In a 1922 interview in New York City, Darius Milhaud described how jazz had recently taken the French musical scene by storm, to the delight of young composers like himself.
“Jazz interests us tremendously. We are fascinated and intrigued by the jazz rhythms and are devoting serious study to it. There are new elements of clarity and rhythmic power that were a real shock to us when we heard jazz for the first time.”
“It was in 1919, immediately after the war, that the first jazz band was heard in Paris. To us it was a musical event of genuine import. Music had long been under the domination of the impressionist school. Poetry was the predominating element. Jazz came to us as a good shock—like a cold shower when you have been half asleep with ennui.”
This according to “Jazz, says Darius Milhaud, is the most significant thing in music today” (The musical observer XXIII [March 1923] p. 23; reprinted in Jazz in print 1856–1929: An anthology of selected early readings in jazz history [Hillsdale: Pendragon press, 2002] p. 235).