Tag Archives: Sociology

Hating a nonexistant celebrity

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An Internet questionnaire aimed at measuring Hungarian responses to Hungarian celebrity culture gathered responses from 7317 people; the results are reported in “National characteristics of Hungarian celebrity culture” by Andrea Viniczai, an article included in History of stardom reconsidered (Turku/Åbo: Turun Yliopisto, 2001, pp. 90–96).

Several of the statistics that were generated could give pause; for example, respondents overwhelmingly voted that celebrities should be scandalous (97%), while fewer than 20% believed that they should be likeable, intelligent, or decent (see above).

Particularly notable were the responses to a fictitious celebrity—Lukács Bíró, Vinczai’s dentist—among a group of 29 well-known names. 25% of the respondents claimed familiarity with Bíró, and 60% of them expressed dislike for him. He was the 8th most rejected person in the group.

Below, Jimmy Zámbó, a formerly extant, but still potentially hateful, Hungarian celebrity who is profiled in the article.

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Filed under Curiosities, Popular music

Ringtones redux

Cell phone ringtones have been the subject of scholarly investigation for at least a decade; approaches to them have ranged from the practical to the postmodern.

The earliest academic study that we know of is “On the ringtones of cell phones (携帯電話着信メロディーについて)” in the Journal of the Acoustical Society of Japan (社団法人日本音響学会) LVII/11 (2001), pp. 725–728. Legal aspects were explored the following year in “Die Lizenzierungspraxis der GEMA bei Ruftonmelodien: Rechteeinräumung und Rechtefluß” by Jürgen Becker in Recht im Wandel seines sozialen und technologischen Umfeldes: Festschrift für Manfred Rehbinder (München: C.H. Beck, 2002, pp. 187–198).

Then the cultural theorists began to take note. The stage was set by discussions of aspects of postmodernism and colonialism in “The semiotics of cell-phone ring tones” by Erkki Pekkilä in Musical semiotics revisited (Helsinki: International Semiotics Institute, 2003, pp. 110–120). Recent cultural analyses have included “The musical madeleine: Communication, performance, and identity in musical ringtones” by Imar de Vries (Popular music and society XXXIII/1 [February 2010], pp. 61–74) and “What does answering the phone mean? A sociology of the phone ring and musical ringtones” by Christian Licoppe (scheduled for future publication in Cultural Sociology).

Above, heeding the summons of a ringtone in Bangladesh.

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Filed under Curiosities, Popular music, Reception, Science

Musica humana

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Musica humana (ISSN 2092-4828), a refereed journal that explicitly invites interdisciplinary work, was launched in 2009. Its first issue (spring 2009) included research in therapy, performance practice, pedagogy, and cognitive psychology, giving a glimpse of its intended scope—which, according to their website, also includes “linguistics and semiotics, sociology and anthropology, intellectual history and cultural theory, as well as aesthetics and philosophy.” The journal is published by the Korean Institute for Musicology.

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Filed under New periodicals