Tag Archives: John Lee Hooker

John Lee Hooker and “Boom boom”

In an interview, John Lee Hooker described the genesis of his 1961 hit Boom boom:

“I used to play at this place called the Apex Bar in Detroit. There was a young lady there named Luilla, she was a bartender there. I would come in there at night and I’d never be on time. Every night the band would beat me there; sometimes they’d be on the bandstand playing by the time I got there. Whenever I’d come in she’d point at me and say ‘Boom boom, you’re late again.’ It dawned on me that that was a good name for a song. Then one night she said, “Boom boom, I’m gonna shoot you down.’ She gave me a song but she didn’t know it.”

“I took that thing and I hummed it all the way home from the bar. At night I went to bed and I was still thinking of it. I got up the next day and put one and one together, two and two together, trying to piece it out—taking things out, putting things in. I finally got it down right, got it together, got it down in my head. Then I went and sang it, and everybody went, Wow!”

“About two months later I recorded it, and the record shot straight to the top. That barmaid felt pretty good. She went around telling everybody ‘I got John Lee to write that song.’ I gave her some bread for it, too, so she was pretty happy.”

Quoted in Working musicians: Defining moments from the road, the studio, and the stage by Bruce Pollock (New York: HarperEntertainment, 2002, pp. 290–91).

According to most sources, today is Hooker’s 100th birthday! Above, recording in 1960, a year before Boom boom; below, a classic performance.

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Filed under Jazz and blues, Performers

Evental aesthetics

eventual aesthetics

Launched in 2012, Evental aesthetics is an independent, interdisciplinary, peer-reviewed journal dedicated to philosophical perspectives on art and aesthetics.

Publishing three times each year, the journal invites experimental and traditional philosophical ideas on questions pertaining to every form of art, as well as to aesthetic issues in the non-artworld, such as everyday aesthetics and environmental aesthetics.  Each installment of the journal reflects on specific, but broadly defined, aesthetic issues.

This publication is entirely independent and unaffiliated with any institution, and therefore is unimpeded by political or financial agendas. As a non-profit organization, Evental aesthetics operates completely without funding or advertising. The journal is open-access, available for download free of charge.

The first issue includes the music-related article “Hegel’s being-fluid in Corregidora, blues, and (post-) black aesthetics” by Mandy-Suzanne Wong; the full text is here.

Below, John Lee Hooker presents a fine example of blues philosophy.

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Filed under New periodicals