end of his visit to Rome in 1933, the Hindustānī vocalist Omkarnath Thakur (1887–1968) received an invitation to dine with MussoliniIl Duce had caught wind of Thakur’s theories and experiments regarding the inducement of emotional states by rāga performances, and he wanted a demonstration.

After a specially prepared vegetarian dinner, Thakur began with hindolam, which depicts valor. “When I was soaring in the high notes of the rāga,” he later recalled, “Mussolini suddenly said ‘Stop!’ I opened my eyes and found that he was sweating heavily. His face was pink and his eyes looked like burning coals. A few minutes later his visage gained normalcy and he said ‘A good experiment.’”

After Thakur brought him to tears with rāga chayanat, which is meant to depict pathos, Mussolini said, after taking some time to recover, “Very valuable and enlightening demonstration about the power of Indian music.”

Il Duce then returned the favor: Producing his violin, he treated Thakur to works by Paganini and Mozart. Again, both agreed on the music’s power to evoke emotion.

“I could not sleep at all the entire night,” the vocalist recalled, “wondering whether the meeting had really taken place; I thought it was a part of a dream.” The next day, two letters from Mussolini arrived—one thanking him and one appointing him as director of a newly formed university department to study the effect of music on the mind (an appointment that he was unable to accept).

This according to “Omkarnath Thakur & Benito Mussolini” by B.K.V. Sastry (Sruti 163 [April 1998] pp. 19–21; RILM Abstracts 1999-26342).

Although the exact date of this meeting is not recorded, we know that it took place in May 1933—80 years ago this month! Below, Thakur performs rāga bhairavi.

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Filed under Asia, Ethnomusicology, Music education, Musicology, Performers, Politics, RILM, Voice, World music

Emotionality, music, and mental health

Recent research on personality indicates that trait negative emotionality, often referred to as neuroticism, is linked to how young people use music for emotional regulation. This suggests that those with higher levels of neuroticism may turn to music as a way to manage their emotions. However, the emotional factors that connect neuroticism, musical emotion regulation, and mental health remain unclear. Investigating both adaptive and maladaptive forms of musical emotion regulation has revealed potential strategies to mitigate the adverse effects of neuroticism on internalizing symptoms, such as depression and anxiety, in youth.

A study involving 1,137 college undergraduate students aged 17 to 21 identified four forms of emotion regulation related to music listening—rumination, discharging negative emotions, avoidant coping, and a preference for sad music—that may mediate the impact of neuroticism on internalizing symptoms. These findings remained robust even after controlling for general (non-musical) emotion regulation and coping strategies. Overall, the research integrates four complementary perspectives on neuroticism and musical emotion regulation: deductive (from mainstream psychology), inductive (from music psychology), musical coping with stress, and negative trait-congruence (the idea that a preference for sad music reflects negative emotionality). The study also highlighted the potential link between neuroticism and problematic musical emotion regulation strategies, which are often associated with symptoms of depression and anxiety in young people.

This according to “Neuroticism, musical emotion regulation, and mental health” by Dave Miranda (Psychomusicology: Music, mind and brain 31/2 [2021] 59–73; RILM Abstracts of Music Literature, 2021-8687).

October 10 is World Mental Health Day.

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Filed under Medicine and health, Science