Tag Archives: Motet

Motets from the Chansonnier de Noailles

In 2017 A-R Editions issued Motets from the Chansonnier de Noailles, presenting the works in a single, coordinated, comprehensive critical edition for the first time.

F-Pn MS fr. 12615, known as the Chansonnier de Noailles, brings together 13th-century motets in two to four parts, whose upper voices are all sung to vernacular texts. The collection is notable in several respects: with its 91 pieces it is the fourth-largest repository of 13th-century motets and the third-largest of motets in French; it is one of only two sizable sets of polyphonic motets preserved in provincial songbooks rather than Parisian collections, a fact that broadly affects the style of several groups of its motets; and it transmits an unusually high number of unica, due to the anthology’s inclusion in an Artesian chansonnier.

Although the Chansonnier de Noailles has sparked the interest of bibliophiles and scholars since the first half of the 18th century, its faulty polyphonic notation has made editing the motets difficult; past editions have thus been incomplete and relied heavily upon concordant readings.

Above, a page from the chansonnier (click to enlarge); below, one of the works in the collection.

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Seventeenth-century Italian motets with trombones

motets w trombones

The specification of instruments in vocal-instrumental compositions began in the final decades of the 16th century in Italy and gained momentum in the early decades of the 17th, including in church music. Trombones, in particular, were increasingly specified and often used interchangeably with voices.

Seventeenth-century Italian motets with trombones, edited by D. Linda Pearse, (Middleton: A-R Editions, 2014) is a new edition of concerted motets composed between 1600 and 1640 with explicitly labelled parts for trombones; the works are small scale, containing fewer than eight parts (excluding basso continuo). Unlike other editions of similar repertoire, the works selected here provide a representative sample of a significant repertoire and present music of high quality by lesser-known composers whose output is largely unavailable.

Below, Carlo Fillago’s Confitemini Domino, one of the motets included in this edition, performed by ¡Sacabuche!

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Motet database catalog online

Developed by Jennifer Thomas of the University of Florida’s School of Music, Motet database catalog online indexes manuscripts and printed anthologies of motets produced between 1475 and 1600 and contains about 33,000 motet and Mass Proper appearances. Each part of each motet is indexed as a separate record; the total number of records stands at 50,040.

The database allows scholars the flexibility to investigate the motet and its many contexts from multiple vantage points simultaneously by enabling sorting on various fields separately and in combination, a type of inquiry that is not possible on a large scale with printed books. Users can also search for specific words or groups of words, for particular names, or for many items in combination. Scholars with specific questions can isolate the data that will best serve their needs.


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Filed under Renaissance, Resources, Source studies