Category Archives: Resources

The Bizet catalogue

bizet catalog

The Bizet catalogue is a searchable online list of Georges Bizet’s works, providing essential information about the history and content of each one.

This open-access website gives information on manuscript and printed sources and provides documentary materials relating to the composition, performance, and publication of each work. It is intended to provide a full historical documentation of Bizet’s work as composer and transcriber.

The catalogue, which is based at the Washington University Olin Library, is the work of Hugh Macdonald.

Below, a Bizet flashmob in Paris.

Comments Off on The Bizet catalogue

Filed under Resources, Romantic era

Search the Liber usualis

Liber usualis

The Liber usualis is a valuable resource for musical scholars; as a compendium of the most common chants used by the Catholic Church, it is particularly useful for identifying the origins of chants used in polyphonic compositions.

Using Optical Music Recognition and Optical Text Recognition, Search the Liber usualis presents a scanned, searchable version of this important resource. Published by the Distributed Digital Music Archives & Libraries Lab and sponsored by the Single Interface for Music Score Searching and Analysis  (SIMSSA), this is a proof-of-concept demonstration for the larger task of providing search capabilities for all digitized musical works.

Below, a Palm Sunday antiphon with scrolling notation.

4 Comments

Filed under Middle Ages, Resources

Mozart: New documents

mozartnewdocs

 

Mozart: New documents is a collaborative project for the digital publication of new Mozart documents discovered since 1997, the date of the second supplement (the Neue Folge) to Otto Erich Deutsch’s  Mozart: Die Dokumente seines Lebens (Kassel: Bärenreiter, 1961). This website is intended as an open working draft, and the editors welcome contributions and feedback from readers, who will receive explicit credit and acknowledgment.

Digital publication allows rolling out the content of the site over a period of months; it initially included 37 documents with commentaries, and at least 70 were scheduled to be added over the ensuing months. By the time the site is completed, it will include well over 100 new documents and addenda, and research is still ongoing.

When the site has reached a point of relative stability, it will be moved to a more permanent home with an institutional base; options for the print publication of some or all of the documents and commentaries on this site are under consideration.

Below, a recent contribution to Mozart documentation.

More articles about Mozart are here.

Comments Off on Mozart: New documents

Filed under Classic era, Resources

A Cuban instrument atlas

Instrumentos3

Instrumentos de la música folclórico-popular de Cuba: Atlas provides a definitive overview of traditional instruments in Cuba, including discussions of their history, construction, musical characteristics, function in society, historical dissemination, and performance practice.

The accompanying atlas shows the numeric dissemination by county for every traditional instrument played in Cuba on geographical maps of the island. The set was issued by the Centro de Investigación y Desarrollo de la Música Cubana (CIDMUC).

Above, two of the atlas’s pages (click to enlarge); below, a Cuban group that features an unusual instrument—a leaf between the guitarist’s lips!

Comments Off on A Cuban instrument atlas

Filed under Instruments, Resources

Early French trademarks

 

Cinématographes Phonographes et Pellicules trademark

The Archives de Paris holds 1200 registrations, mainly by instrument builders working in the former département of the Seine. The same company could have several different trademarks or hallmarks, either to differentiate among products or their quality, or due to various acquisitions or inheritances. In the 1890s trademarks for phonographic machines using cylinders or records, as well as for player pianos, were also registered.

These trademarks are rendered by labels, stamped imprints, dry point, and other means. They include various combinable elements: initials, patronyms, handwritten signatures, instrument names, common names or qualifying adjectives, names of cities, proverbs, or maxims. There are also figurative elements: notes, emblems, coats-of-arms, instruments, stars, animals, photographs, exhibition medals, certificates, and so on.

Les marques de fabrique des facteurs d’instruments de musique déposées au greffe du Tribunal de Commerce de Paris de 1860 à 1914 is an open-access online resource that includes a detailed chronological inventory of 1200 trademarks with illustrations and three indices: of names, of cities, and of figurative elements. The site is published by the Institut de Recherche en Musicologie (IREMUS).

