In 2009 the music publisher Edition HH launched Fitzwilliam Handeliana, a series of publications of Handelian music inspired by manuscript holdings in The Fitzwilliam Museum, Cambridge. The first volume in the series, Compositions for harpsichord and organ, is a collection of works by the founder himself: Richard, 7th Viscount Fitzwilliam of Merrion (1745–1816). Edited by Gerald Gifford, the museum’s Honorary Keeper of Music, the volume presents rarely seen works by one of Händel’s ardent champions.
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- The Nawāb’s musical bedIn 1882 Sadiq Muhammad Khan Abbasi IV, Nawāb of Bahawalpur, anonymously commissioned a bed in rosewood covered with about a third of a ton of chased and engraved sterling silver from La Maison Christofle in Paris. The bedposts were four life-size … Continue reading →
- Mahler and BeyoncéWhat could a late–19th-century Viennese symphonic genius and an early–21st-century African American pop star have in common? A blood line, according to recent research that has led to the conclusion that Beyoncé Knowles is Gustav Mahler’s eighth cousin, four times … Continue reading →
- Sexual attraction by genreIn an experiment, male and female college undergraduates made and viewed videotaped presentations that included stating a preference for classical music, country music, soft rock, or heavy metal. These preferences were found to influence heterosexual attraction in specific ways. Devotion … Continue reading →
- Not a universal languageThe first meeting and interchange between Māori and Europeans was a musical one. As the Dutch explorer Abel Tasman and his party sailed toward the coast of Aotearoa (now New Zealand) on a December evening in 1642, they saw canoes … Continue reading →
- The Nawāb’s musical bed