Tag Archives: California

Brian Wilson’s good vibrations

With the passing of Brian Wilson on 11 June 2025–just days before his 83rd birthday–the music world lost one of its most innovative pop composers and producers. As a songwriter, musician, and producer, Wilson co-founded the Beach Boys in 1961 and was the creative force behind the band during its formative years. He wrote, arranged, and produced most of their material during their first five years, crafting a string of 1960s pop classics. The Beach Boys became synonymous with the vibrant themes of Southern California surf culture and youthful fun. With upbeat, danceable hits like Surfin’ U.S.A. (1963), I get around (1964), Fun, fun, fun (1964), California girls (1965), Good vibrations (1966) and many others, they emerged as one of the most successful pop bands of the decade–culminating in a memorable appearance on The Ed Sullivan Show in 1964.

Watch the Beach Boys perform on The Ed Sullivan Show:

https://www.youtube.com/watch?v=QnnFwfewk9c&list=RDQnnFwfewk9c&start_radio=1

The Beach Boys’ carefree, easygoing surf music was characterized by their distinctive vocal harmonies, which quickly became their trademark. Pet sounds–by far the band’s most musically complex and experimental album–was released in 1966 and was deeply inspired by The Beatles’ 1965 album Rubber soul. Widely regarded as one of the most influential records in pop music history, Pet sounds marked a significant artistic leap for the band and for pop as a whole.

Pet sounds cover art.

Wilson also produced singles for other artists, including The Honeys, a female vocal trio that featured his wife, Marilyn, and Glen Campbell. His production style was heavily influenced by Phil Spector; he frequently worked at Gold Star Studios and employed many of the same session musicians Spector used during the 1960s. Wilson recorded all the backing tracks for the Beach Boys’ hits live, without overdubbing, often adding vocals afterward. Due to deafness in one ear, he worked exclusively in mono.

Wilson in the mid-1970s, performing on piano.
Wilson with a goat on the photoshoot for the Pet sounds album cover.

In 1964, Wilson withdrew from live performances to focus on songwriting and studio work. From the late 1960s onward, he also battled depression and substance abuse, eventually stepping away from the music industry entirely for a time. Despite these challenges, he recorded eleven solo albums between 1988 and 2021 and published his autobiography, I am Brian Wilson: A memoir, in 2016. In 2021, Rolling Stone magazine ranked the Beach Boys’ song God only knows at number 11 on its list of the 500 Greatest Songs of All Time.

This according to the entry on Brian Wilson by William Ruhlmann in the Encyclopedia of recorded sound (2005, find it in RILM Music Encyclopedias) and a recently published short obituary in MGG Online.

Related Bibliolore posts:

https://bibliolore.org/2018/08/06/psychedelic-vegetables/

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Filed under Performers, Popular music

The corrido and Cesar Chavez

The corrido is a Mexican folk music that narrates a story or series of events in verse. The genre has developed in northern Mexico and the southwestern United States over the past 200 years. Similar to how the jarabe genre is closely linked historically to Mexican Independence (1810-1821), the corrido is linked with the Mexican Revolution (1910-1917). Unlike the former, the corrido is not typically danceable. It was one of the most popular song manifestations of the early 20th century, although its origin dates back to the Spanish colonial era. In the 18th century, the corrido was a popular type of country song found primarily in the states of Chihuahua, Zacatecas, Guanajuato, Oaxaca, and Guerrero. A significant difference between the corrido and other forms of Mexican narrative song is that corrido verses tend to feature many syllables with narration usually in the second or third person.

Toward the end of the 20th century, drug trafficking or illegal trafficking of narcotics, especially between Mexico and the U.S. southern border, became a popular theme of contemporary corrido songs with the term “narcocorrido” attributed to such songs. According to Rafael Acosta, a professor at the University of Kansas who has studied narcocorridos, the genre narrates the stories of “people who feel, many times justifiably, that they are neglected by state and economic apparatuses and look for possibilities of rebellion and socioeconomic advancement”. Acosta compares the stories in narcocorridos to films and songs about Italian gangsters of the early 20th century or outlaws trafficking moonshine in the era of 1920s prohibition.

Corrido musicians, however, have primarily sung about oppression, history, the daily life of peasants, and other socially relevant topics. For instance, listen below to the song El corrido de César Chávez written by Felipe Cantu and first performed in 1965 at the California state capitol in Sacramento, the endpoint of a three-week march led by Chávez and the United Farm Workers union from Delano to protest unfair practices against farmworkers.

Celebrate the civil rights and labor movement activist César Chávez on 31 March (César Chávez Day) by reading more about the history of the corrido genre in Diccionario enciclopédico de música en México. Find it in RILM Music Encyclopedias.

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Filed under Labor, North America, Politics, Popular music, World music