David Teie has composed music for cats, and he has published, along with two colleagues, a report on a scientific study demonstrating this music’s efficacy.
The report presents two examples of Teie’s cat music in counter-balanced order with two examples of human music, and evaluates the behavior and response latencies of cats to each piece.
The cats showed a significant preference for, and interest in, species-appropriate music compared with human music (Median (IQR) 1.5 (0.5-2.0) acts for cat music, 0.25 (0.0-0.5) acts for human music (P<0.002) and responded with significantly shorter latencies (Median (IQR) 110.0 (54-138.75) s for cat music, 171.75 (151-180) s for human music (P<0.001). Younger and older cats were more responsive to cat music than middle-aged acts (cubic trend, r2 = 0.477, P<0.001).
“Once I was hipped to Buddy the Cat, I knew that’s my guy. He was a mascot of a record store, living up in Vancouver. They found him living in a suitcase in the alley. I said ‘Okay, I’m there. I can go with that and I know what to say.’”
Buddy is the album’s protagonist—a laid-off, disenfranchised cat who is joined by Lefty the Mouse and Reverend Tom Toad as they travel down the Lost Highways, Cardboard Avenues, and Sundown Towns of a bleak, destitute U.S.
“It’s a tip of the hat to the disappearing of the American working man,” Cooder said, “to the neighborhoods, the way of life, the life that people made for themselves, how they worked, what they achieved…No one’s gonna argue with a cat.”
This according to “Three (or four) chords and the truth: The saga of Ry Cooder and a cat named Buddy” by John Kruth (Sing out! LI/3 [autumn 2007] pp. 52–59).
The main entrance to the New York Public Library for the Performing Arts’s exhibition Lou Reed: Caught between the twisted stars opens up on Lincoln Plaza, directly adjacent to the The Metropolitan Opera house. On a sunny day, the Met’s … Continue reading →
Seven strings/Сім струн (dedicated to Uncle Michael)* For thee, O Ukraine, O our mother unfortunate, bound, The first string I touch is for thee. The string will vibrate with a quiet yet deep solemn sound, The song from my heart … Continue reading →
Introduction: Dr. Philip Ewell, Associate Professor of Music at Hunter College and the Graduate Center of the City University of New York, posted a series of daily tweets during Black History Month (February 2021) providing information on some under-researched Black … Continue reading →
For it [the Walkman] permits the possibility…of imposing your soundscape on the surrounding aural environment and thereby domesticating the external world: for a moment, it can all be brought under the STOP/START, FAST FOWARD, PAUSE and REWIND buttons. –Iain Chambers, “The … Continue reading →