Tag Archives: Politics

Tanzanian rap and neosocialist moralities

 

Rap songs from Tanzania’s urban youth are especially popular due to two factors: (1) unlike the majority of countries in Africa, Tanzania has a well-established national language, Swahili, which is spoken from one end of the country to the other, and has enabled the emergence of a well-subscribed sentiment of national belonging; and (2) as of 2013, 64% of Tanzania’s population was 25 years old or younger.

Like much youth music, a constant theme for Tanzanian rap is romance and relationships, but social and political critique has also proven emblematic of the genre. With penetrating lyrics, Swahili rappers target those who engage in predatory capitalism and political corruption—elites who hoard resources to accrue ever more wealth, spending it in an ever more conspicuous style, while the majority find their lives made ever more difficult.

This according to “Neosocialist moralities versus neoliberal religiousities: Constructing musical publics in 21st century Tanzania” by Kelly M. Askew, an essay included in Mambo moto moto: Music in Tanzania today (Berlin: VWB: Verlag für Wissenschaft und Bildung, 2016, pp. 61–74).

Above and below, Soggy Doggy’s Nyerere uses clips of Tanzania’s first president, Julius Nyerere, who believed that socialism was the antidote to colonial-era capitalism.

More posts about Tanzania are here.

Comments Off on Tanzanian rap and neosocialist moralities

Filed under Africa, Politics, Popular music

Square dance and cultural politics

In 1988 the U.S. Congress convened four panels of witnesses for and against proposed legislation that would designate square dance as the National American Folk Dance.

Leaders of the nationwide network of recreational clubs that perform what is generally referred to as modem Western square dance campaigned for the bill’s passage, presenting numerous petitions with thousands of signatures gathered from their membership; opponents included recognized African American, Hispanic American, and Native American dance performers, as well as professional folklorists and one square dance caller not affiliated with the sponsoring organizations.

Proponents of the legislation cited the historical depth of square dance in the U.S.—“This form of dance alone can claim a development from the earliest days of our nation, through expansion of our population across the land”—and cited the genre’s association with “old-fashioned values” rooted in the “melting-pot of the dances which our ancestors brought with them when they settled in this nation.”

Witnesses for the opposition noted the absence of people of color from this picture, and generally argued against the whole idea of designating a national dance—“I can’t see how any one dance could be singled out as our National Folk Dance when we are a pluralistic society, a land of geographic, racial, cultural, and religious differences,” testified a representative of the Makah people. “I believe choosing one, any one, would give birth to feelings of resentment and animosity.”

Although the bill was defeated, similar debates continue to this day.

This according to “Reflections on the hearing to designate the square dance as the American folk dance of the United States: Cultural politics and an American vernacular dance form” by Colin Quigley (Yearbook for traditional music XXXIII [2001] pp. 145–57). Below, Bob Dalsemer, the one square dance caller who testified for the opposition.

Comments Off on Square dance and cultural politics

Filed under Dance, North America, Politics