Tag Archives: England

Take six: Early folk song manuscripts

Sponsored by the English Folk Dance and Song Society, Take six is a searchable online database of the manuscript archives of seven of the U.K.’s most prominent folk song collectors— Janet Blunt (1859–1950), George Gardiner (1852–1910), Anne Gilchrist (1863–1954), Henry Hammond (1866–1910, Sabine Baring-Gould (1834–1924), Francis Collinson (1898–1984), and George Butterworth (1885–1916).

Each of the archives has been completely catalogued and digitized. Most of the documents are songs and tunes, but other manuscript items, such as dances or correspondence, are also included. Many thanks to Tim Radford for bringing this resource to our attention!

Related post: An early Gaelic manuscript

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Filed under Europe, Resources

Nonsense neumes

Built at the behest of Richard Beauchamp, 13th Earl of Warwick (1382–1439), the Beauchamp Chapel at the Collegiate Church of St Mary, Warwick, is a remarkable survival of fifteenth-century architecture, sculpture, and—above all—stained glass. These windows are well known to organologists for their depictions of instruments and performance practice; they also provide useful information about chant and polyphony in fifteenth-century England by preserving fragments of neumatic notation.

Over the centuries craftspeople have restored damaged windows, and, lacking the requisite musical training, they often left replacement staves blank; but in two cases nonsense neumes were devised, supplying consistent-looking décor that most observers would never suspect was counterfeit.

This according to Alexandra Buckle’s “Fit for a king: Music and iconography in Richard Beauchamp’s chantry chapel” (Early music XXXVIII/1 (2010), pp. 3–20).

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Filed under Architecture, Curiosities, Middle Ages, Notation, Visual art

English dance & song

Published by the English Folk Dance and Song Society, English dance & song has appeared at least four times a year since it was launched in 1936. The magazine presents festival listings and other news, interviews with current English traditional and neotraditional performers, and reviews of current publications, as well as brief research-based articles that explore historical documents and current practices.

The Society, which was formed in 1932 by the merger of the Folk-Song Society (founded in 1898) and the English Folk Dance Society (founded in 1911), also publishes a scholarly periodical, Folk music journal.

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Filed under Dance, Europe, Music magazines, World music