Above, a trademark registered by La Compagnie Générale de Cinématographes, Phonographes et Pellicules in 1898 (click to enlarge).

1 Comment

Filed under Resources, Visual art

Levande Musikarv

Levande Musikarv

Levande Musikarv/Swedish Musical Heritage is an open-access Internet database of Swedish composers born at least 100 years ago, including biographies, work lists (with facsimiles of works no longer covered by copyright), bibliographies, and links to related material.

There is a hidden treasure trove of significant Swedish art music from the 1600s to the present; unfortunately, for various reasons many have been forgotten. Much of this music is only available in hard-to read-manuscripts, often in poor condition, with decaying paper, fading ink, and so on.

One of the other goals of the project is to produce critical editions of Swedish art music, helping it to become a vital part of our modern concert repertoire. There are great discoveries to make, not least among the works of women composers.

The database will eventually be bilingual in Swedish and English, in an effort to promote Swedish music abroad.

Below, the Drottningholms Barockensemble performs the sinfonia for flutes and strings in E minor, no. 22, by Johan Helmich Roman (1694–1758).

1 Comment

Filed under Resources

A Springsteen archive

Springsteen report card

Founded in 2014, blindedbythelight.com is an online museum displaying more than 300 pieces of Bruce Springsteen memorabilia. Admission is $9.99, which allows a month of access to the site, the ability to download a font that replicates Mr. Springsteen’s handwriting style, the use of a ticket and memorabilia exchange, and entry to a monthly raffle. Mr. Springsteen has no formal involvement with the site.

Above, the museum’s reproduction of The Boss’s 8th-grade report card (click to enlarge; note that F stands for Fair). Below, Springsteen performs Blinded by the light.

Related article: A Springsteen resource

Comments Off on A Springsteen archive

Filed under Popular music, Resources

A new analysis resource

Vmus

www.Vmus.net: Online platform for musical performance studies is a free online resource that provides tools that enable any Internet user to analyze sound files and obtain waveforms, spectrograms, tempo-dynamic curves, and performance data by simply clicking a few buttons. Only a login is required.

Above, the site’s imaging of the opening bars of the overture to Bizet’s Carmen; below, a demonstration of some of this resource’s capabilities.

Comments Off on A new analysis resource

Filed under Analysis, Resources

The Leonard Bernstein Collection

bernstein tanglewood august 1946

The Leonard Bernstein Collection is a free online resource comprising selections from The Library of Congress’s holdings related to the composer and conductor.

The collection’s more than 400,000 items—including music and literary manuscripts, correspondence, photographs, audio and video recordings, fan mail, and other types of materials—extensively document Bernstein’s extraordinary life and career, making available 85 photographs, 177 scripts from the Young People’s Concerts, 74 scripts from the Thursday Evening Previews, and over 1,100 pieces of correspondence, all browseable or accessible through the collection’s Finding Aid.

Above, Bernstein at the piano at a party at Tanglewood in August 1946 (photographer unknown); below, the opening of the first televised Young People’s Concert.

3 Comments

Filed under Resources

My homeland Tennessee

tennessee

Perhaps more than any other state, Tennessee is associated with music. The state, its cities, natural features, and historical events have been the subject of thousands of popular songs written and performed in almost every style. The idea of Tennessee is so popular that it has inspired great songwriting and performances not only by native Tennesseans but by people from all over the world.

My homeland Tennessee: A research guide to songs about Tennessee preserves and presents historic documents and recordings that illuminate Tennessee as represented in blues, ragtime, rock’n’roll, rap, folk, country, jazz, rhythm and blues, and other styles. This open-access resource also includes a special section on the several official state songs of Tennessee.

Below, Tennessee’s own Dolly Parton.

Enhanced by Zemanta

Comments Off on My homeland Tennessee

Filed under Resources