Tag Archives: Soundtrack

The new soundtrack

Launched by Edinburgh University Press in March 2011, The new soundtrack (ISSN 2042-8855; EISSN 2042-8863) presents cutting-edge academic and professional perspectives on the complex relationship between sound and moving images. The journal also encourages writing on more current developments, such as sound installations, computer-based delivery, and the psychology of the interaction of image and sound.

Alongside academic contributions, The new soundtrack includes contributions from practitioners in the field—composers, sound designers, and directors—giving voice to the development of professional practices. Each issue also features a short compilation of book and film reviews.

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Herrmann-induced vertigo

For his main title music for Alfred Hitchcock’s Vertigo, Bernard Herrmann used alternately ascending and descending arpeggiated chords in contrary motion in the treble and bass voices; no clear direction, up or down, is established, nor is a harmonic center confirmed. With its almost uninterrupted, destabilizing undulation, the music provides a musical evocation of vertigo that is reinforced by Hitchcock’s spiraling geometric images.

This according to “The language of music: A brief analysis of Vertigo” by Kathryn Kalinak, an essay included in her Settling the score: Music and the classical Hollywood film (Madison: University of Wisconsin Press, 1992) and reprinted in Movie music: The film reader (London: Routledge, 2003).

Today is Bernard Herrmann’s 100th birthday! Below, the virtiginous title sequence in question.

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