Category Archives: North America

“Now what a time”

An installment in the Library of Congress’s American memory series, “Now what a time”: Blues, gospel, and the Fort Valley Music Festivals, 1938–1943 presents approximately 100 sound recordings—primarily African American blues and gospel songs—and related documentation from the folk festival at Fort Valley State College (now Fort Valley State University), Fort Valley, Georgia, in 1941 and 1943.

Song lists made by the collectors, correspondence with the Archive about the trips, and a special issue of the Fort Valley State College student newsletter, The Peachite: Festival number, are also included. Notable in this collection is the topical rewording of several standard gospel songs to address the wartime concerns of the performers.

Also included are recordings made in Tennessee and Alabama (including six Sacred Harp songs) by John Work between September 1938 and 1941. These recording projects were supported by the Library of Congress’s Archive of American Folk Song (now the Archive of Folk Culture at the American Folklife Center).

War song, performed by Buster Brown in March 1943, can be heard here.

This post is part of our series celebrating Black History Month. Throughout February we will be posting about resources and landmark writings in black studies. Click here or on the Black studies category on the right to see a continuously updated page of links to all of our posts in this category.

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Folkstreams

Folkstreams is an archive of hard-to-find documentary films about traditional cultures that gives them new life by streaming them on the Internet. Founded in 2002 by the filmmakers Tom and Mimi Davenport, the idea grew out of “our love of filmmaking, a respect for the traditional culture of ordinary Americans, and a desire to get our work to the general public.”

Partnering with Ibiblio, the School of Information and Library Science, and the Southern Folklife Collection, all based at the University of North Carolina at Chapel Hill, Folkstreams preserves and disseminates priceless historical documents, including many whose subjects are music and dance.

Above, the Landis family of Granville County, North Carolina, sings “Jezebel” in  A singing stream: A black family chronicle (Tom Davenport, 1986).

Related post: Pete Seeger, filmmaker

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The Dunn Family Collection

Although he never mentioned it in his published writings, the collector and compiler of traditional Irish tunes Francis O’Neill (1848–1936) made wax cylinder recordings of some of his fellow musicians in Chicago, probably in the late 1890s and early 1900s. Once believed lost, 32 of these recordings were discovered in 2003 when David Dunn opened a suitcase that had belonged to his grandfather, who had been a friend of O’Neill. Dunn brought them to the Ward Irish Music Archives in Milwaukee, which contacted the American Folklife Center for help in digitizing them. Several recordings by the renowned uilleann pipe player Patrick J. “Patsy” Touhey (1865–1923) are included, along with performances by four other luminaries of the Chicago Irish music community.

The recordings now comprise the cornerstone of The Dunn Family Collection, an online exhibit hosted by the Ward Archives that also includes manuscripts, artifacts, photographs, and sheet music collected by the instrument maker and repairer Michael J. Dunn (1855–1935). Dunn was also a captain in the Milwaukee Fire Department, while O’Neill—when he was not pursuing his passion for Irish traditional music—served as Superintendent of the Chicago Police Department.

Thanks to Patrick Hutchinson for alerting us about this collection! Patrick plays the uilleann pipes with Bento Boxty.

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A fiddler's Festschrift

The fall 2010 issue of Goldenseal, a magazine devoted to West Virginia traditions, is a Festschrift for the late senator Robert C. Byrd—as a fiddle player! Festschriften that celebrate politicians are fairly unusual, but it is even rarer for a Festschrift to honor a traditional musician.

Byrd learned traditional fiddling and singing when he was growing up in the mountains of Appalachia. He deployed his talents strategically in his early political campaigns, when he was known as “Fiddlin’ Robert Byrd”. He also performed for the Grand Ole Opry, and recorded an album that has recently been re-released by County Records.

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Omaha Indian music

Part of the online American memory series sponsored by the Library of Congress, Omaha Indian music presents traditional Omaha music recorded in Nebraska in the 1890s and 1980s. This multiformat ethnographic field collection comprises 44 wax cylinder recordings collected between 1895 and 1897 by Francis La Flesche and Alice Cunningham Fletcher, 323 songs and speeches from the 1983 Omaha powwow (above), and 25 songs and speeches from a 1985 concert at the Library of Congress; contextual information is provided by photographs, field notes, and interviews with Omaha tribe members.

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Follow the drinking gourd

In 2008 the technology and publishing executive Joel Bresler created the multimedia website Follow the drinking gourd to share his research into the origins and history of the U.S. song, which was popularized by The Weavers and has been recorded some 200 times and reprinted in over 75 songbooks.

While providing ample documentation of the song’s reception history, this unusual resource probes persistent questions regarding the song’s provenance—not least, whether there is any basis for the idea that it was sung by African Americans during the Underground Railroad era. The site presents discussions by authoritative folklorists exploring such questions, and concludes with an invitation to collaborate by supplying further documentation.

Above, the first known publication of the song (Austin: Texas Folklore Society, 1928).

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Filed under Ethnomusicology, North America, Reception, Resources, Source studies

Program notes

Like souvenir books, program notes may be considered ephemera, but often they are the best sources for information about important productions, festivals, and other events. Some, like Playbill, are issued as numbered periodicals that libraries and individuals subscribe to. Others include original essays by distinguished scholars—for example, the program book for the Smithsonian Institution’s 1997 Festival of American Folklife (above) included articles by the ethnomusicologists Angela Impey, Joyce Marie Jackson, and Jeff Todd Titon.

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Filed under North America, Publication types, World music