Launched by Editions Lugdivine in 2017, Musicologies nouvelles: Agrégationaims to provide a framework for incorporating past achievements in musical analysis into today’s research on the social, cultural, and psychological worlds that surround musical sound. The journal is edited by Isabelle His and Nahéma Khattabi.
The journal publishes leading and robust scholarship on traditional arts from around the world with a focus on the contemporary policy and practice of traditional music, dance, drama, oral narrative, and crafts. Its scope includes ethnomusicology, cultural sociology, anthropology, ethnology, ethnochoreology, cultural policy, folklore, musicology, cultural studies, cultural economics, heritage, and tourism studies.
Launched by Taylor & Francis in 2015, Sound studies aims to provide a forum for emergent ideas, theories, and topics, but it is also committed to an ongoing dialogue with some of the field’s rich legacy in areas such as soundscapes, sound art, film music, histories of listening, the tensions and synergies of sound and vision, and many others.
The editors also hope to initiate a broader conversation about sound across multiple geographic, social, and cultural spaces, and about how sound travels across such spaces, facilitating the formation of new communities and alliances in some cases while also creating new boundaries and distinctions in others.
Below, Matthew Herbert’s Foreign bodies, which is discussed in one of the articles in the inaugural issue—the recording assembles its sonic palette out of digestive gurgling, blood, toothbrushing, popping joints, handclaps, speech, non-verbal vocalizations, and singing.
BJMD aims to provide high-quality, original academic articles and research reports for students, researchers, and professionals in various fields of dance, music, and the performing arts. Its goals include developing academic collaboration between scholars, introducing the traditional arts of any nation, introducing modern and contemporary tendencies in music and dance, and introducing qualitative approaches in music and/or dance education.
Below, an excerpt from a performance by the Ballet Nacional de Cuba, an organization discussed in the inaugural issue.
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While the main focus of the journal is ethnomusicology and ethnochoreology, it also embraces adjacent disciplines, such as other aspects of musicology and choreology, folklore, literature, and related studies of traditional and popular culture. The journal focuses on discussion of the expressions, roles, and functions of music and dancing in society. Articles are published in Scandinavian languages or in English.
Launched by Intellect in 2017,Indian theatre journal (ISSN 2059-0660) is the first international journal on Indian dramatic arts.
ITJ is committed to publishing a wide range of critical and scholarly approaches to various aspects of Indian theater and performance in their social, political, cultural, economic, and diasporic contexts through academic essays, plays, production reviews, interviews, and performance events.
The journal brings together current intellectual debates and artistic practices in theater, dance, music, arts, aesthetics, and culture, illuminating the wider context of the confluences and correspondences between philosophy, performance, and culture in India.
This double-blind peer-reviewed journal creates an international platform for scholars, critics, playwrights, actors, and directors for presenting their work through cutting-edge research and innovative performance practice. In addition, ITJ explores recent developments in intercultural theater, theater anthropology, performance studies, and the Indian and South Asian diaspora across the globe.
Malaysian Journal of Performing and Visual Arts is a new peer-reviewed research journal that focuses on Asian performing and visual arts; it is a forum for scholars in the fields of Asian music, dance, theater, and fine arts.
MJPV is published by the University of Malaya Cultural Centre as an online e-journal; readers can obtain hard copy on demand through the open access policy on the University of Malaya e-journal website.
The journal encompasses articles, book and audio/video reviews, and notes on current research by scholars in the related arts fields. It is published in English and issued annually in December.
Above and below, mak yong, the subject of an article in the inaugural issue.
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Performing premodernity online, an open-access journal launched in January 2015, publishes papers given at Performing Premodernity conferences as well as reports from workshops and other events.
Brasiliana: Journal for Brazilian studiesis a dynamic academic forum where scholars from diverse disciplines in humanities and social sciences publish their research, establish academic discussion, exchange ideas, and draw on each others’ research within the field of Brazilian studies.
Brazil is currently establishing itself as an economic and political power within a global context, and the interdisciplinary study of Brazil is emerging at a high academic level. Several universities worldwide are offering programs under the term Brazilian studies, an area that differs from the more common Latin American studies. Academic communities of Brazilianists exchange ideas across universities and collaborate on research projects inside and outside Brazil. This is an academic journal absolutely dedicated to Brazilian studies.
The main entrance to the New York Public Library for the Performing Arts’s exhibition Lou Reed: Caught between the twisted stars opens up on Lincoln Plaza, directly adjacent to the The Metropolitan Opera house. On a sunny day, the Met’s … Continue reading →
Seven strings/Сім струн (dedicated to Uncle Michael)* For thee, O Ukraine, O our mother unfortunate, bound, The first string I touch is for thee. The string will vibrate with a quiet yet deep solemn sound, The song from my heart … Continue reading →
Introduction: Dr. Philip Ewell, Associate Professor of Music at Hunter College and the Graduate Center of the City University of New York, posted a series of daily tweets during Black History Month (February 2021) providing information on some under-researched Black … Continue reading →
For it [the Walkman] permits the possibility…of imposing your soundscape on the surrounding aural environment and thereby domesticating the external world: for a moment, it can all be brought under the STOP/START, FAST FOWARD, PAUSE and REWIND buttons. –Iain Chambers, “The … Continue reading →