Tag Archives: Pete Seeger

Labor’s troubadour

The musician and union educator Joe Glazer, known as “labor’s troubadour”, made significant contributions to work and union songs through his composition, performance, study, and recording from the 1940s to the 2000s. Although not as widely recognized outside labor circles as Woody Guthrie or Pete Seeger, Glazer played a crucial role in documenting and providing a soundtrack for many of the 20th century U.S. labor movement’s struggles. Glazer, who referred to himself “an agitator for all good causes”, recorded more than 30 albums, wrote a book about labor music, and recruited a new generation of protest singers.

Born in Manhattan on 19 June 1918, Glazer was the son of a tailor in the International Ladies Garment Workers Union. Growing up in the Bronx, he admired crooners like Gene Autry, and often played along with them at home on his guitar. He later joined the textile workers as an assistant education director and capitalized on his boss’s suggestion to use the guitar as a tool to inspire and rally workers. During his travels, Glazer encountered an early version of the song We shall overcome at the Highlander Folk School in Tennessee, which he later recorded with the Elm City Four in 1950. The version he first heard had been adapted from Black tobacco union workers who first sang it on a picket line in 1946.

In 1950, Glazer wrote Too old to work, a protest song inspired by the United Auto Workers’ campaign for occupational pensions. Just four days after Chrysler workers in Michigan adopted the song, the manufacturer capitulated to the union’s demands. The song quickly became a powerful tool for organizers, educators, politicians, and musicians, cementing its place as one of the most influential pension songs in the U.S. labor movement.

This according to “Too old to work: Joe Glazer, labour music, and occupational pensions” by Simon H. Buck, (Comparative American studies 18/3 [2021] 281–301; RILM Abstracts of Music Literature, 2021-10611).

Listen to Solidarity forever and The give away boys by Joe Glazer below.

Solidarity Forever | Joe Glazer | Smithsonian Folkways Recordings (bandcamp.com)

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Pete Seeger’s legacy

 

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Pete Seeger essentially created the folk revival movement in the United States—carrying on the work of Woody Guthrie and helping to spawn the careers of Bob Dylan and Joan Baez, among others—while also linking this movement to political protest and iconoclasm.

As a result of his anti-war crusading and open Communist leanings, Seeger was a central target of the infamous HUAC witch hunts, and was widely blacklisted and condemned. In the process, however, he ended up inventing the college circuit and becoming the cornerstone of the 1960s folk revolution.

Galvanized by the 1998 tribute album Where have all the flowers gone?, the late 1990s and 2000s saw a reawakening of interest in Seeger’s music and cultural legacy, which included Bruce Springsteen’s album-length We shall overcome: The Seeger sessions.

This according to “Voice of America” by Phil Sutcliffe (Mojo February 2007).

Today would have been Seeger’s 100th birthday! Below, his iconic 1968 broadcast of Waist deep in the Big Muddy; the antiwar song was censored by CBS when he taped it for The Smothers Brothers Comedy Hour in 1967, but the following year the network caved to pressure from the show’s hosts and allowed it to be aired.

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Pete Seeger, filmmaker

Seegers 2006

The world knows Pete Seeger as an activist and a performer of traditional and original songs; fewer know of his work as a filmmaker. With his wife Toshi, Seeger documented music and dance performances on hundreds of reels of film between 1955 and 1965.

Having started with a self-produced film of how to play the 5-string banjo, Toshi and Pete branched out into filming the musicians and dancers they came in contact with in their countrywide and worldwide tours. Their subjects include the final performance of Big Bill Broonzy as well as the Irish fiddler John Doherty, the sitār player Imrat Khan, Ghanaian fishermen singing rowing songs, and Indonesian court dancers. The Pete and Toshi Seeger Film Collection was acquired by the American Folklife Center in 2004.

This according to “The incompleat filmmakers: The little-known career of Pete and Toshi Seeger” by Todd Harvey and Stephen Winick (Folklife Center news XXVIII/28 [winter/spring 2006] pp. 3–8). Above, the Seegers in an interview at the Library of Congress in 2006; inset, at the 2009 Clearwater Festival.

Below, the Seegers’ 1964 film Singing fishermen of Ghana.

 

More stories from the American Folklife Center are here.

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