Tag Archives: Musicology

The choral scholar

 

The choral scholar (ISSN 1948-3058), a peer-reviewed journal launched in 2009 by the National Collegiate Choral Organization, is dedicated to “presenting outstanding scholarship related to the study and performance of choral music”—including such topics as conducting and pedagogy, in addition to musicological research; it also welcomes studies that directly involve choral music from fields other than music. The journal’s first issue includes articles on vocal physiology, performance practice, repertoire, and compositional style.

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Filed under New periodicals

Submissions: The old days

Before RILM set up online forms for sending us citations and abstracts, all submissions were made by writing or typing on forms like the one pictured above. We had forms in all necessary languages, color-coded for sorting. As was the case with most manual typewriters, corrections and diacritics all had to be added by hand. After we received completed forms, everything had to be retyped into the database (and, for non-English titles and abstracts, translated into English) at the International Center.

Over the years, countless volunteers have made such contributions to RILM, including some very distinguished figures in musicology and ethnomusicology. The example above was submitted by the preeminent Spanish musicologist José López-Calo (b.1922) for the retrospective project undertaken by RILM’s founder Barry S. Brook in the 1970s—a project that finally reached fruition with the publication of Speaking of Music: Music conferences, 1835–1966 in 2004.

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Filed under From the archives, RILM

International journal of community music

International journal of community musicInternational journal of community music (ISSN 1752-6299) is a refereed journal that publishes research, practical discussions, reviews, readers’ notes, and special issues concerning all aspects of community music.  To define its scope, the editors—David Elliott, Lee Higgins, and Kari Veblen—write: “Just as music and community are situated, contested, contingent, and hard to pin down, so too are concepts of community music as practice and as scholarship. In short, community music is a complex, multidimensional, and continuously evolving human endeavor.” The journal was launched in 2008.

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Filed under Ethnomusicology, New periodicals