Toward the middle of the 13th century B.C.E., shortly after a granddaughter of the great Hittite king married the Ugaritic ruler, a matrimonial scandal shook the kingdom. The first lady of the city-state of Ugarit was accused of disporting herself with the nobles, of “ceaseless enjoyment” with them: the Akkadian word ṣiāḫum (to laugh joyfully, to flirt) was the discreet description of conjugal infidelity.
“To laugh” had been the euphemism for sexual intercourse and physical love for at least 700 years, as is attested in Paleo-Babylonian love songs. Already in Sumerian songs of the beginning of the second millennium B.C.E., the verbs “to delight” and “to utter joyful cries” were used to describe amorous play.
The language of love in Aššurian songs is one of metaphors and discreet allusions; carnal love is mentioned only indirectly, through stock literary devices stemming from a long tradition. Amorous metaphors include “the scent of cedar is your love”, “she seeks the garden of your opulent love”, and “today my heart is full of play and music”.
This according to “La musique des amoureux” by Brigitte Groneberg (Dossiers d’archéologie 310 [février 2006] pp. 50–54).
Above, a Paleo-Babylonian plaque; below, Peter Pringle performs his recreation of an ancient Egyptian song that uses similar metaphors.
Filed under Antiquity, Asia
During 1957 and 1958 Frank Lloyd Wright was working on what might have become his magnum opus: beginning with a commission for an opera house in Baġdād, he developed a far-reaching Plan for Greater Baghdad.
Wright arrived in Iraq in May 1957, just one month short of his 90th birthday, and after two audiences with King Faisal II he left with permission to build an opera house and incorporate it into development of a vast site in the middle of the Tigris River—an uninhabited area that Wright believed was the site of the Garden of Eden.
In July 1957, in a speech back in the U.S., he said “I happen to be doing a cultural center for the place where civilization was invented—that is, Iraq. Before Iraq was destroyed it was a beautiful circular city built by Harun al-Rashid, but the Mongols came from the north and practically destroyed it. Now what is left of the city has struck oil and they have immense sums of money. They can bring back the city of Harun al-Rashid today.”
Unfortunately, following the military coup of July 1958 the project was rejected; it was too extravagant for the military leadership, and too closely identified with the old monarchy.
This according to “Arabian opera nights” by John Allison (Opera LIX/1 [January 2008] pp. 26–30).
Today is Wright’s 150th birthday! Above, his plan for the Crescent Opera House; inset, a drawing of the full cultural center (click images to enlarge); below, a computerized 3-D rendition of the opera house.