Initially the Ottoman Empire lacked the important ceremonial symbol of a Western-style national anthem, and each sultan from Mahmud II onwards commissioned a march for that purpose. Accordingly, the imperial march of Abdülhamid II was Hamidiye marşı (or Ey velinimet-i âlem, the first words of the text). Before the annexation of Bosnia Hamidiye marşı was of marked political importance there, and the march’s symbolic value made it an integral part of the musical program of various Bosnian Muslim entertainments.
Another frequently performed Ottoman march was Cezayir marşı (Turkish Cezayir “Algiers, Algeria”, or Dezair, as it was known in Bosnia). This march is often attributed to Giuseppe Donizetti (Gaetano’s brother, above); the reference to Algeria is probably due to the French invasion of that Ottoman province in 1830.
This according to “Ottoman music in Habsburg Bosnia-Herzegovina (1878–1918)” by Risto Pekka Pennanen, an essay included in 6. međunarodni simpozij “Muzika u Društvu”: Zbornik radova/6th international symposium “Music in Society”: Collection of papers (Sarajevo: Muzikološko Društvo BiH, 2009, pp. 81–91).
Below, the two marches in question.