Tag Archives: Antonín Dvořák

Banknotes redux

SPIN: Study Platform on Interlocking Nationalisms, a free online resource dedicated to the study of the Romantic period in Western culture, includes a database devoted to iconography on banknotes, with a special section for composers. As of this writing 33 portraits of composers on banknotes are documented therein, all with full-color reproductions and many with annotations as well.

Above, Clara Schumann on a German 100-mark note issued in 1989. Below, Antonín Dvořák assissts with instructions for banknote origami.

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Filed under Iconography, Reception, Resources, Romantic era

Antonín Dvořák, railfan

Dvořák had tremendous admiration for technical inventions, particularly locomotives—in the U.S. he might be called a railfan.

“It consists of many parts, of so many different parts, and each has its own importance, each has its own place,” he wrote. “Even the smallest screw is in place and holding something! Everything has its purpose and role and the result is amazing.”

“Such a locomotive is put on the tracks, they put in the coal and water, one person moves a small lever, the big levers start to move, and even though the cars weigh a few thousand metric cents, the locomotive runs with them like a rabbit. All of my symphonies I would give if I had invented the locomotive!”

This according to Antonín Dvořák: Komplexní zdroj informací o skladateli / A comprehensive information source on the composer, an Internet resource created by Ondřej Šupka. Many thanks to Jadranka Važanová for her discovery and translation of this wonderful quotation.

Today is Dvořák’s 170th birthday! Below, the EuroCity 77 “Antonin Dvorak” leaving Prague for Vienna.

Related article: Johannes Brahms, railfan

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