Queercore is a loose community of like-minded individuals who have developed a culture of fanzines, films, art, and music. Initiated in Canada and the U.S. during the mid-1980s, queercore spread throughout North America and Europe during the 1990s and 2000s.
The movement was inspired by feminist, postmodern, and queer theories that rejected binary understandings of sexual identity as homosexual/heterosexual and gender identity as man/woman. These theories were put into punk practice to confront heterosexist society.
Central to queercore are all-girl bands whose music confronts lesbian invisibility, misogyny, homophobia, and sexual violence, and who create vital spaces and communities for different ways of doing and being queer. These bands and artists draw on discourses of girlhood, femininity, womanhood, lesbianism, and queerness within radical music-making, lyrics, and performances affiliated with DIY queer culture.
This according to “Queercore: Fearless women” by Val Rauzier, an essay included in Women make noise: Girl bands from Motown to the modern (Twickenham: Supernova books, 2010, pp. 238–58). Above, Team Dresch, one of the bands discussed in the article, in the 1990s; below, one of the band’s more recent performances.